At the Norton: Rembrandt in Palm Beach

Michael Hofmann, 19 March 2026

What is it with these Dutchmen? Did human subjects not exist before them? Did they write the book on patience? (All those letters being written and read, those prayers being said, those scholars at their...

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At the Wellcome Collection: ‘Expecting’

Christina Faraday, 19 March 2026

There is much room for improvement in today’s maternity care, but few in Britain would choose to give birth in 1506 rather than 2026, and an ultrasound, though magical in its way, is more useful...

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At the Movies: ‘Wuthering Heights’

Michael Wood, 19 March 2026

Almost everything about Wuthering Heights – the artistic photography, the heavy orchestral music, the gestures and speech of the actors – signals the ambitions of a director seeking interesting...

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Although she often responded to questions with anecdotes and talked about the role of chance and the necessity of pragmatism, Chantal Akerman was a fine theorist of her own work. She couldn’t understand...

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Schubert’s​ imagination was unusually literary. Words released music in him: poems about desire, love, loss, solitude, the longing for rest; narrative ballads; philosophical poems; theological...

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At the National Gallery: Wright of Derby

Clare Bucknell, 5 March 2026

Like darkness, light at its most powerful could disorientate, overpower, blind the senses. Joseph Wright of Derby’s contemporary viewers associated his night pieces with a kind of sublime unclarity,...

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Expertest Artificers: Tudor Art

Kate Heard, 19 February 2026

Art in Tudor England was more than just decoration. Occupants of a precarious throne, passed down through a series of unexpected heirs (the second son, a minor, two daughters), English monarchs of the...

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At the Movies: ‘The Secret Agent’

Gaby Wood, 19 February 2026

Like Walter Salles’s I’m Still Here, which had a similarly successful run last year, The Secret Agent is set during the military dictatorship in Brazil. Unlike Salles’s film, however,...

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The absence of critical or fresh perspectives on Egyptology and its history, or any of the decolonial approaches that are debated by archaeologists and Egyptologists today, subverts any claims for restitution....

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On Baya

Susannah Clapp, 5 February 2026

The artistic gift of Fatima Haddad – who chose to be known as Baya – was quickly celebrated. But celebration was entwined with and shadowed by bewildered awe. The painter was a girl. She was...

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Zip it: Barnett Newman’s Anarchism

Hal Foster, 5 February 2026

For Barnett Newman, what was required was a new kind of painting produced ‘as if painting never existed before’, a painting that would convey the exaltation of its making in the moment of...

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Georges de La Tour’s scan of the visual field is a stark, bold testing out of basic facets of experience. What is it to face another human, when that person cannot see you? What are humans if not...

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At the Movies: ‘Marty Supreme’

Michael Wood, 22 January 2026

Most of the characters in Marty Supreme believe their lives are a kind of movie, and when a character speaks of ‘theatre’ he is not talking about a building but about the agitated world he...

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Diary: Brass Bands

Rachel Armitage, 22 January 2026

Many brass bands were started by factory owners in the belief that music would give their workers purpose, strengthen social bonds and discourage violence and disorder. Outside the industrial heartlands,...

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Faced with a parade of flushed Madonnas and anguished Christs, it would be easy to think that Fra Angelico was somehow apart from the intellectual and interdisciplinary advances we associate with the...

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At the Museo Byron: Byron and Teresa

Clare Bucknell, 25 December 2025

What must it have been like to live cheek by jowl with the man you’d cuckolded? In the early 19th century, for a woman’s cavalier servente to occupy the same household as her husband was not...

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Not Quite Music

Susannah Clapp, 25 December 2025

For Rimsky-Korsakov, the key of A was clear pink; for Scriabin, it was green. Duke Ellington read the flight patterns of birds as musical phrases and saw the D notes of his baritone saxophonist, Harry...

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To be a Garland fan is to have the illusion that you can save her from the wounds of the world, even as her voice and her eyes and her gloriously melodic laugh seem instead to be saving you.

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