Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Alasdair Gray’s illustrations tumbled out like a William Blake vision: boggle-eyed angler fish, flying horses, crying demons, brain babies, Amazonian women, scenes of bacchanalia: a smorgasbord of grotesquerie.
Dino Buzzati’s novel The Singularity was published in Italian in 1960 but set in 1972. Just a small leap into the future, but far enough for the second date to be that of Buzzati’s death. A coincidence . . .
Early in Playboy, the first book in Constance Debré’s trilogy of novels about a woman whose life closely resembles Debré’s own, the narrator describes the feelings of intense boredom she began . . .
‘The defining feature of a tragedy is that we know how it will end,’ a character tells us towards the end of Clean, Alia Trabucco Zerán’s latest novel. ‘And yet, for some reason, we carry on reading.’ . . .
It isn’t necessarily a good thing when a publisher brings out a writer’s uncollected stories. More is sometimes less. Barrels are scraped, doubts – often the writer’s own, if she or he is no . . .
When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
Paul de Man was born in 1919 to a high-bourgeois Antwerp family, Flemish but sympathetic to French language and culture. He studied at the Free University of Brussels, where he wrote some pieces...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Writing by Nobel Prize winners from the LRB archive: Kazuo Ishiguro, Doris Lessing, Seamus Heaney, Isaac Bashevis Singer, John Hume, Nadine Gordimer and Amartya Sen.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work,...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
Marx meant Capital to read as if it were a pedagogical exercise in dispelling illusion, penetrating the veil that bourgeois economists had draped over a system that depends on the exploitation of labour...
Beyond Gurnah’s postcolonial perspective is an understanding of the trauma all people suffer when they’re sundered from what they know. His own uprooting came at the age of eighteen, when he flew with...
Donne’s triumphant ‘Death, thou shalt die’ has nothing on the apophatic reversals of László Krasznahorkai’s metaphysics, where art exposes the scrim between us and non-being.
Would it have made a difference to read Monsieur Teste earlier? I have always had a taste for not-quite-novels, but I suspect this would always have been too much of a not-quite-a-not-quite-novel for...
In the new memoir as well as in L’Étoile rose Fernandez insists on the political dimension of homosexuality, the obligation it brings to question every value, and expresses disdain for those gay men...
The main business of almost all Jane Austen’s fiction is to portray that brief period in a young woman’s life when she is at the height of her charms and about to surrender them for ever to a more...
This is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my...
All Fours, July’s second novel, is about a ‘semi-famous’ interdisciplinary artist whose work is filled with ‘unlikely couplings, unauthorised sex, surrealism and a shit ton of lesbianism’. It...
Dionne Brand writes about pain, but her poems use obscurity and abstraction to keep lyric intimacy at bay. This extends to their multiple first-person subjects. She has warned readers not to mistake the...
It’s a big book, some say the best. Freud: ‘The Brothers Karamazov is the most magnificent novel ever written.’ Einstein: ‘The most wonderful thing I’ve ever laid my hands on’. Joyce talked...
All of David Szalay’s stories point up the body’s indifference to the plans the will seeks to impose, its capacity to torment a person with inappropriate desire, or to carry on regardless of success...
In general, New Left Review is immune to the appeal of actually existing electoral democracy and sceptical about the winners of the day, especially if they happen to be Labour or the Democrats. One envies...
The Stepdaughter (1976), Caroline Blackwood’s first novel, was published when she was 44 and married to Robert Lowell. The seven years they spent together transformed her from an occasional magazine...
Women who write about women drinking and writing and sleeping around have until recently been dismissed as less serious, less ‘universal’, than men who write about men drinking and writing and sleeping...
Children’s books, to a great extent because they are written for those who cannot participate in the market, can offer resistance to a vision of the good life which is a built on a hegemony of acquisition....
When Elfriede Jelinek was awarded the Nobel Prize in 2004, the committee praised ‘her musical flow of voices and counter-voices’, which ‘reveal the absurdity of society’s clichés and their subjugating...
‘American unreason’ is the atmosphere that pervades Small Rain, which is in part about how a near-death experience puts one in confrontation with the American myths of independence and agency. Garth...
Rochester could ruin anything. ‘Even his most elegant verse often resounds with the crash of breaking glass,’ Barbara Everett wrote. Germaine Greer called him ‘a poet against his better judgment’,...
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