What was it about those two letters that used to intrigue me so much? I was about ten years old when I began to notice (and indeed obsess over) such things, so I suppose the year must have been 1971. At the time I was composing a long, complicated spy story called Manhunt, and to make the title look more official on the front of the exercise book in which I was writing it, I added the two...
Offbeat: British Cinema’s Curiosities, Obscurities and Forgotten Gems edited by Julian Upton. The Magic Box: Viewing Britain through the Rectangular Window by Rob Young. The Wicker Man, Unman, Wittering and Zigo, Don’t Look Now, Death Line, Neither the Sea nor the Sand … Some of these were X-rated and some were AA, but all emerged during the fruitful, uncanny interval when the AA certificate transformed British cinema into an equivocal landscape of ill-defined borders and liminal spaces. Meanwhile, on British television, equally strange things were happening.