Literature & Criticism

Illustration of people looking at each other.

On Nicola Barker

Leo Robson

2 April 2026

Nicola Barker’s explorations have taken her to 19th-century India and a post-metaphysical future. Yet British banality has retained its allure, and its uses. Her work is full of people called things like Bill and Jim. 

Read more about Toxic Inner Critic: On Nicola Barker

Adventures of Raffles

Ferdinand Mount

2 April 2026

Revisiting​ old haunts is a hazardous pastime. The beloved buildings may look smaller or shabbier, the unforgettable view is ruined by the new solar farm, the once fascinating characters in the novel . . .

Early Modern Women’s Writing

Katie Ebner-Landy

2 April 2026

Dare you but write, you are Minerva’s bird,The owl at which these bats and crows must wonder,They’ll criticise upon the smallest word:This wanteth number, case, that tense and gender.If​ you think . . .

How to write about fascism

Dinah Birch

2 April 2026

In June​ 1934, Richmal Crompton published ‘William and the Nasties’ in the Happy Magazine, an interwar journal that provided readers with a cheerful stream of popular fiction. In this story, William . . .

Eliot on the Run

Stefan Collini

19 March 2026

Humankind,​ he told us himself, ‘cannot bear very much reality’. One way to escape having to confront that disagreeable element was to go into hiding. For much of the second half of his life, T.S . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

Read more about Le pauvre Sokal: the Social Text Hoax

The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Poem: ‘Actual Outer Margins’

Ian Patterson, 19 March 2026

Once at a gate with cherries. Know this quickly buried nowor less to file history brief stuffed full of pen force, the timeit takes to various accounts echoing in my library to ensurepassage broke...

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Solvej Balle’s serial novel takes the idea of repetition and uses it to make these ancient, impossible problems of time new again. What is astonishing about her novel is the way she makes us see that...

Read more about Bleeding in the Dishes: Solvej Balle’s Time Loop

In all of Flannery O’Connor’s work, there isn’t a single character you could describe as admirable, or even vaguely sympathetic. O’Connor said that her interest in such unedifying types was an...

Read more about Atheist with a Wooden Leg: Flannery O’Connor’s Judgments

Poem: ‘Phoenix’

Don Paterson, 5 March 2026

Once, they caught me in a snareand plucked me to the pinkand left my feather-shafts to curein salt and flowers of zincthey rolled them up in mutton fatand set them by their cotsthen dealt my flesh...

Read more about Poem: ‘Phoenix’

Adèle Yon says that she enjoys it when the archives lose their footing (‘perdent les pédales’), revealing their ‘polyphonie’ and ‘artifice’. Sometimes, though, when the evidence reveals its...

Read more about Do lobotomies have a smell? Adèle Yon’s ‘Mon vrai nom est Elisabeth’

Poem: ‘From ‘Daybook’’

Maureen N. McLane, 5 March 2026

a dead queen a red kingan orange polis crashwhere is the high styleo poet the republic requires& where the Polish heroes& can the heroic be generalcommunal asks the engorgedpopulace we we...

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The first few pages of Into the Weeds give the impression of someone starting to regret that she ever agreed to conduct a behind-the-scenes tour of what amounts in the four volumes of the uniform edition...

Read more about Little and Large: Lydia Davis’s Method

Poem: ‘You Shall Not Speak’

Jorie Graham, 19 February 2026

your mind. Turnaround. Lookthe other way.Is there anotherway. Go ahead. Try to positthe future. It’sjust down there she sd, hesd, the bodies torn topieces sd, the skins like rags,the bloody...

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Pluralism and the Modern Poet

Seamus Perry, 19 February 2026

‘Art arises,’ Auden writes, ‘out of our desire for both beauty and truth and our knowledge that they are not identical.’ We want things two ways, which analysis says we cannot have; but for a...

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That’s a body: On Cristina Rivera Garza

Chris Power, 19 February 2026

Despite her novel’s conventional set-up, Rivera Garza isn’t interested in fulfilling the murder mystery contract. When a detective tells someone ‘you’re the prime suspect in this case,’ it’s...

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Betwixt and between is a strange place for any major writer to be more than a decade and a half after their death, and Updike’s standing in the literary hereafter remains profoundly iffy. It’s one...

Read more about What you can get away with: Updike Reconsidered

Story: ‘For Those Who Have Been Charmed’

Diane Williams, 5 February 2026

Good luck itself has a releasing effect on the spine, she was surprised to discover. She counted on some extra good luck and would try to feel kindred with the hunched figures advising her. He was...

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Poem: ‘Nursery Song’

Rae Armantrout, 5 February 2026

Counting came first,then worry.Was someone missing?‘First’ came afterwards.                *Worry came...

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Holding the Skin Girdle: On Olga Ravn

Ange Mlinko, 5 February 2026

The Danish writer​ Olga Ravn has recently published two short novels, one set in the future and one in the past. Both concern insular societies whose members turn on one another with fatal consequences....

Read more about Holding the Skin Girdle: On Olga Ravn

Two Poems

Lavinia Greenlaw, 22 January 2026

OublietteIn the years of dark listeningto what lay between the seen and the saidI might catch a true thoughtjust as her mind forced it so far downthat it passed through the floor of herselfand...

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More than one variety of omniscience is on show in Saraswati. What is referred to as an omniscient narrator is usually one able to slip in and out of the minds of a modest number of characters, something...

Read more about ‘I’m not a radical, Dad’: Gurnaik Johal’s ‘Saraswati’

Yeats, Auden, Eliot: 1939, 1940, 1941

Colm Tóibín, 22 January 2026

Who​ was English; who was American? If Auden was English, was T.S. Eliot American? Or was it the other way around? Eliot’s own reply in 1953 was: ‘I do not know whether Auden is to be considered...

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‘Who’s afraid of Ludmilla Petrushevskaya?’ was the title of an essay that appeared in a Russian émigré literary journal in 1984. Petrushevskaya’s stories – short tales of doomed romance and...

Read more about Men are like road signs: On Ludmilla Petrushevskaya

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