Arts & Culture

Still from ’The Secret Agent’ directed by Kleber Mendonça Filho.

‘The Secret Agent’

Gaby Wood

8 February 2026

Like Walter Salles’s I’m Still Here, which had a similarly successful run last year, The Secret Agent is set during the military dictatorship in Brazil. Unlike Salles’s film, however, Kleber Mendonça Filho’s occasionally breaks out of its apparent genre – the political thriller – to pause for a cinematic joke.

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Tudor Art

Kate Heard

19 February 2026

Preaching​ before Edward VI and his council in June 1548, Stephen Gardiner, bishop of Winchester, reflected that ‘in my time hath come many alterations.’ Gardiner was referring to the break with . . .

New Pharaonism

Neal Spencer

5 February 2026

The story​ of archaeology in Egypt usually begins with the Napoleonic expedition of 1798-1801 and Jean-François Champollion’s decipherment of hieroglyphs in 1822. That’s the European side of the . . .

Barnett Newman’s Anarchism

Hal Foster

5 February 2026

Barnett Newman with ‘Jericho’, late 1960s. Barnett Newman​ was an ‘eminence’ in the postwar art world, Amy Newman (no relation) writes in her exhaustive biography; at the time of his death in . . .

On Baya

Susannah Clapp

5 February 2026

‘Woman and Vegetation’ (1945) André​ Breton gave one of the best descriptions: ‘the rocket I’ll call Baya’. He also gave some of the worst: ‘a being as frail as she is talented’, ‘the . . .

Beware the man whose handwriting sways like a reed in the wind

Anne Carson, 6 March 2025

This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.

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Picasso and Tragedy

T.J. Clark, 17 August 2017

Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.

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Swoonatra

Ian Penman, 2 July 2015

Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.

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Is Wagner bad for us?

Nicholas Spice, 11 April 2013

Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.

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At the End of My Pencil

Bridget Riley, 8 October 2009

As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.

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It’s a playground: Kiarostami et Compagnie

Gilberto Perez, 27 June 2002

A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.

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Noovs’ hoovs in the trough

Angela Carter, 24 January 1985

The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.

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The Raphael Question

Lawrence Gowing, 15 March 1984

When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...

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Dressing and Undressing

Anita Brookner, 15 April 1982

Fashion,​ according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...

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Georges de La Tour’s scan of the visual field is a stark, bold testing out of basic facets of experience. What is it to face another human, when that person cannot see you? What are humans if not tall...

Read more about At the Musée Jacquemart-André: On Georges de La Tour

At the Movies: ‘Marty Supreme’

Michael Wood, 22 January 2026

Most of the characters in Marty Supreme believe their lives are a kind of movie, and when a character speaks of ‘theatre’ he is not talking about a building but about the agitated world he lives in....

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Diary: Brass Bands

Rachel Armitage, 22 January 2026

Many brass bands were started by factory owners in the belief that music would give their workers purpose, strengthen social bonds and discourage violence and disorder. Outside the industrial heartlands,...

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Faced with a parade of flushed Madonnas and anguished Christs, it would be easy to think that Fra Angelico was somehow apart from the intellectual and interdisciplinary advances we associate with the Renaissance....

Read more about At the Palazzo Strozzi: On Fra Angelico

At the Museo Byron: Byron and Teresa

Clare Bucknell, 25 December 2025

What must it have been like to live cheek by jowl with the man you’d cuckolded? In the early 19th century, for a woman’s cavalier servente to occupy the same household as her husband was not uncommon,...

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Not Quite Music

Susannah Clapp, 25 December 2025

For Rimsky-Korsakov, the key of A was clear pink; for Scriabin, it was green. Duke Ellington read the flight patterns of birds as musical phrases and saw the D notes of his baritone saxophonist, Harry...

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To be a Garland fan is to have the illusion that you can save her from the wounds of the world, even as her voice and her eyes and her gloriously melodic laugh seem instead to be saving you.

Read more about Two Pins and a Lollipop: Judy Garland’s Greatness

Diary: Louise Bourgeois’s Suitcase

Jo Applin, 25 December 2025

In September​, a suitcase filled with sculptural odds and ends was discovered beneath a spiral staircase in Louise Bourgeois’s house in Chelsea, New York. It had been tucked away behind a rail of clothes...

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A Kouros at the Met

T.J. Clark, 25 December 2025

It is one of the wonders of the world. You round a corner from the Met’s entrance hall and see the sculpture deep in a room to come, framed in a tall narrow door. Light hits the sculpture from the left...

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At the Movies: ‘Frankenstein’

Michael Wood, 4 December 2025

In all versions of the story a human competes with God by creating a living being. The difference in Guillermo del Toro’s version is that the creator doesn’t immediately freak out with horror when...

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Diary: Church Monuments

Nicholas Penny, 4 December 2025

To record the changing conventions of memorial sculpture is to trace the ways in which our ancestors affirmed their faith and stifled doubt, expressed their grief and placated guilt, contrived to assert...

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Marshall’s work stirs up thoughts that don’t settle. Here’s discursive jujitsu, a categorisation flipped backwards. Here’s an artistic contender intent to brand his act. Here’s a fresh and unfamiliar...

Read more about At the Royal Academy: On Kerry James Marshall

On Jean Rhys

Susannah Clapp, 4 December 2025

For a long stretch of her long life, Jean Rhys was thought to be dead: drowned in the Seine, they said. For some of it she was thought to be a fraud. ‘I feel rather tactless being still alive,’ she...

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Rambunctious and often offensive, R. Crumb draws freely on pre-existing racial and gender stereotypes, and always draws in the first person. Unlike any previous comic-strip artist (but not unlike a stand-up...

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At Modern Two: Protest Photography

Daniel Trilling, 20 November 2025

Although the events depicted in Resistance are familiar territory for an exhibition concerned with social history – the Great De­pres­sion, postwar immigrat­ion, Greenham Common, the miners’ strike...

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On Nicholas Lanier

Alice Spawls, 6 November 2025

The portrait that I came across so unexpectedly at Frieze Masters doesn’t have the prestige of the Van Dyck or the special interest of the self-portrait, but it is the image that comes to mind whenever...

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Carl Gustav Carus made copies of paintings by Caspar David Friedrich, or sought out the locations he had painted, producing works that are so close to the originals that they were often mistaken for them....

Read more about At the National Gallery: View from a Prison Window

The​ title seems a little tame if you haven’t seen the movie. L’Histoire de Souleymane: Souleymane’s Story (or History). For once the problem or the fun has nothing to do with the double meaning...

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