Literature & Criticism

The Gray Archive at the Whisky Bond.

The Alasdair Gray Archive

Dani Garavelli

20 October 2022

Alasdair Gray’s illustrations tumbled out like a William Blake vision: boggle-eyed angler fish, flying horses, crying demons, brain babies, Amazonian women, scenes of bacchanalia: a smorgasbord of grotesquerie.

Read more about At the Whisky Bond: The Alasdair Gray Archive

On Dino Buzzati

Michael Wood

17 April 2025

Dino Buzzati​’s novel The Singularity was published in Italian in 1960 but set in 1972. Just a small leap into the future, but far enough for the second date to be that of Buzzati’s death. A coincidence . . .

Constance Debré’s Bravado

Em Hogan

17 April 2025

Early in​ Playboy, the first book in Constance Debré’s trilogy of novels about a woman whose life closely resembles Debré’s own, the narrator describes the feelings of intense boredom she began . . .

Alia Trabucco Zerán’s ‘Clean’

Jordan Kisner

17 October 2025

‘The defining feature of a tragedy is that we know how it will end,’ a character tells us towards the end of Clean, Alia Trabucco Zerán’s latest novel. ‘And yet, for some reason, we carry on reading.’ . . .

Marvellous Mavis Gallant

Tessa Hadley

3 April 2025

It isn’t​ necessarily a good thing when a publisher brings out a writer’s uncollected stories. More is sometimes less. Barrels are scraped, doubts – often the writer’s own, if she or he is no . . .

Malfunctioning Sex Robot: Updike Redux

Patricia Lockwood, 10 October 2019

When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.

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Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

Read more about Le pauvre Sokal: the Social Text Hoax

The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Paul de Man’s Abyss

Frank Kermode, 16 March 1989

Paul de Man was born in 1919 to a high-bourgeois Antwerp family, Flemish but sympathetic to French language and culture. He studied at the Free University of Brussels, where he wrote some pieces...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Hair-splitting: Versions of Marx

Peter E. Gordon, 3 April 2025

Marx meant Capital to read as if it were a pedagogical exercise in dispelling illusion, penetrating the veil that bourgeois economists had draped over a system that depends on the exploitation of labour...

Read more about Hair-splitting: Versions of Marx

Beyond Gurnah’s postcolonial perspective is an understanding of the trauma all people suffer when they’re sundered from what they know. His own uprooting came at the age of eighteen, when he flew with...

Read more about Swagger for Survival: Abdulrazak Gurnah’s ‘Theft’

Donne’s triumphant ‘Death, thou shalt die’ has nothing on the apophatic reversals of László Krasznahorkai’s metaphysics, where art exposes the scrim between us and non-being.

Read more about Germans don’t get toothache: Krasznahorkai’s Antimatter

Going with the Gush: Unfunny Valéry

Michael Hofmann, 20 March 2025

Would it have made a difference to read Monsieur Teste earlier? I have always had a taste for not-quite-novels, but I suspect this would always have been too much of a not-quite-a-not-quite-novel for...

Read more about Going with the Gush: Unfunny Valéry

In the new memoir as well as in L’Étoile rose Fernandez insists on the political dimension of homosexuality, the obligation it brings to question every value, and expresses disdain for those gay men...

Read more about Worst Birthday Cake Ever: On Dominique Fernandez

Itch to Shine: Austen’s Suitors

Freya Johnston, 20 March 2025

The main business​ of almost all Jane Austen’s fiction is to portray that brief period in a young woman’s life when she is at the height of her charms and about to surrender them for ever to a more...

Read more about Itch to Shine: Austen’s Suitors

This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like shapes. I like organising them. But because of recent neurological changes in my...

Read more about Beware the man whose handwriting sways like a reed in the wind

All Fours, July’s second novel, is about a ‘semi-famous’ interdisciplinary artist whose work is filled with ‘unlikely couplings, unauthorised sex, surrealism and a shit ton of lesbianism’. It...

Read more about Dutch Treat: Miranda July’s Make-Believe

What Brutal Days: On Dionne Brand

Andrea Brady, 6 March 2025

Dionne Brand writes about pain, but her poems use obscurity and abstraction to keep lyric intimacy at bay. This extends to their multiple first-person subjects. She has warned readers not to mistake the...

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It’s​ a big book, some say the best. Freud: ‘The Brothers Karamazov is the most magnificent novel ever written.’ Einstein: ‘The most wonderful thing I’ve ever laid my hands on’. Joyce talked...

Read more about Will I, Won’t I? Dostoevsky’s Kiss

All of David Szalay’s stories point up the body’s indifference to the plans the will seeks to impose, its capacity to torment a person with inappropriate desire, or to carry on regardless of success...

Read more about You should get a job: David Szalay’s ‘Flesh’

On ‘NLR’

Jeremy Harding, 20 February 2025

In general, New Left Review is immune to the appeal of actually existing electoral democracy and sceptical about the winners of the day, especially if they happen to be Labour or the Democrats. One envies...

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The Stepdaughter (1976), Caroline Blackwood’s first novel, was published when she was 44 and married to Robert Lowell. The seven years they spent together transformed her from an occasional magazine...

Read more about Dear So-and-So: Caroline Blackwood’s Doubles

I must divorce! On Vigdis Hjorth

Toril Moi, 6 February 2025

Women who write ​about women drinking and writing and sleeping around have until recently been dismissed as less serious, less ‘universal’, than men who write about men drinking and writing and sleeping...

Read more about I must divorce! On Vigdis Hjorth

Why children’s books?

Katherine Rundell, 6 February 2025

Children’s books, to a great extent because they are written for those who cannot participate in the market, can offer resistance to a vision of the good life which is a built on a hegemony of acquisition....

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Signs Reduced to Noise: On Elfriede Jelinek

Becca Rothfeld, 23 January 2025

When Elfriede Jelinek was awarded the Nobel Prize in 2004, the committee praised ‘her musical flow of voices and counter-voices’, which ‘reveal the absurdity of society’s clichés and their subjugating...

Read more about Signs Reduced to Noise: On Elfriede Jelinek

‘American unreason’ is the atmosphere that pervades Small Rain, which is in part about how a near-death experience puts one in confrontation with the American myths of independence and agency. Garth...

Read more about American Unreason: Garth Greenwell’s ‘Small Rain’

Rochester could ruin anything. ‘Even his most elegant verse often resounds with the crash of breaking glass,’ Barbara Everett wrote. Germaine Greer called him ‘a poet against his better judgment’,...

Read more about The Readyest Way to Hell: The Exhausting Earl of Rochester

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