Literature & Criticism

John Clare’s Circumstances

Camille Ralphs

22 October 2026

John Clare’s tombstone in Helpston declares that ‘A poet is born not made,’ echoing sentiments expressed during his lifetime. In 1822 the Eclectic Review noted that ‘such a poet as John Clare, education could not have made, nor could adversity destroy’ – a challenge to fate if ever there was one. Clare was undoubtedly a victim of his circumstances, but those circumstances also afforded him a peculiar education.

Read more about Eejip-Eejip: John Clare’s Circumstances

Reflections on Zola

Michael Wood

22 October 2026

I n​ a 2002 speech marking the centenary of Zola’s death, Jacques Chirac said that ‘to speak of Émile Zola is quite simply to speak of France … of this France which … . . .

On Shelagh Delaney

Susannah Clapp

22 October 2026

I n​ 1963 Shelagh Delaney published a story based on the hate mail and begging letters she received when A Taste of Honey made her famous. ‘It is probably fair to say that it is one of the . . .

Ralph Ellison’s Interventions

Leo Robson

22 October 2026

R alph Ellison​ described Invisible Man as an account of his narrator’s movement from ‘purpose to passion to perception’, terms borrowed from the critic Kenneth Burke. By the time . . .

‘He Seemed a Little Excited’

Diane Williams

22 October 2026

Beyond the range of the dog, I knew there were snaky corridors at Meara’s, as well as a door that leads to a garden with the big round pond, which is a big surprise in summer, presenting its challenge . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Four Pints of Gelato: ‘Switzy’

Ange Mlinko, 22 October 2026

The title, Switzy, is a flippant nickname for Switzerland, a place like old age: snow-topped, dim and cold. Emma Cline’s novel hums with luxury: the private plane, the voguish hotels and restaurants,...

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Fredric Jameson seemed to me to have read absolutely everything. He was the very antithesis of the intellectual type I think of as an empty theoriser, by which I mean someone who endlessly conjectures...

Read more about Fredric Jameson as Reader: Fredric the Great

Sudden Breadknife Frenzy: ‘Black Bag’

Blake Morrison, 8 October 2026

Luke Kennard’s Black Bag spans several genres while not belonging to any of them. It’s not quite a campus novel but has things to say about what it’s like to teach at a university. It’s...

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In storm, the rain drives hard into the choppy canals –churning them white against this glittering grey.The lagoon, no longer black and flat, seems part of the rainand splashes back all day,...

Read more about Poem: ‘Venetian vedute (acqua alta e inverno)’

Alexander Pope’s works are full of the voices and characters of other people, friends and enemies, the living and the dead, and his writings are intensely committed to ideas of companionship and...

Read more about Wants, Frailties, Passions: Pope amuses himself

With its crude Courier typeface, Fuck You/ A Magazine of the Arts was the publishing equivalent of a punk 7-inch single – spontaneous and scabrous, capturing the raw energy of the moment. Or, to...

Read more about Boxed into Our Language: Mimeo-Revolutionaries

Poem: ‘Four Ways of Looking at a Hoopoe’

A.E. Stallings, 24 September 2026

Hoopoe is the thingWith feathers, and a crest,Or else a thing with feathers,Striped wings, and tawny breast.*(I never saw a hoopoe –Unless I was alone –Except some interloperTook out...

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Like Buying a Bag of Mints: On Marlon James

Adam Mars-Jones, 24 September 2026

We are left, a third of the way through The Disappearers, with a feeling of absolute outrage, when outrage is no more than anger in the key of helplessness. Outrage leads nowhere; violence freezes time...

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Good Weird or Bad Weird: Uses of Criticism

Colin Burrow, 10 September 2026

Literary criticism is a supremely occasional skill, where you have to be bold enough to operate where there aren’t any clear rules and make up your own, and decide for yourself what you think, and...

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In Francis Spufford’s Nonesuch it isn’t only the author but his characters who can change history. Iris and Geoff learn of a portal that was discovered by a 17th-century alchemist, Hieronymus...

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Poem: ‘Fire’

Maureen N. McLane, 13 August 2026

door in the cloudsor was it a holesmall bird on the scotch pine’s branchnorth wind, thundera raspberry summerthe thrushes are backthe flooded cityawash in insurerswho’s getting...

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Poem: ‘The World’

Patricia Lockwood, 13 August 2026

A thread of light travelled through the beadWith the map of the world on it.No one’s keeping the plot I said.The marriage plot, man versusWilderness plot – there are more,But I forget....

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In February​ 1840, Alfred Tennyson was in a bad way, argumentative and restless. Thomas Carlyle, whose own public career was taking off, doubted how far Tennyson would rise: ‘He is often unwell;...

Read more about Types and Typology: Tennyson’s Scientific Imagination

Quite naturally, as with any truly original writer, one had to learn how to read Firbank. A certain clue-seeking and backtracking habit was necessary, and part of the fun. The truth dawns on you, and...

Read more about It’s queer how I’m lonely: Ronald Firbank’s Century

Poem: ‘Smile’

Anne Carson, 23 July 2026

so how’s it going with the Parkinson’s? you say and I startto say every moment bleeding to death around me but thetherapist cautioned me yesterday don’t say dread call...

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On Susan Stewart

Ange Mlinko, 23 July 2026

For Stewart, this is what poetic process is: the closely observed emergence of empirical knowledge out of chaos, confusion, darkness. But she is not only a theorist; she has always alternated books of...

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Joyce stands out​ among the great modernist writers for his belief in tolerance, equality, democracy, progress and the preciousness of the everyday. If he is outrageously experimental, he is also...

Read more about Starveling Rabblement: Joyce’s Politics

‘What’s the point of an alien artefact you can recognise?’ Harrison asked in Wish I Was Here. ‘As a branch of the fantastic, science fiction should accept that its currency is...

Read more about Uncanny Little Blighter: M. John Harrison’s​ ‘The End of Everything’

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