Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
Meursault, in Camus’s novel, speaks of the ‘absurd’ life he leads. He also says: ‘It’s common knowledge that life is not worth living.’ A man who killed another man for no reason is convicted for the wrong reason. How could this happen? In their way, the novel and François Ozon’s film both invite another question: how could it not?
The story of the English printing press has no convenient beginning. It makes for inconsistent centennials; a quatercentenary celebration was held in 1877, two quincentenary exhibitions in 1975 and . . .
‘Suburb in Havana’ (1958) by Willem de KooningArtwork © 2026 The Willem de Kooning Foundation/ Artists Rights Society (ARS), New York and DACS, London.Photo: Owen Conway. Courtesy Gagosian. Willem . . .
In the 1938 edition of the Oxford Companion to Music, Percy Scholes defined composition as ‘the culmination of the mental and psychological process of a remarkable and inspired personality’. Even . . .
The cities most closely associated with modernism – Paris, Berlin, Vienna, Zurich – are all European. A number of recent exhibitions have sought to broaden this geography. Tropical Modernism: Architecture . . .
This is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.
Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.
Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.
Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.
As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.
A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.
The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.
When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...
Fashion, according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...
Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
Writing about the press by Andrew O’Hagan, Ross McKibbin, Jenny Diski, James Meek, Suzanne Moore, Mary-Kay Wilmers, Alan Rusbridger, Thomas Nagel and Raymond Williams.
Michael Wood looks at how Fritz Lang uses sound in his first two sound films, M (1931) and The Testament of Dr Mabuse (1933).
Nicholas Penny looks through the letters of Prince Hermann von Pückler-Muskau, who visited England in the late 1820s.
Claire Denis and J. Hoberman join Adam Shatz to talk about the work and legacy of Jean-Luc Godard.
Printmaker, portraitist, landscape artist, theatre designer and illustrator, William Nicholson slips through the fingers of art historians. This exhibition explores the Venn diagram of his career with...
More has probably been written about The Ambassadors than about any other work by Holbein. Is the painting a commentary on the religious divisions threatening to rip apart Christendom in the early 1530s?...
Time is embedded in the way Mark Jenkin works – not just the occasional resurrection but the hand-cranked cameras and hand-processed film. His method involves hearing the fractions of a second ticking...
The careers of Élisabeth Louise Vigée Le Brun and Maria Cosway required constant, delicate calibration to keep the balance between personal reputation, artistic success and the need to earn a living,...
In 1983, Brian Wilson told a reporter: ‘I think ultimately I’m just a sound. I don’t know if I’m a human being.’ This boy-child’s story has recognisable stages: he begins in a kind of innocence,...
Lam referred to a ‘desire to include in my painting all the transculturation that had occurred in Cuba’ – using a term coined by the Cuban anthropologist Fernando Ortiz to describe the island’s...
I listen to The Archers every night, as automatically as I brush my teeth. Yet the episodes are quite often dull and frequently irritating. The cast has at least one dud actor. Characters are more like...
If we imagine Gustave Caillebotte’s paintings as depending on what we might call a ‘cruising eye’ – one that focuses on instances of men watching men, and also instantiates the act of watching...
What is it with these Dutchmen? Did human subjects not exist before them? Did they write the book on patience? (All those letters being written and read, those prayers being said, those scholars at their...
There is much room for improvement in today’s maternity care, but few in Britain would choose to give birth in 1506 rather than 2026, and an ultrasound, though magical in its way, is more useful than...
Almost everything about Wuthering Heights – the artistic photography, the heavy orchestral music, the gestures and speech of the actors – signals the ambitions of a director seeking interesting effects....
Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of pragmatism, Chantal Akerman was a fine theorist of her own work. She couldn’t understand...
Schubert’s imagination was unusually literary. Words released music in him: poems about desire, love, loss, solitude, the longing for rest; narrative ballads; philosophical poems; theological poems;...
Like darkness, light at its most powerful could disorientate, overpower, blind the senses. Joseph Wright of Derby’s contemporary viewers associated his night pieces with a kind of sublime unclarity,...
Art in Tudor England was more than just decoration. Occupants of a precarious throne, passed down through a series of unexpected heirs (the second son, a minor, two daughters), English monarchs of the...
Like Walter Salles’s I’m Still Here, which had a similarly successful run last year, The Secret Agent is set during the military dictatorship in Brazil. Unlike Salles’s film, however, Kleber Mendonça...
The absence of critical or fresh perspectives on Egyptology and its history, or any of the decolonial approaches that are debated by archaeologists and Egyptologists today, subverts any claims for restitution....
The artistic gift of Fatima Haddad – who chose to be known as Baya – was quickly celebrated. But celebration was entwined with and shadowed by bewildered awe. The painter was a girl. She was young....
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