The film frame is both Walter Murch’s canvas and his found object. In his editing suite, whether mechanical or digital, he is painting with light and sound, looking for the emotional narrative ‘hook’...

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South London Modern

Owen Hatherley, 23 October 2025

In the late 1960s, the critic Bevis Hillier invented the term ‘Art Deco’ for the commercial architecture of the 1930s – it was used by nobody in that decade. Mid-Century Modern would have been called...

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Short Cuts: China’s Gen Z

Yun Sheng, 9 October 2025

A passive-aggressive ‘lying flat’ attitude is easily dismissed as laziness, but Gen Z-ers have developed a philosophy to counter the accusation. Praising idleness sounds last century; instead, they...

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In the Shoebox: Peter’s Snapshots

Ben Campbell, 9 October 2025

The snapshots in my father’s book were taken during his first three years in London, after he emigrated from New Zealand with my mother. The picture shown here was taken at a Stepney street market....

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A Different Life: Can cellos remember?

Thomas Laqueur, 9 October 2025

Cellists and violinists in particular are haunted by the musicians who played their instruments before them and those who had taught these ancestors. Even new instruments bear the marks not only of their...

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This show has excited controversy: should we even be talking about damage to antiquities in the context of so much killing? The show’s maps dating from earlier this year, however, make it clear that...

Read more about At the Institut du monde arabe: ‘Trésors sauvés de Gaza’

At the Movies: ‘Highest 2 Lowest’

Michael Wood, 9 October 2025

Highest 2 Lowest is a remake of Akira Kurosawa’s High and Low (1963), which is a loose adaptation of Ed McBain’s novel King’s Ransom (1959). But Spike Lee turns it into a genuine scamper, where the...

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On Rachel Ruysch

Clare Bucknell, 25 September 2025

Ruysch was a meticulous observer of nature, an artist whose insects seem real enough to buzz out of their frames. But her most innovative compositions have an unlikely aspect, a touch of the improbability...

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At the Frick: Enthusiastic about Pictures

Elizabeth Goldring, 25 September 2025

Paintings – or perhaps, in the first instance, prints and reproductions – seem to have attracted Henry Clay Frick from a young age. When, in the early 1870s, he applied for a loan from a Pittsburgh...

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In Full Sail: Sargent in London

Abigail Green, 25 September 2025

John Singer Sargent was a certain kind of rootless American. Born in Italy, where he first learned to sketch and paint, he set foot in the US only at the age of twenty and spent most of his adult life...

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Infinite Wibble: Brian v. Eno

Ian Penman, 25 September 2025

At his best, Eno is a model of how to inhabit this role with verve and mischief; at other times you may wonder how exactly he went from playing Cornelius Cardew to producing Coldplay, and what had to be...

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Pretty Garrotte: Why we need Dorothy Parker

Kasia Boddy, 11 September 2025

While she always insisted that she wasn’t a ‘real’ critic, Parker is more astute than most on matters of style, the literary quality for which repetition is both most necessary and most risky. Doing...

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Payne Knight’s greatest desire was that the British Museum would provide the public free access to an unrivalled resource for the study of antiquity and of art. His collection was, first and foremost,...

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Linton Kwesi Johnson​ has maintained that ‘writing poetry or making music ... is not a substitute for hardcore political activism.’ But his poetry was intertwined with that activism: he drew inspiration...

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David Lynch’s​ films seemed to come out of nowhere. That’s what he said, anyway. Ideas were ‘little gifts … They just come into your head and it’s like Christmas morning.’ One moment he would...

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At Tate Modern: ‘Leigh Bowery!’

Brian Dillon, 14 August 2025

For a while, Leigh Bowery touted himself as a legitimate if outré fashion designer, but it’s clear from the Tate show that it was never going to work: he was too addicted to the one-off extravagance...

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Erik Satie is the progenitor of torch songs and lounge music, systems music and minimalism, even (with his later innovation, ‘musique d’ameublement’) muzak and ambient music. Mahler’s influence,...

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Paris was Agnès Varda’s working milieu for most of her life. She approached it at times like a canny native informant, at others like a child enchanted by a sprawling circus whose routines changed from...

Read more about At the Musée Carnavalet: ‘Le Paris d’Agnès Varda’