Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
AView of the Sky from a Prison Window, painted in 1823 by the German artist Carl Gustav Carus, now hangs in the National Gallery. It is one of a handful of recent acquisitions, which include an...
During a four or five-year period at the turn of the millennium, I went to the cinema around six hundred times – or, I should say, I saw around six hundred films at the cinema, since many of the visits . . .
Frieze Masters, the more subdued sister of the contemporary art fair, is a reliably rewarding outing for fans of medieval manuscripts, Renaissance armour, Bronze Age spearheads and ancient Egyptian . . .
The initials are hard to decipher, but whoever he was, the French master at Surbiton County Grammar School in 1966 is probably dead by now. Even if he is alive, he is unlikely to recall his exasperated . . .
Most people in most places, past and present, have seen magic as a part of life: potentially dangerous but certainly efficacious, an essential, everyday means of getting things done. A good-luck charm . . .
This is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my brain I find shapes fall apart on me.
Perhaps, then – though the thought is a grim one – we turn to Guernica with a kind of nostalgia. Suffering and horror were once this large. They were dreadful, but they had a tragic dimension.
Sinatra’s sexual charge was like his song: underplayed, tinged with unflappable cool picked up second-hand in the shady cloisters of jazz.
Wagner’s work is everywhere preoccupied with boundaries set and overstepped, limits reached and exceeded.
As I drew, things began to change. Quite suddenly something was happening down there on the paper that I had not anticipated. I continued, I went on drawing; I pushed ahead, both intuitively and consciously. The squares began to lose their original form.
A photograph of Abbas Kiarostami in Hamid Dabashi’s book shows him crouching over a frying pan that has two eggs in it. Beside him, and like him focused on the eggs, is the original movie camera invented by Lumière.
The true foodie knows there is something not quite ... about a coconut kirsch roulade as a concept. It is just a bit ... just a bit Streatham. Its vowels are subtly wrong. It is probably related to a Black Forest gâteau.
When I used to give a survey course for first-year students, I dreaded December. That was when I reached the High Renaissance and my audience fell away. It was not only the alternative seasonable...
Fashion, according to Baudelaire, is a moral affair. It is, more specifically, the obligation laid upon a woman to transform herself, outwardly and visibly, into a work of art, or, at the very...
Writing about colour in the LRB archive by Ian Hacking, Anne Enright, John Kinsella, Alison Light, Julian Bell, David Garrioch, Emily LaBarge and Stephen Mulhall.
Writing about the press by Andrew O’Hagan, Ross McKibbin, Jenny Diski, James Meek, Suzanne Moore, Mary-Kay Wilmers, Alan Rusbridger, Thomas Nagel and Raymond Williams.
Michael Wood looks at how Fritz Lang uses sound in his first two sound films, M (1931) and The Testament of Dr Mabuse (1933).
Nicholas Penny looks through the letters of Prince Hermann von Pückler-Muskau, who visited England in the late 1820s.
Claire Denis and J. Hoberman join Adam Shatz to talk about the work and legacy of Jean-Luc Godard.
The title seems a little tame if you haven’t seen the movie. L’Histoire de Souleymane: Souleymane’s Story (or History). For once the problem or the fun has nothing to do with the double meaning...
The mummy portraits are stunning. Their production began around 30-40 ce, sixty or so years after the defeat of Antony and Cleopatra at Actium and the beginning of Roman rule. This brought to an end almost...
Avigdor Arikha became the archivist of the everyday: not, it seems, because he sought out the ordinary but because each day invited his urgent attention. He spoke about ‘lying in ambush’ until a subject...
The film frame is both Walter Murch’s canvas and his found object. In his editing suite, whether mechanical or digital, he is painting with light and sound, looking for the emotional narrative ‘hook’...
In the late 1960s, the critic Bevis Hillier invented the term ‘Art Deco’ for the commercial architecture of the 1930s – it was used by nobody in that decade. Mid-Century Modern would have been called...
A passive-aggressive ‘lying flat’ attitude is easily dismissed as laziness, but Gen Z-ers have developed a philosophy to counter the accusation. Praising idleness sounds last century; instead, they...
The snapshots in my father’s book were taken during his first three years in London, after he emigrated from New Zealand with my mother. The picture shown here was taken at a Stepney street market....
Cellists and violinists in particular are haunted by the musicians who played their instruments before them and those who had taught these ancestors. Even new instruments bear the marks not only of their...
This show has excited controversy: should we even be talking about damage to antiquities in the context of so much killing? The show’s maps dating from earlier this year, however, make it clear that...
Highest 2 Lowest is a remake of Akira Kurosawa’s High and Low (1963), which is a loose adaptation of Ed McBain’s novel King’s Ransom (1959). But Spike Lee turns it into a genuine scamper, where the...
Ruysch was a meticulous observer of nature, an artist whose insects seem real enough to buzz out of their frames. But her most innovative compositions have an unlikely aspect, a touch of the improbability...
Paintings – or perhaps, in the first instance, prints and reproductions – seem to have attracted Henry Clay Frick from a young age. When, in the early 1870s, he applied for a loan from a Pittsburgh...
John Singer Sargent was a certain kind of rootless American. Born in Italy, where he first learned to sketch and paint, he set foot in the US only at the age of twenty and spent most of his adult life...
At his best, Eno is a model of how to inhabit this role with verve and mischief; at other times you may wonder how exactly he went from playing Cornelius Cardew to producing Coldplay, and what had to be...
While she always insisted that she wasn’t a ‘real’ critic, Parker is more astute than most on matters of style, the literary quality for which repetition is both most necessary and most risky. Doing...
Payne Knight’s greatest desire was that the British Museum would provide the public free access to an unrivalled resource for the study of antiquity and of art. His collection was, first and foremost,...
Linton Kwesi Johnson has maintained that ‘writing poetry or making music ... is not a substitute for hardcore political activism.’ But his poetry was intertwined with that activism: he drew inspiration...
David Lynch’s films seemed to come out of nowhere. That’s what he said, anyway. Ideas were ‘little gifts … They just come into your head and it’s like Christmas morning.’ One moment he would...
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