Literature & Criticism

Illustration of a student reading a paper, by Jon McNaught.

‘Theory and Practice’

Ange Mlinko

24 July 2025

A lot of contradictions are laid out in Michelle de Kretser’s Theory and Practice, and one’s tolerance for graduate students – clearly infantilised by their milieu, despite being in their mid-twenties – may be sorely tested. Is this a novel of ideas, or a novel about people who like to talk about ideas? I suspect the latter. 

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Satire without the Jokes

Colin Burrow

24 July 2025

Satire​ is a great angry sprawling mass. It’s one of those literary phenomena which is impossible to define but which most people recognise when they see it – unless they’re as dim as the Irish . . .

Farewell to ‘Hamlet’

Barbara Everett

24 July 2025

Two actors​ enter to begin a play, in an assumed midnight darkness. Both are military men, sentinels. One, Barnardo, barks at the other, Francisco, the play’s first line: ‘Who’s there?’ This . . .

Tony Tulathimutte’s Anti-autofiction

Becca Rothfeld

24 July 2025

Awoman in a field​ cradling a baby and whispering: ‘This is what they want to take from you.’ A man explaining that bathing in cold water reduced his age by three years. An animated frog. A group . . .

Daniel Kehlmann’s Pabst

Blake Morrison

10 July 2025

Ionce shared​ a green room at a literary festival with an elderly American actor who said he didn’t know where he was, why he’d been invited or what he was supposed to do. I felt uncomfortable listening . . .

Malfunctioning Sex Robot: Updike Redux

Patricia Lockwood, 10 October 2019

When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.

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Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Selective Luddism: On Alan Garner

Adam Mars-Jones, 10 July 2025

Children’s books revisited in later life may disappoint, but they are immune to the embarrassment associated with outgrown toys. Even if their colours have faded, they expanded the world in a way toys...

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I was under no illusion that The Collected Prose would solve the mystery, or lay to rest the lie, of how Plath was absolutely ordinary up to the point that she wasn’t. If anything it deepened that mystery. There...

Read more about Arrayed in Shining Scales: Solving Sylvia Plath

All the revulsion in Jane DeLynn’s novel can seem antagonistic, but it’s driven by more complicated feelings. Unlike the teenage Lynn, we and the narrator know that disgust is not the only lens through...

Read more about Undifferentiated Slime: Jane DeLynn’s ‘In Thrall’

Achille Mbembe is the pessimist’s optimist: he delivers a devastating analysis of the contemporary moment while never losing sight of the possibility for a better future. This explains his disdain for...

Read more about The Pessimist’s Optimist: Beyond the Postcolony

On Cora Kaplan

Jacqueline Rose, 10 July 2025

There is a world which is at times – and today even more – regressive and frightening; cultural analysis must never make the mistake of thinking either that it alone will redeem or can substitute for...

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The house style of the early Partisan Review was hard-headed, truculent, dismissive of religiosity (‘mystification’), academicism and ‘folk culture’, sceptical of the American weakness for self-serving...

Read more about Colony, Aviary and Zoo: New York Intellectuals

Poem: ‘A Rewilding’

Paul Farley, 26 June 2025

Masonic creature. Maker. Water encircledsurvivor of hat crazes. Crib fabricator.Chiseller. Tooth enamel’s hardest expressionon any branch of the mammal clade. Stash housebuilder. Stickler....

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Mushrooms,​ trees, turf, twigs, bushes, moss-covered stones: nature is a force in Olga Tokarczuk’s Empusium, incoherent and disorganised, yet also personified, sort of, in the collective voice that...

Read more about Something Is Surviving: Olga Tokarczuk’s Mycophilia

I groaned​ my way through The Emperor of Gladness. I writhed. I felt real despair every time I forced myself to open the covers. It was one of the worst ordeals of my reading life. This is because, while...

Read more about My Hands in My Face: Ocean Vuong’s Failure

Georgi Gospodinov​ was 22 when Bulgarian communism collapsed in early 1990. ‘The end of our training,’ he has written, ‘coincided with the end of that for which we had been trained.’ In his first...

Read more about Postcards from the Past: Georgi Gospodinov’s Impossible Books

Detective novels offer a means of rehearsing the fearful reality of death, and in this sense the conventions of the genre, with its distracting intellectual puzzles, is a kind of play. A capacity to balance...

Read more about Cosy as a Scalpel: Murder Most Delicious

Twenty years of writing, reading, thinking and travelling went into Memoirs of Hadrian. Several drafts were burned. But the most striking thing about it is the permission Marguerite Yourcenar gave herself...

Read more about Beneath the White Scarf: On Marguerite Yourcenar

A champion self-advertiser, maven of the brag and the humblebrag, Whitman announces in the first pages of Specimen Days: ‘Maybe, if I don’t do anything else, I shall send out the most wayward, spontaneous,...

Read more about Brag and Humblebrag: Walt Whitman’s Encounters

Detail validates a fiction, giving the impression of a world that can be priced and measured, touched and tasted. But for some writers it’s more than ballast – it represents priceless cargo, and the...

Read more about Transdimensional Cuckoo: On Katie Kitamura and Richard Price

Macunaíma has become a myth. It says something complicated about Brazil, but also about what modernism meant. And eventually it made me admire Mário​ de Andrade’s decision to look back on his modernist...

Read more about Hero of Our People: On Mário de Andrade

There were her nicknames: Nini with the nits at home as a child, Miss Educated in Seacliff psychiatric hospital, Waldo to the writer Frank Sargeson. Then there was what people said about her: she was dirty,...

Read more about Wouldn’t you like to be normal? Janet Frame’s Place

The difficulty of being in contact with ‘the truth about yourself’ is a theme that runs through Ørstavik’s work. In her three earlier novels translated into English, the protagonists are often thwarted...

Read more about It’s in the eyes: Hanne Ørstavik’s ‘Stay with Me’

Hairy Teutons: What William Morris Wanted

Michael Ledger-Lomas, 8 May 2025

William Morris wrote with appalling fluency. Composing verse on trains or while sat at the loom, he could turn out a thousand lines a day. One friend used to stab herself with pins to stay awake during...

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