Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
The Knight’s Maze, Eastnor CastleFor John
Our teenagers turn kids again, amazedBetween tall hedges, planted to confound.They race ahead to the unknown, unfazedTo meet with cul-de-sacs, and...
Asense of ‘boundlessness’ afflicts Adam Gordon, the narrator of Ben Lerner’s first novel, Leaving the Atocha Station (2011). Adam is a poet on a fellowship in Madrid, using phone cards to call . . .
James Schuyler gave his first public reading on 15 November 1988. People queued around the block to get a seat, and at the end he received the longest, most unconsciously glad applause Eileen Myles . . .
In November 1956, a few weeks after Soviet tanks rolled into Budapest, a 21-year-old Ágota Kristóf and her husband, Janos Béri, decided to leave their home in Kőszeg, in north-west Hungary. Kristóf . . .
Nicola Barker’s latest novel, TonyInterruptor, is a reaction to, and reflection on, a moment of creative crisis. While writing H(A)PPY (2017), Barker has said, she stopped sleeping for nine or ten . . .
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work,...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
Was there such a thing as a female style in early modern England? For several authors, valorising originality meant claiming legitimacy in a society that gave them little chance to learn and would likely...
Raffles survives, and it’s not just the verve and breakneck pace of the stories. What captivated me once again, what I had more or less forgotten, was the angst. Raffles and his slow-witted sidekick,...
Sally Carson’s dissection of the question that has disturbed the European mind for decades – how did it happen? – has touched a contemporary nerve, and the new edition of Crooked Cross has met with...
Once at a gate with cherries. Know this quickly buried nowor less to file history brief stuffed full of pen force, the timeit takes to various accounts echoing in my library to ensurepassage broke...
Humankind, he told us himself, ‘cannot bear very much reality’. One way to escape having to confront that disagreeable element was to go into hiding. For much of the second half of his life, T.S....
Solvej Balle’s serial novel takes the idea of repetition and uses it to make these ancient, impossible problems of time new again. What is astonishing about her novel is the way she makes us see that...
In all of Flannery O’Connor’s work, there isn’t a single character you could describe as admirable, or even vaguely sympathetic. O’Connor said that her interest in such unedifying types was an...
Once, they caught me in a snareand plucked me to the pinkand left my feather-shafts to curein salt and flowers of zincthey rolled them up in mutton fatand set them by their cotsthen dealt my flesh...
Adèle Yon says that she enjoys it when the archives lose their footing (‘perdent les pédales’), revealing their ‘polyphonie’ and ‘artifice’. Sometimes, though, when the evidence reveals its...
a dead queen a red kingan orange polis crashwhere is the high styleo poet the republic requires& where the Polish heroes& can the heroic be generalcommunal asks the engorgedpopulace we we...
The first few pages of Into the Weeds give the impression of someone starting to regret that she ever agreed to conduct a behind-the-scenes tour of what amounts in the four volumes of the uniform edition...
your mind. Turnaround. Lookthe other way.Is there anotherway. Go ahead. Try to positthe future. It’sjust down there she sd, hesd, the bodies torn topieces sd, the skins like rags,the bloody...
‘Art arises,’ Auden writes, ‘out of our desire for both beauty and truth and our knowledge that they are not identical.’ We want things two ways, which analysis says we cannot have; but for a...
Despite her novel’s conventional set-up, Rivera Garza isn’t interested in fulfilling the murder mystery contract. When a detective tells someone ‘you’re the prime suspect in this case,’ it’s...
Betwixt and between is a strange place for any major writer to be more than a decade and a half after their death, and Updike’s standing in the literary hereafter remains profoundly iffy. It’s one...
Good luck itself has a releasing effect on the spine, she was surprised to discover. She counted on some extra good luck and would try to feel kindred with the hunched figures advising her. He was...
Counting came first,then worry.Was someone missing?‘First’ came afterwards. *Worry came...
The Danish writer Olga Ravn has recently published two short novels, one set in the future and one in the past. Both concern insular societies whose members turn on one another with fatal consequences....
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