The first Alfred Hitchcock film I can remember seeing was The Birds, when it was broadcast on BBC One on the evening of Sunday, 6 June 1971. I would have been nine years old, and it must have come as quite a revelation to me that this enigmatic but ubiquitous celebrity had a sideline in filmmaking. To me Alfred Hitchcock was many things, but not a film director. His was the name on the...
The music Bernard Herrmann wrote for The Wrong Man is diffident, sometimes almost unnoticeable. His score for Hitchcock’s next film, Vertigo, is loud, lushly romantic and Wagnerian. But in some respect, the scores are identical: both are self-effacing, in the sense that both are the work of a composer who recognises that his task is to seek out the essence of the material on screen and to express that rather than himself.