Literature & Criticism

Portrait of Ludmilla Petrushevskaya.

On Ludmilla Petrushevskaya

Natasha Fedorson

22 January 2026

‘Who’s afraid of Ludmilla Petrushevskaya?’ was the title of an essay that appeared in a Russian émigré literary journal in 1984. Petrushevskaya’s stories – short tales of doomed romance and family conflict set within cramped Soviet apartments – were domestic, small-scale, so why weren’t they being published?

Read more about Men are like road signs: On Ludmilla Petrushevskaya

Gurnaik Johal’s ‘Saraswati’

Adam Mars-Jones

22 January 2026

Gurnaik Johal​’s admirable first novel starts with a piece of miraculous regeneration. Satnam, a Londoner, visits Punjab for the first time since childhood to scatter his grandmother’s ashes (this . . .

Two Poems

Lavinia Greenlaw

22 January 2026

OublietteIn the years of dark listeningto what lay between the seen and the saidI might catch a true thoughtjust as her mind forced it so far downthat it passed through the floor of herselfand into a black . . .

Yeats, Auden, Eliot: 1939, 1940, 1941

Colm Tóibín

22 January 2026

Yeats wrote​ ‘Cuchulain Comforted’ in the South of France on 13 January 1939, fifteen days before he died. In the poem, the implacable warrior has ‘six mortal wounds’. As he nears death, he moves . . .

‘Lieu Vague’

Anne Carson

25 December 2025

1breakfast is ready Dadhappy birthday to you it’s not my birthdayyou better get a move on sit down Dadwho’s been using my razor you don’t have a razorwhy don’t you just bugger off sit down eat . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

Read more about Get a Real Degree

Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

Read more about Vermicular Dither

Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

Read more about Le pauvre Sokal: the Social Text Hoax

The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

Read more about The Fatness of Falstaff

Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

Read more about Diary: On the Booker

Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

Read more about Sounding Auden

Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

Read more about Fairy Flight in ‘A Midsummer Night’s Dream’

Scattered Alphabet: On Susan Howe

Ange Mlinko, 25 December 2025

Reading the work​ that Susan Howe has produced over the past half century, one marvels at the consistency and depth of her inquiry. If much of her writing sounds like the apotheosis of Eliotic impersonality,...

Read more about Scattered Alphabet: On Susan Howe

The universe has no centre. What Pynchon has mapped is a world that is continuous and connected, where borders, however securitised, are porous. Drop a pin on the map, anywhere on the map, and that’s...

Read more about Land of Milk and Cheese: Pynchon’s World

Poem: ‘The Badger’

Nick Laird, 4 December 2025

Driving from Durrus to Ballydehobto see for myself the family farmhousethey burned my grandmother out ofa hundred years ago the hedgerowon my right gives way to intermittentflashes of the lovely...

Read more about Poem: ‘The Badger’

She is the situation: ‘Big Kiss, Bye-Bye’

Maureen N. McLane, 4 December 2025

Claire-Louise Bennett’s novel Big Kiss, Bye-Bye activates and resists our expectations about testimony, confessionalism, narrative access; our presumption that we know just how the accent is falling...

Read more about She is the situation: ‘Big Kiss, Bye-Bye’

Only foam comes out: Vallejo in English

Michael Hofmann, 4 December 2025

Cé​sar Vallejo is Yeats’s poet with the sword upstairs. Everything about him seems to burn with intensity. He burned through zarzuela Spanish, making it into a language of monosyllables, blurts, inventions,...

Read more about Only foam comes out: Vallejo in English

Robert Frost’s poetry has a way of lifting its gaze – with a heightening of register, a grand image, a weighty allusion – and seeming to dare you to shake your head in disbelief. ‘You think this...

Read more about Discord and Fuss: Robert Frost’s Ugly Feelings

Poem: ‘Demonstration’

Jorie Graham, 20 November 2025

I took off my glasses& pocketed them.I took out my eyes& tossed them upfor the crows to catch& turn tonotes. I feltthe wind. The one crowlanding on the rankingbranch. Staringat me....

Read more about Poem: ‘Demonstration’

In Ruth, Kate Riley layers two views of the church: on the one hand, a hidden but unquestionable authority, ‘like some pulsing larval queen’; on the other, a fretful collective of brothers and sisters...

Read more about Abridged Cow Skeleton: Kate Riley’s ‘Ruth’

No Illusions: Syntax of Slavery

John Kerrigan, 20 November 2025

Slavery was accepted across most of the early modern world. No one wanted to be a slave, except when the alternative was being executed after a battle, or made a human sacrifice, but the institution was...

Read more about No Illusions: Syntax of Slavery

Poem: ‘Garnets’

Patricia Lockwood, 6 November 2025

I’m glad he’s gone my father said.But that was the beginningOf my obsession with garnets.He did cure my husband in the end,Just as I had jokingly wishedHoped requested. Begged,Prayed...

Read more about Poem: ‘Garnets’

It’s for dorks: Michael Clune’s ‘Pan’

Christian Lorentzen, 6 November 2025

When Michael Clune’s character in Pan alights on Proust in the course of his daily writing practice, he learns a mode of ‘redescription’ for the narrative of his life. Clune is also describing his...

Read more about It’s for dorks: Michael Clune’s ‘Pan’

Story: ‘Mango’

Diane Williams, 23 October 2025

He was holding up his shoe, inspecting the sole of it, and barely balancing on one leg, when I first saw him. I had asked him about the shoes – and he said any sort would do – that it...

Read more about Story: ‘Mango’

For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...

Read more about Chi Chi Trillip Trillip: Jorie Graham looks ahead

Poem: ‘Enheduanna’s Song’

Robert Crawford, 23 October 2025

A version in Scots of a Sumerian hymn to the goddess of love and war, attributed to the priestess Enheduanna of Ur (fl. 2255 BCE), the world’s earliest identifiable author. As well as...

Read more about Poem: ‘Enheduanna’s Song’

Virginia Woolf admired Jane Austen above all for her ability to grasp the exceptional moment – ‘in which all the happiness of life is collected’ – as it arises out of and then subsides back into...

Read more about Unconditional Looking: Mrs Dalloway’s Demons

Kebabs are consequential: On Kiran Desai

Adam Mars-Jones, 23 October 2025

Comedy can mean either the active incitement of laughter or a set of literary conventions. If a fair proportion of Kiran Desai’s Loneliness of Sonia and Sunny is comedy in the first sense, all of it...

Read more about Kebabs are consequential: On Kiran Desai

Ouvriers de luxe: Author v. Publisher

Julian Barnes, 23 October 2025

Gustave Flaubert’s first three novels, Madame Bovary, Salammbô and L’Éducation sentimentale, were all published by Michel Lévy. The relationship, as established by Flaubert, was quite straightforward:...

Read more about Ouvriers de luxe: Author v. Publisher

Poem: ‘Clearing’

Maureen N. McLane, 9 October 2025

morning mist and cloudfaint on the mountaina god is moving his faceover the waters a godin the cleft in the pass up theghyll the scramblers maketheir way also up –yesterday  ...

Read more about Poem: ‘Clearing’

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences