Brian Dillon is director of the creative writing programme at Queen Mary University of London, and before that ran the critical writing programme at the Royal Academy of Art. He is the UK editor of Cabinet magazine. Essayism Trilogy will be published in September.
Entering Give Me Paradox or Give Me Death, Roni Horn’s retrospective at Museum Ludwig in Cologne (until 11 August), you’re flanked by 96 photographs of her niece Georgia. The two grids of 48 seem to match until you’ve swivelled back and forth a few times and started noting certain fine disparities. Georgia’s grin slips, her head tilts, she peers at us through...
The first room of Zineb Sedira’s exhibition Dreams Have No Titles (at the Whitechapel Gallery until 12 May) is both inviting and confusing.
Jade? Arsenic? Celadon? Eau de nil? I can’t remember ever worrying so much about the way I might describe the colours at an exhibition. A glass vase in the shape of a grasping hand, from which emerges the outline of a photographed bunch of dead blooms, and beside this a lacquer box panelled in a similar green: many such artefacts and finishes in Marc Camille Chaimowicz: Nuit...
Biographies of great photographers tend, as you might imagine, to include the moment their subject acquired a camera and took a first shot. We’re asked to conjure little Henri Cartier-Bresson, or Jacques Henri Lartigue, on holiday with his parents and a Box Brownie, everyone eager for images. Chris Killip, who was born in 1946 and died in 2020, had never owned a camera or taken a...
‘There is something interesting to be said for everything around us,’ Charles Schulz’s Linus says in a Peanuts-derived commercial for Weber’s bread, first broadcast in the late 1960s. But there’s interesting and there’s interesting: sometimes you just get lost. The first work I saw by the British artist Helen Marten, about eight years ago, was a sculpture...
The essay can seem to be the cosy heartland of belles-lettres, a place where nothing urgent is ever said. Recently, though, publishers have seemed willing to take on and even promote this...
I once knew a man, a Jamaican, who when he first came to England always answered truthfully when asked ‘How are you?’ A bit sniffly, he might reply; or he would describe his...
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