Literature & Criticism

Mary Lavin sets the scene

John Kerrigan

5 November 2026

Mary Lavin published some of the finest short stories since Joyce, along with two novels, children’s books and a clutch of poems, and the scale of her achievement was recognised by J.D. Salinger, Eudora Welty and V.S. Pritchett. But as her liberal, educated Catholic Ireland slipped into the past, and lost some of its credibility by association with a disgraced Church, her work too faded from view. Now she is being rediscovered.

Read more about Zeno’s Tortoise: Mary Lavin sets the scene

Fanny Howe’s Disobedience

Maureen N. McLane

5 November 2026

S ome people​ convert to Catholicism to answer their doubt, others to give their doubt shelter. Fanny Howe belonged to the latter party. ‘Did I have faith or was it hype,’ she asks in . . .

‘The Vivisectors’

Jordan Kisner

5 November 2026

M issouri Williams’s​ novels are vicious, lurid and raucously nihilistic. Her first book, The Doloriad (2022), is set outside a ruined Prague, where an incestuous clan – the only known . . .

‘9 October’

Anne Carson

5 November 2026

Yesterday I won the Nobel Prize.Odd day . . .

Two Poems

Lavinia Greenlaw

5 November 2026

Sometimes We Are in the Same CityAfter Rilke/After TsvetaevaHalf a life half my life a half-lifewere/are you?Such immediate/such fittingrecognitionwe floated into place. What next/what more?Absence contrived . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Story: ‘He Seemed a Little Excited’

Diane Williams, 22 October 2026

Beyond the range of the dog, I knew there were snaky corridors at Meara’s, as well as a door that leads to a garden with the big round pond, which is a big surprise in summer, presenting its...

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If Invisible Man risked a too easy transcending of the pain it described, fulfilling one half of the ‘tragicomic’ or ‘blues’ formula but stinting on the other, Ralph Ellison’s...

Read more about Sick of the Subject: Ralph Ellison’s Interventions

Four Pints of Gelato: ‘Switzy’

Ange Mlinko, 22 October 2026

The title, Switzy, is a flippant nickname for Switzerland, a place like old age: snow-topped, dim and cold. Emma Cline’s novel hums with luxury: the private plane, the voguish hotels and restaurants,...

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On Shelagh Delaney

Susannah Clapp, 22 October 2026

Shelagh Delaney had written A Taste of Honey when she was nineteen; it took her ten days. It was staged by Joan Littlewood’s Theatre Workshop in 1958 and filmed by Tony Richardson in 1961. She had...

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Eejip-Eejip: John Clare’s Circumstances

Camille Ralphs, 22 October 2026

Clare was born in 1793 in the village of Helpston in Northamptonshire. When the bookseller Ned Drury met him in 1819, he immediately saw an opportunity to market him as a ‘peasant poet’. Describing...

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Fredric Jameson seemed to me to have read absolutely everything. He was the very antithesis of the intellectual type I think of as an empty theoriser, by which I mean someone who endlessly conjectures...

Read more about Fredric Jameson as Reader: Fredric the Great

Near a Dying Star: Reflections on Zola

Michael Wood, 22 October 2026

There is a less binary way of thinking about the real and the imaginary and we slip into it (perhaps without knowing) as soon as we start to read almost any novel by Zola. Crudely evoked, the movement...

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Sudden Breadknife Frenzy: ‘Black Bag’

Blake Morrison, 8 October 2026

Luke Kennard’s Black Bag spans several genres while not belonging to any of them. It’s not quite a campus novel but has things to say about what it’s like to teach at a university. It’s...

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In storm, the rain drives hard into the choppy canals –churning them white against this glittering grey.The lagoon, no longer black and flat, seems part of the rainand splashes back all day,...

Read more about Poem: ‘Venetian vedute (acqua alta e inverno)’

Alexander Pope’s works are full of the voices and characters of other people, friends and enemies, the living and the dead, and his writings are intensely committed to ideas of companionship and...

Read more about Wants, Frailties, Passions: Pope amuses himself

With its crude Courier typeface, Fuck You/ A Magazine of the Arts was the publishing equivalent of a punk 7-inch single – spontaneous and scabrous, capturing the raw energy of the moment. Or, to...

Read more about Boxed into Our Language: Mimeo-Revolutionaries

Poem: ‘Four Ways of Looking at a Hoopoe’

A.E. Stallings, 24 September 2026

Hoopoe is the thingWith feathers, and a crest,Or else a thing with feathers,Striped wings, and tawny breast.*(I never saw a hoopoe –Unless I was alone –Except some interloperTook out...

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Like Buying a Bag of Mints: On Marlon James

Adam Mars-Jones, 24 September 2026

We are left, a third of the way through The Disappearers, with a feeling of absolute outrage, when outrage is no more than anger in the key of helplessness. Outrage leads nowhere; violence freezes time...

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Good Weird or Bad Weird: Uses of Criticism

Colin Burrow, 10 September 2026

Literary criticism is a supremely occasional skill, where you have to be bold enough to operate where there aren’t any clear rules and make up your own, and decide for yourself what you think, and...

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In Francis Spufford’s Nonesuch it isn’t only the author but his characters who can change history. Iris and Geoff learn of a portal that was discovered by a 17th-century alchemist, Hieronymus...

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Poem: ‘Fire’

Maureen N. McLane, 13 August 2026

door in the cloudsor was it a holesmall bird on the scotch pine’s branchnorth wind, thundera raspberry summerthe thrushes are backthe flooded cityawash in insurerswho’s getting...

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Poem: ‘The World’

Patricia Lockwood, 13 August 2026

A thread of light travelled through the beadWith the map of the world on it.No one’s keeping the plot I said.The marriage plot, man versusWilderness plot – there are more,But I forget....

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In February​ 1840, Alfred Tennyson was in a bad way, argumentative and restless. Thomas Carlyle, whose own public career was taking off, doubted how far Tennyson would rise: ‘He is often unwell;...

Read more about Types and Typology: Tennyson’s Scientific Imagination

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