Arts & Culture

Still from ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ (1975) by Chantal Akerman

Chantal Akerman’s Predicament

Daniella Shreir

19 March 2026

Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of pragmatism, Chantal Akerman was a fine theorist of her own work. She couldn’t understand why she was seen as an ‘intellectual’ filmmaker, but she has left a rich glossary with which to talk about her films. 

Read more about My Mother’s Prison: Chantal Akerman’s Predicament

‘Wuthering Heights’

Michael Wood

19 March 2026

Emily Brontë’s​ novel, Wuthering Heights, ends in a graveyard where the narrator wonders ‘how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth’. Emerald Fennell’s . . .

Schubert’s​ Imagination

Nicholas Spice

19 March 2026

Had Franz Schubert​ been asked how he had come to write the song ‘Am Meer’ – he, who had never seen the sea and whose knowledge of it was limited to hearsay and the stylised depictions of painting . . .

‘Expecting’

Christina Faraday

19 March 2026

Around​ the year 1500, in Eisenach, Thuringia, a woman gave birth to a mouse. According to rumour, this ‘beautiful and virtuous’ woman had, during her pregnancy, encountered a dormouse on which a . . .

Rembrandt in Palm Beach

Michael Hofmann

19 March 2026

Zbigniew Herbert​, noted lover of Golden Age Dutch painting, decided one day to break with his well-trodden pilgrimages to his favourite museums in Rotterdam and Amsterdam. Instead, he ventured into . . .

Beware the man whose handwriting sways like a reed in the wind

Anne Carson, 6 March 2025

This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.

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Picasso and Tragedy

T.J. Clark, 17 August 2017

Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.

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Swoonatra

Ian Penman, 2 July 2015

Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.

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Is Wagner bad for us?

Nicholas Spice, 11 April 2013

Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.

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At the End of My Pencil

Bridget Riley, 8 October 2009

As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.

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It’s a playground: Kiarostami et Compagnie

Gilberto Perez, 27 June 2002

A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.

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Noovs’ hoovs in the trough

Angela Carter, 24 January 1985

The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.

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The Raphael Question

Lawrence Gowing, 15 March 1984

When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...

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Dressing and Undressing

Anita Brookner, 15 April 1982

Fashion,​ according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...

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At the National Gallery: Wright of Derby

Clare Bucknell, 5 March 2026

Like darkness, light at its most powerful could disorientate, overpower, blind the senses. Joseph Wright of Derby’s contemporary viewers associated his night pieces with a kind of sublime unclarity,...

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Expertest Artificers: Tudor Art

Kate Heard, 19 February 2026

Art in Tudor England was more than just decoration. Occupants of a precarious throne, passed down through a series of unexpected heirs (the second son, a minor, two daughters), English monarchs of the...

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At the Movies: ‘The Secret Agent’

Gaby Wood, 19 February 2026

Like Walter Salles’s I’m Still Here, which had a similarly successful run last year, The Secret Agent is set during the military dictatorship in Brazil. Unlike Salles’s film, however, Kleber Mendonça...

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The absence of critical or fresh perspectives on Egyptology and its history, or any of the decolonial approaches that are debated by archaeologists and Egyptologists today, subverts any claims for restitution....

Read more about At the Grand Egyptian Museum: New Pharaonism

On Baya

Susannah Clapp, 5 February 2026

The artistic gift of Fatima Haddad – who chose to be known as Baya – was quickly celebrated. But celebration was entwined with and shadowed by bewildered awe. The painter was a girl. She was young....

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Zip it: Barnett Newman’s Anarchism

Hal Foster, 5 February 2026

For Barnett Newman, what was required was a new kind of painting produced ‘as if painting never existed before’, a painting that would convey the exaltation of its making in the moment of its viewing,...

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Georges de La Tour’s scan of the visual field is a stark, bold testing out of basic facets of experience. What is it to face another human, when that person cannot see you? What are humans if not tall...

Read more about At the Musée Jacquemart-André: On Georges de La Tour

At the Movies: ‘Marty Supreme’

Michael Wood, 22 January 2026

Most of the characters in Marty Supreme believe their lives are a kind of movie, and when a character speaks of ‘theatre’ he is not talking about a building but about the agitated world he lives in....

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Diary: Brass Bands

Rachel Armitage, 22 January 2026

Many brass bands were started by factory owners in the belief that music would give their workers purpose, strengthen social bonds and discourage violence and disorder. Outside the industrial heartlands,...

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Faced with a parade of flushed Madonnas and anguished Christs, it would be easy to think that Fra Angelico was somehow apart from the intellectual and interdisciplinary advances we associate with the Renaissance....

Read more about At the Palazzo Strozzi: On Fra Angelico

At the Museo Byron: Byron and Teresa

Clare Bucknell, 25 December 2025

What must it have been like to live cheek by jowl with the man you’d cuckolded? In the early 19th century, for a woman’s cavalier servente to occupy the same household as her husband was not uncommon,...

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Not Quite Music

Susannah Clapp, 25 December 2025

For Rimsky-Korsakov, the key of A was clear pink; for Scriabin, it was green. Duke Ellington read the flight patterns of birds as musical phrases and saw the D notes of his baritone saxophonist, Harry...

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To be a Garland fan is to have the illusion that you can save her from the wounds of the world, even as her voice and her eyes and her gloriously melodic laugh seem instead to be saving you.

Read more about Two Pins and a Lollipop: Judy Garland’s Greatness

Diary: Louise Bourgeois’s Suitcase

Jo Applin, 25 December 2025

In September​, a suitcase filled with sculptural odds and ends was discovered beneath a spiral staircase in Louise Bourgeois’s house in Chelsea, New York. It had been tucked away behind a rail of clothes...

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A Kouros at the Met

T.J. Clark, 25 December 2025

It is one of the wonders of the world. You round a corner from the Met’s entrance hall and see the sculpture deep in a room to come, framed in a tall narrow door. Light hits the sculpture from the left...

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At the Movies: ‘Frankenstein’

Michael Wood, 4 December 2025

In all versions of the story a human competes with God by creating a living being. The difference in Guillermo del Toro’s version is that the creator doesn’t immediately freak out with horror when...

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Diary: Church Monuments

Nicholas Penny, 4 December 2025

To record the changing conventions of memorial sculpture is to trace the ways in which our ancestors affirmed their faith and stifled doubt, expressed their grief and placated guilt, contrived to assert...

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Marshall’s work stirs up thoughts that don’t settle. Here’s discursive jujitsu, a categorisation flipped backwards. Here’s an artistic contender intent to brand his act. Here’s a fresh and unfamiliar...

Read more about At the Royal Academy: On Kerry James Marshall

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