Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
From the late Middle Ages all the way to Pasolini’s 1971 film, Boccaccio has been best remembered – understandably, if unfairly – for his most obscene and ribald tales. In Italian, the adjective boccaccesco means ‘lascivious’; the New Yorker once described the Decameron as ‘probably the dirtiest great book in the Western canon’.
A man is fishing under the iron bridge.If I watch him watching the water, I see he is lostin thought. His morning dream came with him.His children are soft-voiced with pain; the dreamis a wheel where they . . .
filled the fields. The way forward filled with the wayback. Are those humans out there orjust hollows filled with mercury & ash.When it comes into view the mountain is cleaved open.The silver is picked . . .
Most UK-based academics who don’t work at Oxford or Cambridge have at some stage experienced the turbulence of university restructuring. In my case, it happened at the University of Glasgow in 2009 . . .
Minds and bodies are often at odds with each other in Eimear McBride’s novels. In The Lesser Bohemians (2016), the narrator, Eily, gets so anxious giving a blowjob that she makes her actor-boyfriend . . .
When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work,...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
The short time they have been together, they have shared sex, the house and garden! – food and drink! – what some would consider freedom! – although this is probably the last...
A lot of contradictions are laid out in Michelle de Kretser’s Theory and Practice, and one’s tolerance for graduate students – clearly infantilised by their milieu, despite being in their mid-twenties...
For many years, if asked about Hamlet’s poetic quality, I would have quoted not ‘To be, or not to be’ (which strikes me as grossly overrated in its importance), but Polonius’s casual words to the...
Philip Roth and David Foster Wallace come to mind as antecedents, though Tulathimutte has their wit without their warmth. He writes like a child holding a microscope over the ground, peering down at an...
To think of a satirist as a person who angrily turns against a gale-force wind and sprays liquefied shit at a group of constantly multiplying targets would not be entirely wrong. The truly misanthropic,...
Children’s books revisited in later life may disappoint, but they are immune to the embarrassment associated with outgrown toys. Even if their colours have faded, they expanded the world in a way toys...
All the revulsion in Jane DeLynn’s novel can seem antagonistic, but it’s driven by more complicated feelings. Unlike the teenage Lynn, we and the narrator know that disgust is not the only lens through...
Achille Mbembe is the pessimist’s optimist: he delivers a devastating analysis of the contemporary moment while never losing sight of the possibility for a better future. This explains his disdain for...
There is a world which is at times – and today even more – regressive and frightening; cultural analysis must never make the mistake of thinking either that it alone will redeem or can substitute for...
The crux of Daniel Kehlmann’s Director is whether it’s weakness or necessity that makes G.W. Pabst compromise. On the one hand, he’s disgusted by swastikas and Hitler salutes; on the other, his need...
The house style of the early Partisan Review was hard-headed, truculent, dismissive of religiosity (‘mystification’), academicism and ‘folk culture’, sceptical of the American weakness for self-serving...
I was under no illusion that The Collected Prose would solve the mystery, or lay to rest the lie, of how Plath was absolutely ordinary up to the point that she wasn’t. If anything it deepened that mystery. There...
Masonic creature. Maker. Water encircledsurvivor of hat crazes. Crib fabricator.Chiseller. Tooth enamel’s hardest expressionon any branch of the mammal clade. Stash housebuilder. Stickler....
Mushrooms, trees, turf, twigs, bushes, moss-covered stones: nature is a force in Olga Tokarczuk’s Empusium, incoherent and disorganised, yet also personified, sort of, in the collective voice that...
I groaned my way through The Emperor of Gladness. I writhed. I felt real despair every time I forced myself to open the covers. It was one of the worst ordeals of my reading life. This is because, while...
Georgi Gospodinov was 22 when Bulgarian communism collapsed in early 1990. ‘The end of our training,’ he has written, ‘coincided with the end of that for which we had been trained.’ In his first...
Detective novels offer a means of rehearsing the fearful reality of death, and in this sense the conventions of the genre, with its distracting intellectual puzzles, is a kind of play. A capacity to balance...
Twenty years of writing, reading, thinking and travelling went into Memoirs of Hadrian. Several drafts were burned. But the most striking thing about it is the permission Marguerite Yourcenar gave herself...
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