Literature & Criticism

Illustration by Cressida Bell

Chimamanda Ngozi Adichie’s Ambivalence

Gazelle Mba

11 September 2025

Dream Count is a product of Adichie’s more ambivalent African feminism. The novel is written entirely from the perspective of women, but their primary interest appears to be their relationships with men. Their desires are not all romantic or sexual, but they all betray a conflict between the women’s attempts to live on their own terms and the relationships that impede them.

Read more about Greased with Complaints: Chimamanda Ngozi Adichie’s Ambivalence

Why we need Dorothy Parker

Kasia Boddy

11 September 2025

Dorothy Parker​ dreaded repetition and found it everywhere. In 1919, when she was just 25 and only months into her stint as Vanity Fair’s theatre critic, she already claimed enough ‘bitter experience’ . . .

‘Fore/mother’

Sarah Howe

11 September 2025

Truth becomes fiction when the fiction’s true;Real becomes not-real when the unreal’s real.              Dream of the Red Chamber, Cao XueqinWhat I know beginsoutside/withinthe limits . . .

Biography of a Biography

Seamus Perry

11 September 2025

Richard Ellmann’s​ biography of James Joyce was first published in 1959 to an almost unanimously enthusiastic reception. Ellmann’s editor at the New York office of Oxford University Press told him . . .

Boccaccio’s Reputation

Barbara Newman

14 August 2025

Histories​ of Italian literature begin with the Tre Corone or Three Crowns: Dante (1265-1321), Giovanni Boccaccio (1313-75) and Francesco Petrarca, or Petrarch (1304-74), Boccaccio’s intimate friend . . .

Malfunctioning Sex Robot: Updike Redux

Patricia Lockwood, 10 October 2019

When he is in flight you are glad to be alive. When he comes down wrong – which is often – you feel the sickening turn of an ankle, a real nausea. All the flaws that will become fatal later are present at the beginning. He has a three-panel cartoonist’s sense of plot. The dialogue is a weakness: in terms of pitch, it’s half a step sharp, too nervily and jumpily tuned to the tics and italics and slang of the era. And yes, there are his women.

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Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

Read more about Fairy Flight in ‘A Midsummer Night’s Dream’

Poem: ‘Under the Iron Bridge’

David Harsent, 14 August 2025

A man is fishing under the iron bridge.If I watch him watching the water, I see he is lostin thought. His morning dream came with him.His children are soft-voiced with pain; the dreamis a wheel...

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The short time they have been together, they have shared sex, the house and garden! – food and drink! – what some would consider freedom! – although this is probably the last...

Read more about Story: ‘No Heartburn, Flatulence, Nausea or Muscular Cramps Either’

Poem: ‘Then the Fog’

Jorie Graham, 14 August 2025

filled the fields. The way forward filled with the wayback. Are those humans out there orjust hollows filled with mercury & ash.When it comes into view the mountain is cleaved open.The silver...

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In The Lesser Bohemians, sex is where the narrative sits, not where it goes from time to time. It’s shown as part of people’s lives, as sex is. Sex in The City Changes Its Face is a different thing....

Read more about Goodbye Dried Mince: Eimear McBride’s Method

Lumps of Cram: University English

Colin Kidd, 14 August 2025

What is the missing noun to which English refers: literature, language or both? If both, does English belong with the study of other modern languages and literatures? Is its primary concern with literature...

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A lot of contradictions are laid out in Michelle de Kretser’s Theory and Practice, and one’s tolerance for graduate students – clearly infantilised by their milieu, despite being in their mid-twenties...

Read more about Morbid Symptoms: ‘Theory and Practice’

For many years, if asked about Hamlet’s poetic quality, I would have quoted not ‘To be, or not to be’ (which strikes me as grossly overrated in its importance), but Polonius’s casual words to the...

Read more about An East Wind behind it: Farewell to ‘Hamlet’

Philip Roth and David Foster Wallace come to mind as antecedents, though Tulathimutte has their wit without their warmth. He writes like a child holding a microscope over the ground, peering down at an...

Read more about Whatevership: Tony Tulathimutte’s Anti-autofiction

To think of a satirist as a person who angrily turns against a gale-force wind and sprays liquefied shit at a group of constantly multiplying targets would not be entirely wrong. The truly misanthropic,...

Read more about Let custards quake: Satire without the Jokes

Selective Luddism: On Alan Garner

Adam Mars-Jones, 10 July 2025

Children’s books revisited in later life may disappoint, but they are immune to the embarrassment associated with outgrown toys. Even if their colours have faded, they expanded the world in a way toys...

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All the revulsion in Jane DeLynn’s novel can seem antagonistic, but it’s driven by more complicated feelings. Unlike the teenage Lynn, we and the narrator know that disgust is not the only lens through...

Read more about Undifferentiated Slime: Jane DeLynn’s ‘In Thrall’

Achille Mbembe is the pessimist’s optimist: he delivers a devastating analysis of the contemporary moment while never losing sight of the possibility for a better future. This explains his disdain for...

Read more about The Pessimist’s Optimist: Beyond the Postcolony

On Cora Kaplan

Jacqueline Rose, 10 July 2025

There is a world which is at times – and today even more – regressive and frightening; cultural analysis must never make the mistake of thinking either that it alone will redeem or can substitute for...

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The crux of Daniel Kehlmann’s Director is whether it’s weakness or necessity that makes G.W. Pabst compromise. On the one hand, he’s disgusted by swastikas and Hitler salutes; on the other, his need...

Read more about We have no critics! Daniel Kehlmann’s Pabst

The house style of the early Partisan Review was hard-headed, truculent, dismissive of religiosity (‘mystification’), academicism and ‘folk culture’, sceptical of the American weakness for self-serving...

Read more about Colony, Aviary and Zoo: New York Intellectuals

I was under no illusion that The Collected Prose would solve the mystery, or lay to rest the lie, of how Plath was absolutely ordinary up to the point that she wasn’t. If anything it deepened that mystery. There...

Read more about Arrayed in Shining Scales: Solving Sylvia Plath

Poem: ‘A Rewilding’

Paul Farley, 26 June 2025

Masonic creature. Maker. Water encircledsurvivor of hat crazes. Crib fabricator.Chiseller. Tooth enamel’s hardest expressionon any branch of the mammal clade. Stash housebuilder. Stickler....

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Mushrooms,​ trees, turf, twigs, bushes, moss-covered stones: nature is a force in Olga Tokarczuk’s Empusium, incoherent and disorganised, yet also personified, sort of, in the collective voice that...

Read more about Something Is Surviving: Olga Tokarczuk’s Mycophilia

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