At the Movies: ‘The Stranger’

Michael Wood, 21 May 2026

Meursault, in Camus’s novel, speaks of the ‘absurd’ life he leads. He also says: ‘It’s common knowledge that life is not worth living.’ A man who killed another man...

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Willem De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary because it is counter everything, versus everything, lost in suburbia. It wants...

Read more about V is for Vagina: De Kooning in Cuba

Printmaker, portraitist, landscape artist, theatre designer and illustrator, William Nicholson slips through the fingers of art historians. This exhibition explores the Venn diagram of his career...

Read more about At Pallant House: On William Nicholson

Rather than the manifestos and self-conscious rejection of inherited tradition seen in European art, Nigerian modernism – insofar as one can generalise about such a heterogeneous period –...

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The notion of the Great Composer – the individual genius, whose inimitable music is an expression of a singular mind – still holds sway. By contrast, the men and women who composed the music discussed...

Read more about What the Maths Mean: Chants and Motets

More has probably been written about The Ambassadors than about any other work by Holbein. Is the painting a commentary on the religious divisions threatening to rip apart Christendom in the early 1530s?...

Read more about At the National Gallery: Holbein and Henry James

Time is embedded in the way Mark Jenkin works – not just the occasional resurrection but the hand-cranked cameras and hand-processed film. His method involves hearing the fractions of a second ticking...

Read more about At the Movies: ‘Rose of Nevada’

Sacred Parallelogram: Women Paint Women

Rosemary Hill, 23 April 2026

The careers of Élisabeth Louise Vigée Le Brun and Maria Cosway required constant, delicate calibration to keep the balance between personal reputation, artistic success and the need to earn...

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In 1983, Brian Wilson told a reporter: ‘I think ultimately I’m just a sound. I don’t know if I’m a human being.’ This boy-child’s story has recognisable stages: he...

Read more about I’m just a sound: Back to the Beach Boys

Lam referred to a ‘desire to include in my painting all the transculturation that had occurred in Cuba’ – using a term coined by the Cuban anthropologist Fernando Ortiz to describe...

Read more about At MoMA: Wifredo Lam Reconsidered

On Soaps

Susannah Clapp, 2 April 2026

I listen to The Archers every night, as automatically as I brush my teeth. Yet the episodes are quite often dull and frequently irritating. The cast has at least one dud actor. Characters are...

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If we imagine Gustave Caillebotte’s paintings as depending on what we might call a ‘cruising eye’ – one that focuses on instances of men watching men, and also instantiates the...

Read more about Men Watching Men: Caillebotte’s Gaze

At the Norton: Rembrandt in Palm Beach

Michael Hofmann, 19 March 2026

What is it with these Dutchmen? Did human subjects not exist before them? Did they write the book on patience? (All those letters being written and read, those prayers being said, those scholars at their...

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At the Wellcome Collection: ‘Expecting’

Christina Faraday, 19 March 2026

There is much room for improvement in today’s maternity care, but few in Britain would choose to give birth in 1506 rather than 2026, and an ultrasound, though magical in its way, is more useful...

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At the Movies: ‘Wuthering Heights’

Michael Wood, 19 March 2026

Almost everything about Wuthering Heights – the artistic photography, the heavy orchestral music, the gestures and speech of the actors – signals the ambitions of a director seeking interesting...

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Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of pragmatism, Chantal Akerman was a fine theorist of her own work. She couldn’t understand...

Read more about My Mother’s Prison: Chantal Akerman’s Predicament

Schubert’s​ imagination was unusually literary. Words released music in him: poems about desire, love, loss, solitude, the longing for rest; narrative ballads; philosophical poems; theological...

Read more about Butter wouldn’t melt: Schubert’s​ Imagination

At the National Gallery: Wright of Derby

Clare Bucknell, 5 March 2026

Like darkness, light at its most powerful could disorientate, overpower, blind the senses. Joseph Wright of Derby’s contemporary viewers associated his night pieces with a kind of sublime unclarity,...

Read more about At the National Gallery: Wright of Derby