Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
Paul Marshall’s emergence as a media magnate has surprised many. ‘I totally get UnHerd. That’s who Paul is,’ one person I spoke to said. ‘But I can’t see the purpose of [owning] the Spectator or GB News. Maybe it’s just ego.’ Marshall’s self-definition as a politically homeless classical liberal hardly fits with the man who has spent a fortune on right-wing media outlets.
Yoko Ono has always understood the art – and the absurdity – of playing the long game. In 1989, she told Film Quarterly: ‘Do you know the statement I wrote about taking any film and burying it . . .
The opening of Walter Salles’s haunting new film, I’m Still Here, places us a long way from its later concerns. The shots and action look like an energetic advertisement for Rio de Janeiro as a . . .
This is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my . . .
For British music, 1978 was a year of hesitation. Pop began to admit that it didn’t know what to do with itself as punk evolved into New Wave, which was suddenly on Top of the Pops most weeks. Those . . .
Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.
Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.
Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.
As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.
A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.
‘Studio Vingt-Huit – high up a winding street of Montmartre, in the full blasphemy of a freezing Sunday; taxis arriving, friends greeting each other, an excitable afternoon...
The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.
When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...
Fashion, according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...
Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
Writing about the press by Andrew O’Hagan, Ross McKibbin, Jenny Diski, James Meek, Suzanne Moore, Mary-Kay Wilmers, Alan Rusbridger, Thomas Nagel and Raymond Williams.
Michael Wood looks at how Fritz Lang uses sound in his first two sound films, M (1931) and The Testament of Dr Mabuse (1933).
Nicholas Penny looks through the letters of Prince Hermann von Pückler-Muskau, who visited England in the late 1820s.
Unlike large oil paintings, miniatures demand to be experienced close up. They had the great virtue of being portable – and, therefore, of helping to create intimacy (or the illusion of intimacy) over...
On the morning of 18 April 2023, the chess grandmaster Ding Liren was discussing tactics with his coach. He was due to play game 7 of his world championship match against Ian Nepomniachtchi that afternoon....
Cyclicality – its rhythms, its humour – is central to Nan Goldin’s work. A title such as The Ballad of Sexual Dependency, with its reference to a song, indicates something of the claim the work...
Stanford was among the first composers in Britain to write church music that was not automatically relegated to the background; and it was Stanford who, through being professor of music at both Cambridge...
The point of the show isn’t to prove that reproductions fail to do justice to the original. The curators argue instead that reproductions have much to tell us about the production of art-historical...
Despite the importance of the architectural meaning of the film’s title, the other meaning, the wrong meaning, is also intimately everywhere, and Brady Corbet does tempt us to believe that nothing and...
It's largely thanks to Loach's example that social realism remains a potent and versatile cultural resource for young filmmakers with something to say about working-class experience in Britain here and...
This is what’s weird about Tinguely: what should be forbidding and abstract – mechanised geometries, industrial detritus – is full of personality. Clearly, people were drawn to him, and he was drawn...
Can the art of political photomontage continue to function as print declines and memes both crude and ingenious proliferate?
Trump has annihilated the idea of charisma. The new leader is not above us. He’s on the screen in our hands. We manufacture him: our fingers are just his size. His rambling, vindictive, uninflected shtick...
Abba became a vehicle for a kind of wholesome perversity, a nonconformist conformism: two picture-perfect couples shattered by divorce; four unimpeachable heterosexuals beloved by multiple generations...
Hew Locke asks us to consider imperial power as a grim yet alluring excess of the symbolic, not just as the exercise of brute force. The proliferating connections – from object to object and among the...
Nicola L.’s functional objects ratchet up the intensity: her soft sculptures are laced with menace. A tugged-open drawer for a vagina, a grasped nipple for a handle: this is the female body served up...
Why do architecture and furniture of a century ago still look new, while clothes, cars and even people appear so dated? How did modern design – clean lines, white walls, geometric volumes, open plans,...
In no sense was Frank Auerbach a topographical artist. Primrose Hill, Mornington Crescent and the entrance to his studio were his only external frames of reference from the 1960s. Auerbach’s London...
The global spread of ayahuasca has been driven by two overlapping beliefs in its possibilities: as a life-changing spiritual experience and as a miraculous healing intervention. Both of these bear an at...
The only certainty about the picture is that it shows Francis Williams. No one has ever been able to discover who painted it, when, where or why. And then, a few months ago, everything changed.
The first hour of Anora, Sean Baker says, belongs to the genre of romantic comedy. This makes interesting sense if we are ready to reconsider the meanings of romance and comedy.
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