Literature & Criticism

Len Deighton with Michael Caine.

Len Deighton’s Spy World

Thomas Jones

7 May 2026

The almost dreamlike movement of the story of The Ipcress File is at times closer to Ishiguro or even Kafka than your standard spy thriller. The trick is to give up trying to make too much sense of what’s going on and enjoy the ride – the sentences, the wisecracks, the atmosphere.

Read more about Deskbound Party Bastards: Len Deighton’s Spy World

‘Aerial’

Devin Johnston

7 May 2026

Far out along a county roadfrom pole to pole of yellow pinecatenaries bear the load,the twisted pairs of tip and ringconnecting ear to anything.I hear you humming through the line.In blazing summer heat . . .

Little Mags

Susannah Clapp

7 May 2026

Little magazines​: big guns. It is hard to overestimate the high hopes and strong feelings swirling around papers which are small in funds and circulation but large in aspiration. For a time the London . . .

On Julian Barnes

Michael Wood

7 May 2026

Julian Barnes’s​ latest book is full of broken rules. In the second chapter we’re invited to look back at his early novel Flaubert’s Parrot (1984), which contained, along with much else, ‘a list . . .

Gwendoline Riley’s ‘Palm House’

Ange Mlinko

7 May 2026

One can go​ long stretches without reading a contemporary novel in which children are vividly present, but parents – old, decrepit, dying or recently deceased – have seemed inescapable of late. Gwendoline . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

Read more about Le pauvre Sokal: the Social Text Hoax

The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Poem: ‘Yiewsley’

Daljit Nagra, 7 May 2026

close your eyes and feel the smog clearas you descend shrinking into your boyhood shortsand slow as cruising wings to your townwhere a kola kube in a scoop for a paper bagat the sweet shop is on...

Read more about Poem: ‘Yiewsley’

Despite Henrik Pontoppidan winning the Nobel Prize in 1917, there was no English-language version of this extraordinary novel until Naomi Lebowitz’s appeared in 2010 with the title Lucky Per. Paul Larkin’s...

Read more about Underworld Troll: Henrik Pontoppidan’s ‘A Fortunate Man’

Poem: ‘The Maze’

A.E. Stallings, 23 April 2026

The Knight’s Maze, Eastnor CastleFor JohnOur teenagers turn kids again, amazedBetween tall hedges, planted to confound.They race ahead to the unknown, unfazedTo meet with cul-de-sacs, and...

Read more about Poem: ‘The Maze’

The Kristóf who emerges from the sources was, like the twins in the Notebook trilogy, a person divided in two. In Hungary she had lived; in Switzerland she wrote. For Kristóf, the two were nearly incompatible....

Read more about Enemy Language: Ágota Kristóf’s Secrets

Wigging In: On James Schuyler

Matthew Bevis, 23 April 2026

Schuyler once told an interviewer that he didn’t write the kind of poetry that attracted critics. ‘It’s too easy,’ he added, with a laugh. It wasn’t easy, though, to arrive at his kind of ease.

Read more about Wigging In: On James Schuyler

The interchangeable quality of the fictional elements in Ben Lerner’s novels signals an anxiety about his own artistic method, as it’s both the way his art is made and the thing that most troubles...

Read more about I sympathise with the child: Ben Lerner’s ‘Transcription’

Was there such a thing as a female style in early modern England? For several authors, valorising originality meant claiming legitimacy in a society that gave them little chance to learn and would likely...

Read more about Gender Wonder: Early Modern Women’s Writing

Pavilion of Heaven: Adventures of Raffles

Ferdinand Mount, 2 April 2026

Raffles survives, and it’s not just the verve and breakneck pace of the stories. What captivated me once again, what I had more or less forgotten, was the angst. Raffles and his slow-witted sidekick,...

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Nicola Barker’s explorations have taken her to 19th-century India and a post-metaphysical future. Yet British banality has retained its allure, and its uses. Her work is full of people called things...

Read more about Toxic Inner Critic: On Nicola Barker

Sally Carson’s dissection of the question that has disturbed the European mind for decades – how did it happen? – has touched a contemporary nerve, and the new edition of Crooked Cross has met with...

Read more about Born with a Hitler moustache: How to write about fascism

Poem: ‘Actual Outer Margins’

Ian Patterson, 19 March 2026

Once at a gate with cherries. Know this quickly buried nowor less to file history brief stuffed full of pen force, the timeit takes to various accounts echoing in my library to ensurepassage broke...

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Capital Brandy: Eliot on the Run

Stefan Collini, 19 March 2026

Humankind,​ he told us himself, ‘cannot bear very much reality’. One way to escape having to confront that disagreeable element was to go into hiding. For much of the second half of his life, T.S....

Read more about Capital Brandy: Eliot on the Run

Solvej Balle’s serial novel takes the idea of repetition and uses it to make these ancient, impossible problems of time new again. What is astonishing about her novel is the way she makes us see that...

Read more about Bleeding in the Dishes: Solvej Balle’s Time Loop

In all of Flannery O’Connor’s work, there isn’t a single character you could describe as admirable, or even vaguely sympathetic. O’Connor said that her interest in such unedifying types was an...

Read more about Atheist with a Wooden Leg: Flannery O’Connor’s Judgments

Poem: ‘Phoenix’

Don Paterson, 5 March 2026

Once, they caught me in a snareand plucked me to the pinkand left my feather-shafts to curein salt and flowers of zincthey rolled them up in mutton fatand set them by their cotsthen dealt my flesh...

Read more about Poem: ‘Phoenix’

Adèle Yon says that she enjoys it when the archives lose their footing (‘perdent les pédales’), revealing their ‘polyphonie’ and ‘artifice’. Sometimes, though, when the evidence reveals its...

Read more about Do lobotomies have a smell? Adèle Yon’s ‘Mon vrai nom est Elisabeth’

Poem: ‘From ‘Daybook’’

Maureen N. McLane, 5 March 2026

a dead queen a red kingan orange polis crashwhere is the high styleo poet the republic requires& where the Polish heroes& can the heroic be generalcommunal asks the engorgedpopulace we we...

Read more about Poem: ‘From ‘Daybook’’

The first few pages of Into the Weeds give the impression of someone starting to regret that she ever agreed to conduct a behind-the-scenes tour of what amounts in the four volumes of the uniform edition...

Read more about Little and Large: Lydia Davis’s Method

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