Arts & Culture

‘Marie-Antoinette en gaulle’ (1783) by Élisabeth Louise Vigée Le Brun.

Women Paint Women

Rosemary Hill

23 April 2026

The careers of Élisabeth Louise Vigée Le Brun and Maria Cosway required constant, delicate calibration to keep the balance between personal reputation, artistic success and the need to earn a living, for neither was independently wealthy or ‘a woman of rank’. They both had supportive fathers and disastrous husbands who spent their money, failed to nurture their careers and in the end became burdensome. 

Read more about Sacred Parallelogram: Women Paint Women

Holbein and Henry James

Elizabeth Goldring

23 April 2026

‘The Ambassadors’ (1533) On any day​ of the week, you will find a sizeable crowd at the National Gallery standing in front of the painting now known as The Ambassadors: Hans Holbein’s life-sized . . .

Back to the Beach Boys

Ian Penman

23 April 2026

One Sunday​ morning recently I listened, one after the other, to Monteverdi’s Selva morale e spirituale (1641) and the Beach Boys’ Pet Sounds (1966), and it wasn’t in any way jarring. I have to . . .

‘Rose of Nevada’

Gaby Wood

23 April 2026

Bait,​ Mark Jenkin’s first feature film, earned him the Bafta for best newcomer in 2020. Jenkin had been making short films for seventeen years by then. Most of them had been filmed with old cameras . . .

On Soaps

Susannah Clapp

2 April 2026

Not exactly​ an addiction but a compulsion. When I started to write full-time about the theatre, I was fixated on television soaps. Not all of them. I didn’t have an afternoon habit. Just EastEnders . . .

Beware the man whose handwriting sways like a reed in the wind

Anne Carson, 6 March 2025

This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.

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Picasso and Tragedy

T.J. Clark, 17 August 2017

Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.

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Swoonatra

Ian Penman, 2 July 2015

Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.

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Is Wagner bad for us?

Nicholas Spice, 11 April 2013

Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.

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At the End of My Pencil

Bridget Riley, 8 October 2009

As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.

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It’s a playground: Kiarostami et Compagnie

Gilberto Perez, 27 June 2002

A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.

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Noovs’ hoovs in the trough

Angela Carter, 24 January 1985

The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.

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The Raphael Question

Lawrence Gowing, 15 March 1984

When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...

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Dressing and Undressing

Anita Brookner, 15 April 1982

Fashion,​ according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...

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Lam referred to a ‘desire to include in my painting all the transculturation that had occurred in Cuba’ – using a term coined by the Cuban anthropologist Fernando Ortiz to describe the island’s...

Read more about At MoMA: Wifredo Lam Reconsidered

If we imagine Gustave Caillebotte’s paintings as depending on what we might call a ‘cruising eye’ – one that focuses on instances of men watching men, and also instantiates the act of watching...

Read more about Men Watching Men: Caillebotte’s Gaze

At the Norton: Rembrandt in Palm Beach

Michael Hofmann, 19 March 2026

What is it with these Dutchmen? Did human subjects not exist before them? Did they write the book on patience? (All those letters being written and read, those prayers being said, those scholars at their...

Read more about At the Norton: Rembrandt in Palm Beach

At the Wellcome Collection: ‘Expecting’

Christina Faraday, 19 March 2026

There is much room for improvement in today’s maternity care, but few in Britain would choose to give birth in 1506 rather than 2026, and an ultrasound, though magical in its way, is more useful than...

Read more about At the Wellcome Collection: ‘Expecting’

At the Movies: ‘Wuthering Heights’

Michael Wood, 19 March 2026

Almost everything about Wuthering Heights – the artistic photography, the heavy orchestral music, the gestures and speech of the actors – signals the ambitions of a director seeking interesting effects....

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Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of pragmatism, Chantal Akerman was a fine theorist of her own work. She couldn’t understand...

Read more about My Mother’s Prison: Chantal Akerman’s Predicament

Schubert’s​ imagination was unusually literary. Words released music in him: poems about desire, love, loss, solitude, the longing for rest; narrative ballads; philosophical poems; theological poems;...

Read more about Butter wouldn’t melt: Schubert’s​ Imagination

At the National Gallery: Wright of Derby

Clare Bucknell, 5 March 2026

Like darkness, light at its most powerful could disorientate, overpower, blind the senses. Joseph Wright of Derby’s contemporary viewers associated his night pieces with a kind of sublime unclarity,...

Read more about At the National Gallery: Wright of Derby

Expertest Artificers: Tudor Art

Kate Heard, 19 February 2026

Art in Tudor England was more than just decoration. Occupants of a precarious throne, passed down through a series of unexpected heirs (the second son, a minor, two daughters), English monarchs of the...

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At the Movies: ‘The Secret Agent’

Gaby Wood, 19 February 2026

Like Walter Salles’s I’m Still Here, which had a similarly successful run last year, The Secret Agent is set during the military dictatorship in Brazil. Unlike Salles’s film, however, Kleber Mendonça...

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The absence of critical or fresh perspectives on Egyptology and its history, or any of the decolonial approaches that are debated by archaeologists and Egyptologists today, subverts any claims for restitution....

Read more about At the Grand Egyptian Museum: New Pharaonism

On Baya

Susannah Clapp, 5 February 2026

The artistic gift of Fatima Haddad – who chose to be known as Baya – was quickly celebrated. But celebration was entwined with and shadowed by bewildered awe. The painter was a girl. She was young....

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Zip it: Barnett Newman’s Anarchism

Hal Foster, 5 February 2026

For Barnett Newman, what was required was a new kind of painting produced ‘as if painting never existed before’, a painting that would convey the exaltation of its making in the moment of its viewing,...

Read more about Zip it: Barnett Newman’s Anarchism

Georges de La Tour’s scan of the visual field is a stark, bold testing out of basic facets of experience. What is it to face another human, when that person cannot see you? What are humans if not tall...

Read more about At the Musée Jacquemart-André: On Georges de La Tour

At the Movies: ‘Marty Supreme’

Michael Wood, 22 January 2026

Most of the characters in Marty Supreme believe their lives are a kind of movie, and when a character speaks of ‘theatre’ he is not talking about a building but about the agitated world he lives in....

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Diary: Brass Bands

Rachel Armitage, 22 January 2026

Many brass bands were started by factory owners in the belief that music would give their workers purpose, strengthen social bonds and discourage violence and disorder. Outside the industrial heartlands,...

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Faced with a parade of flushed Madonnas and anguished Christs, it would be easy to think that Fra Angelico was somehow apart from the intellectual and interdisciplinary advances we associate with the Renaissance....

Read more about At the Palazzo Strozzi: On Fra Angelico

At the Museo Byron: Byron and Teresa

Clare Bucknell, 25 December 2025

What must it have been like to live cheek by jowl with the man you’d cuckolded? In the early 19th century, for a woman’s cavalier servente to occupy the same household as her husband was not uncommon,...

Read more about At the Museo Byron: Byron and Teresa

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