Literature & Criticism

Garth Greenwell’s ‘Small Rain’

Emily Witt

26 December 2024

‘American unreason’ is the atmosphere that pervades Small Rain, which is in part about how a near-death experience puts one in confrontation with the American myths of independence and agency. Garth Greenwell’s clauses pile up like cars hitting a traffic jam on the highway, building a pressure that in certain passages generates a thrilling anxiety and in others stagnates into the boredom of a long wait.

Read more about American Unreason: Garth Greenwell’s ‘Small Rain’

The Exhausting Earl of Rochester

Clare Bucknell

26 December 2024

Creative​ and destructive drives can be hard to tell apart. In Rochester’s ‘The Imperfect Enjoyment’, a poem about premature ejaculation, the speaker blusters about his penis’s usual prowess:Stiffly . . .

Christopher Isherwood’s Artifice

Andrew O’Hagan

26 December 2024

Ionce​ witnessed Stephen Spender being evil in a London club. A mandarin of poetry, he seemed almost fluorescent with stories and vital resentments, twisting the stem of his glass as he offered opinions . . .

Delmore Schwartz’s Decline

Joanne O’Leary

11 November 2024

The​ world was rigged against Delmore Schwartz. His mother, Rose, was to blame. After all, it was she who decided on his first name – the ‘crucial crime’, and an expression, he felt, of her ‘brazen . . .

Cosy Crime

Thomas Jones

11 November 2024

In​ the mid-1980s, before they moved to London and formed Suede, Brett Anderson and Mat Osman were in a band called Geoff. In his memoir, Coal Black Mornings, Anderson describes the ‘small-town wannabes’ . . .

Malfunctioning Sex Robot: Updike Redux

Patricia Lockwood, 10 October 2019

When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.

Read more about Malfunctioning Sex Robot: Updike Redux

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

Read more about Get a Real Degree

Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

Read more about Vermicular Dither

Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

Read more about Le pauvre Sokal: the Social Text Hoax

The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

Read more about The Fatness of Falstaff

Paul de Man’s Abyss

Frank Kermode, 16 March 1989

Paul de Man was born in 1919 to a high-bourgeois Antwerp family, Flemish but sympathetic to French language and culture. He studied at the Free University of Brussels, where he wrote some pieces...

Read more about Paul de Man’s Abyss

Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

Read more about Diary: On the Booker

Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

Read more about Sounding Auden

Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

Read more about Fairy Flight in ‘A Midsummer Night’s Dream’

Manic Beansprouts: On Yoko Tawada

Adam Thirlwell, 21 November 2024

You might think that a novelist who works in more than one language would want language itself to become conceptual, to allow for its smoother transposition across borders. But Tawada is fascinated by...

Read more about Manic Beansprouts: On Yoko Tawada

Cultural Judo: Alberti and the Ancients

Anthony Grafton, 21 November 2024

Alberti the writer, first and last, was Alberti the reader, whose attitude towards ancient (and later) texts was anything but passive. He grew up in an age of textual discoveries – the hunting and gathering...

Read more about Cultural Judo: Alberti and the Ancients

Love’s Work is the ‘existential drama’ of a postwar Jewish British woman philosopher, born in London in 1947, who reads books, sits in meetings, falls in love, falls ill, faces death. But it also...

Read more about What else actually is there? On Gillian Rose

Infinite Walrus: On Eley Williams

Ange Mlinko, 24 October 2024

 As in dreams, Williams’s surrealism and sundry rabbit holes don’t need to violate the laws of physics to create distinctive, inviting worlds populated by exuberant eccentrics. A yawn, a laugh, an...

Read more about Infinite Walrus: On Eley Williams

Prawns His Sirens: Novel Punctuation

Adam Mars-Jones, 24 October 2024

Layout on the​ page is a larger affair than mere punctuation, but punctuation, the set of interruptions that promotes flow, has its own set of powers. It is assumed to be a relatively trivial matter,...

Read more about Prawns His Sirens: Novel Punctuation

That Guy: On Binyavanga Wainaina

Jeremy Harding, 24 October 2024

Binyavanga Wainaina belonged to a second-wave, post-independence cohort that could put the past – and the Cold War – behind them without feeling they’d lost track of history: it was Africa’s moment...

Read more about That Guy: On Binyavanga Wainaina

Cristina Campo hated modern mass society and detested contemporary Italian literature and art. She considered the world in which she was condemned to live irredeemably ugly. I don’t think I have ever...

Read more about No Rain-Soaked Boots: On Cristina Campo

Can an eyeball have lovers? Emerson’s Scepticism

Michael Ledger-Lomas, 26 September 2024

‘He draws his rents from rage and pain,’ Emerson once wrote of ‘the writer’, but more narrowly of himself.

Read more about Can an eyeball have lovers? Emerson’s Scepticism

Sunday Best: Wilfred Owen’s Letters

Mark Ford, 26 September 2024

It becomes apparent from Owen’s graphic and appalled letters home that it was the urge to make his mother, in the first instance, see and feel what the Western Front was really like that drove him to...

Read more about Sunday Best: Wilfred Owen’s Letters

Jockstraps in the Freezer: On Robert Plunket

Kevin Brazil, 26 September 2024

Thanks to New Directions, Plunket’s two novels are now back in print. On its reissue last year, My Search for Warren Harding was hailed as a comic masterpiece all over again. It’s not as funny as the...

Read more about Jockstraps in the Freezer: On Robert Plunket

On Camille Ralphs

Ange Mlinko, 26 September 2024

After You Were, I Am was at least a decade in the making, and the strength of the poetry is a measure of the crisis it confronts. Given complete freedom, a tabula rasa, how does a poet begin? And even...

Read more about On Camille Ralphs

Euripides Unbound

Robert Cioffi, 26 September 2024

One of the papyri excavated by the archaeologist Heba Adly contains 97 lines of two plays by Euripides – Ino and Polyidus – that were known to us only through scattered quotations and summaries...

Read more about Euripides Unbound

The desire, and ability, to recreate the world around them in accordance with their will is a trait that narcissists, tyrants and artists have in common, and the narrator’s father in Via Gemito is...

Read more about Impossibly, a Peacock: Domenico Starnone’s ‘Via Gemito’

Shallow, rapidly swirling narrative consciousness has come to define the refugees of the Attention Span Wars, those writers whose capacity for concentration has been so compromised by the internet that...

Read more about Use your human mind! Rachel Kushner’s ‘Creation Lake’

Putting stand-up at the heart of a campus novel allows Camille Bordas to highlight the awkward fit between the modern university, with its risk-averse corporate structures, and creative work.

Read more about Egg-Lemon Soup: Camille Bordas’s ‘Material’

James wanted every sentence to be artful. What he could often forget, later in life, is that some sentences just need to say what they need to say. But the prefaces are by no means all mannerism and circumlocution....

Read more about Just say it, Henry: Henry James’s Hot-Air Balloon

There aren’t many novels to which the title Choice could not be attached, and it isn’t clear what makes it particularly appropriate here, shorn of an article, as stark as an abstract noun can be. The...

Read more about Poor Sasha, Poor Masha: Neel Mukherjee’s Pessimism

I suppose I must have: On Gaslighting

Sophie Lewis, 1 August 2024

Gaslighting is a helpful way of explaining what is happening when Donald Trump gives fake-news briefings and refuses to be held accountable for his actions while claiming – or allowing others to claim...

Read more about I suppose I must have: On Gaslighting

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences