Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
John Clare’s tombstone in Helpston declares that ‘A poet is born not made,’ echoing sentiments expressed during his lifetime. In 1822 the Eclectic Review noted that ‘such a poet as John Clare, education could not have made, nor could adversity destroy’ – a challenge to fate if ever there was one. Clare was undoubtedly a victim of his circumstances, but those circumstances also afforded him a peculiar education.
I n a 2002 speech marking the centenary of Zola’s death, Jacques Chirac said that ‘to speak of Émile Zola is quite simply to speak of France … of this France which … . . .
I n 1963 Shelagh Delaney published a story based on the hate mail and begging letters she received when A Taste of Honey made her famous. ‘It is probably fair to say that it is one of the . . .
R alph Ellison described Invisible Man as an account of his narrator’s movement from ‘purpose to passion to perception’, terms borrowed from the critic Kenneth Burke. By the time . . .
Beyond the range of the dog, I knew there were snaky corridors at Meara’s, as well as a door that leads to a garden with the big round pond, which is a big surprise in summer, presenting its challenge . . .
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction....
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
The title, Switzy, is a flippant nickname for Switzerland, a place like old age: snow-topped, dim and cold. Emma Cline’s novel hums with luxury: the private plane, the voguish hotels and restaurants,...
Fredric Jameson seemed to me to have read absolutely everything. He was the very antithesis of the intellectual type I think of as an empty theoriser, by which I mean someone who endlessly conjectures...
Luke Kennard’s Black Bag spans several genres while not belonging to any of them. It’s not quite a campus novel but has things to say about what it’s like to teach at a university. It’s...
In storm, the rain drives hard into the choppy canals –churning them white against this glittering grey.The lagoon, no longer black and flat, seems part of the rainand splashes back all day,...
Alexander Pope’s works are full of the voices and characters of other people, friends and enemies, the living and the dead, and his writings are intensely committed to ideas of companionship and...
With its crude Courier typeface, Fuck You/ A Magazine of the Arts was the publishing equivalent of a punk 7-inch single – spontaneous and scabrous, capturing the raw energy of the moment. Or, to...
Hoopoe is the thingWith feathers, and a crest,Or else a thing with feathers,Striped wings, and tawny breast.*(I never saw a hoopoe –Unless I was alone –Except some interloperTook out...
We are left, a third of the way through The Disappearers, with a feeling of absolute outrage, when outrage is no more than anger in the key of helplessness. Outrage leads nowhere; violence freezes time...
Literary criticism is a supremely occasional skill, where you have to be bold enough to operate where there aren’t any clear rules and make up your own, and decide for yourself what you think, and...
In Francis Spufford’s Nonesuch it isn’t only the author but his characters who can change history. Iris and Geoff learn of a portal that was discovered by a 17th-century alchemist, Hieronymus...
door in the cloudsor was it a holesmall bird on the scotch pine’s branchnorth wind, thundera raspberry summerthe thrushes are backthe flooded cityawash in insurerswho’s getting...
A thread of light travelled through the beadWith the map of the world on it.No one’s keeping the plot I said.The marriage plot, man versusWilderness plot – there are more,But I forget....
In February 1840, Alfred Tennyson was in a bad way, argumentative and restless. Thomas Carlyle, whose own public career was taking off, doubted how far Tennyson would rise: ‘He is often unwell;...
Quite naturally, as with any truly original writer, one had to learn how to read Firbank. A certain clue-seeking and backtracking habit was necessary, and part of the fun. The truth dawns on you, and...
so how’s it going with the Parkinson’s? you say and I startto say every moment bleeding to death around me but thetherapist cautioned me yesterday don’t say dread call...
For Stewart, this is what poetic process is: the closely observed emergence of empirical knowledge out of chaos, confusion, darkness. But she is not only a theorist; she has always alternated books of...
Joyce stands out among the great modernist writers for his belief in tolerance, equality, democracy, progress and the preciousness of the everyday. If he is outrageously experimental, he is also...
‘What’s the point of an alien artefact you can recognise?’ Harrison asked in Wish I Was Here. ‘As a branch of the fantastic, science fiction should accept that its currency is...
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