Arts & Culture

‘Many Mansions’ by Kerry James Marshall (1994).

On Kerry James Marshall

Julian Bell

4 December 2025

Marshall’s work stirs up thoughts that don’t settle. Here’s discursive jujitsu, a categorisation flipped backwards. Here’s an artistic contender intent to brand his act. Here’s a fresh and unfamiliar offer to the retina. You’re kept alert, wondering how best to respond.

Read more about At the Royal Academy: On Kerry James Marshall

On Jean Rhys

Susannah Clapp

4 December 2025

Francis Picabia, ‘Tete de femme’ (c.1941-42)© The Estate of Francis Picabia. Courtesy Michael Werner Gallery. For a long stretch​ of her long life, Jean Rhys was thought to be dead: drowned in the . . .

Church Monuments

Nicholas Penny

4 December 2025

On Sundays​, as a child, I accompanied my mother and siblings to the parish church at Lingfield in Surrey. The services meant very little to me, though my curiosity was awakened by the preference in . . .

‘Frankenstein’

Michael Wood

4 December 2025

What’s​ new? An old song begs our pardon for asking that. Guillermo del Toro’s new film, Frankenstein, is too busy to bother with such a query, but it’s aware of its own prehistory. It knows, for . . .

Protest Photography

Daniel Trilling

20 November 2025

One of the most striking images in Resistance, Steve McQueen’s survey of protest photography in 20th-century Britain (at Modern Two in Edinburgh until 4 January), is a blurry, black and white shot of . . .

Beware the man whose handwriting sways like a reed in the wind

Anne Carson, 6 March 2025

This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.

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Picasso and Tragedy

T.J. Clark, 17 August 2017

Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.

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Swoonatra

Ian Penman, 2 July 2015

Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.

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Is Wagner bad for us?

Nicholas Spice, 11 April 2013

Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.

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At the End of My Pencil

Bridget Riley, 8 October 2009

As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.

Read more about At the End of My Pencil

It’s a playground: Kiarostami et Compagnie

Gilberto Perez, 27 June 2002

A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.

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Noovs’ hoovs in the trough

Angela Carter, 24 January 1985

The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.

Read more about Noovs’ hoovs in the trough

The Raphael Question

Lawrence Gowing, 15 March 1984

When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...

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Dressing and Undressing

Anita Brookner, 15 April 1982

Fashion,​ according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...

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Rambunctious and often offensive, R. Crumb draws freely on pre-existing racial and gender stereotypes, and always draws in the first person. Unlike any previous comic-strip artist (but not unlike a stand-up...

Read more about Desperate Character: Rambunctious R. Crumb

On Nicholas Lanier

Alice Spawls, 6 November 2025

The portrait that I came across so unexpectedly at Frieze Masters doesn’t have the prestige of the Van Dyck or the special interest of the self-portrait, but it is the image that comes to mind whenever...

Read more about On Nicholas Lanier

Carl Gustav Carus made copies of paintings by Caspar David Friedrich, or sought out the locations he had painted, producing works that are so close to the originals that they were often mistaken for them....

Read more about At the National Gallery: View from a Prison Window

The​ title seems a little tame if you haven’t seen the movie. L’Histoire de Souleymane: Souleymane’s Story (or History). For once the problem or the fun has nothing to do with the double meaning...

Read more about At the Movies: ‘L’Histoire de Souleymane’

Hoodoo Man: Dr John and ‘Gris-Gris’

Francis Gooding, 6 November 2025

Beyond or beneath the theatrics there is a disconcerting sense that something much more serious is going on, that all the hokum and stage magic might be misdirection of the sort that enables something...

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Diary: What I Saw at the Movies

Leo Robson, 6 November 2025

Jean Epstein compared going to a movie to entering a state of hypnosis, an aesthetic experience that ‘modifies the nervous system’ much more than reading does. And it would be perverse to deny that...

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It is on the border between the ordinary and the peculiar that Martin Parr likes to work. He points out, more than once, that what is commonplace now will one day be remarkable. Too often the texture of...

Read more about Saturdays at the Sewage Works: Martin Parr’s People

In Her Green Necklace: Mummy Portraits

Elisabeth R. O’Connell, 23 October 2025

The mummy portraits are stunning. Their production began around 30-40 ce, sixty or so years after the defeat of Antony and Cleopatra at Actium and the beginning of Roman rule. This brought to an end almost...

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Avigdor Arikha became the archivist of the everyday: not, it seems, because he sought out the ordinary but because each day invited his urgent attention. He spoke about ‘lying in ambush’ until a subject...

Read more about At the Fine Art Society: Avigdor Arikha’s Prints

The film frame is both Walter Murch’s canvas and his found object. In his editing suite, whether mechanical or digital, he is painting with light and sound, looking for the emotional narrative ‘hook’...

Read more about Every Blink: Walter Murch makes the cut

South London Modern

Owen Hatherley, 23 October 2025

In the late 1960s, the critic Bevis Hillier invented the term ‘Art Deco’ for the commercial architecture of the 1930s – it was used by nobody in that decade. Mid-Century Modern would have been called...

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Short Cuts: China’s Gen Z

Yun Sheng, 9 October 2025

A passive-aggressive ‘lying flat’ attitude is easily dismissed as laziness, but Gen Z-ers have developed a philosophy to counter the accusation. Praising idleness sounds last century; instead, they...

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In the Shoebox: Peter’s Snapshots

Ben Campbell, 9 October 2025

The snapshots in my father’s book were taken during his first three years in London, after he emigrated from New Zealand with my mother. The picture shown here was taken at a Stepney street market....

Read more about In the Shoebox: Peter’s Snapshots

A Different Life: Can cellos remember?

Thomas Laqueur, 9 October 2025

Cellists and violinists in particular are haunted by the musicians who played their instruments before them and those who had taught these ancestors. Even new instruments bear the marks not only of their...

Read more about A Different Life: Can cellos remember?

This show has excited controversy: should we even be talking about damage to antiquities in the context of so much killing? The show’s maps dating from earlier this year, however, make it clear that...

Read more about At the Institut du monde arabe: ‘Trésors sauvés de Gaza’

At the Movies: ‘Highest 2 Lowest’

Michael Wood, 9 October 2025

Highest 2 Lowest is a remake of Akira Kurosawa’s High and Low (1963), which is a loose adaptation of Ed McBain’s novel King’s Ransom (1959). But Spike Lee turns it into a genuine scamper, where the...

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On Rachel Ruysch

Clare Bucknell, 25 September 2025

Ruysch was a meticulous observer of nature, an artist whose insects seem real enough to buzz out of their frames. But her most innovative compositions have an unlikely aspect, a touch of the improbability...

Read more about On Rachel Ruysch

At the Frick: Enthusiastic about Pictures

Elizabeth Goldring, 25 September 2025

Paintings – or perhaps, in the first instance, prints and reproductions – seem to have attracted Henry Clay Frick from a young age. When, in the early 1870s, he applied for a loan from a Pittsburgh...

Read more about At the Frick: Enthusiastic about Pictures

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