Search Results

“... A dream,​ just before waking. It’s a day or two after Kate Bush’s unexpected announcement of her return to the concert stage for a series of shows later this year. In my dream, Bush takes the form of a child’s tiny hardback book: solid, substantial, not too many pages. On the front cover is a menagerie of cartoon animals, all Smartie-tube colours and toothy smiles ...”

“... Iwas​ still half asleep when I heard the story on an early morning TV show one day in April. It was so odd I wondered later if I had dreamed it. But it was true: government authorities in Chechnya had imposed a ban on any music deemed too fast or too slow to comply with the ‘Chechen mentality’. Taylor Swift is a no-no – too fast. The Russian national anthem – too slow ...”

“... Even​ if you’ve never heard a single thing Solange has recorded, you might still know that in May 2014, in the lift of a luxury hotel in Manhattan, on the starry, starry night of the annual Met Gala, she took a swing (or several) at her sister Beyoncé’s husband, the rapper and entrepreneur Jay-Z. ‘Leaked’ security camera footage from inside the lift showed a shocked Jay-Z, a flustered bear of a bodyguard, Solange a kung-fu blur and the expressionless statue of Beyoncé ...”

“... Florian. It’s surprising they didn’t think to use ‘Vorsprung durch technik’ as a slogan before Audi did: ‘Advancement through Technology’ is Kraftwerk to a T.We never quite get a sense, from Uwe Schütte’s account of this cusp moment in Kraftwerk: Future Music from Germany, of how or why Hütter and Schneider took their new pan-European direction ...”

“... In a lovely 1963 piece on Miles Davis, Kenneth Tynan quoted Cocteau to illuminate the art of his ‘discreet, elliptical’ subject: Davis was one of those 20th-century artists who had found ‘a simple way of saying very complicated things’. Jump to 1966 and the meatier, beatier sound of a UK Top 20 hit, the Who’s ‘Substitute’, a vexed, stuttering anti-manifesto, with its self-accusatory boast: ‘The simple things you see are all complicated!’ You couldn’t find two more different musical cries: Davis’s liquid tone is hurt, steely, recessive, where Townshend’s is upfront, impatient, hectoring ...”

“... In the spring of 1965​ , on the road between Memphis and Hollywood, desert plains all around, his bloodstream torqued by a tinnital static of prescription ups and downs, Elvis Presley finally broke down. He poured out his troubles to Larry Geller, celebrity hair stylist and, lately, something of a spirit guide for Elvis. Geller had given him a mind-expanding reading list of what we would now recognise as New Age self-help books ...”

“... What is wanted is history, the man in the raincoat, wearing the loops of his ideas, the buttons of his period.Elizabeth Hardwick, Sleepless NightsOh, God, what depressing places hotel bedrooms can be.Jean Rhys, QuartetThe​ image on the front of Late Fragments is a portrait taken by the Belgian photographer Charles Neyt in 1864. Start with those eyes: distrustful, assessing, imperious ...”

“... The rubble had been cleared away, but strange grasses and wild herbs had sprung up where the war-demolished houses had been.Muriel Spark, A Far Cry from KensingtonOn​ the opening page of Craig Brown’s One Two Three Four, Brian Epstein and his personal assistant, Alistair Taylor, behold the Beatles for the very first time. It is November 1961, in a ‘dank and damp and smelly’ Liverpool basement, and the young band are loud, foul-mouthed, almost purposefully unprofessional ...”

“... The woman​ who cuts my hair – forty-something, old enough to remember punk but a neo-hippy these days – recently mentioned she’d been to see Patti Smith, who was touring her 1975 album, Horses, for its 40th anniversary. ‘Patti, yeah! Went to see her at the Roundhouse. Paid £30, which I didn’t think was too bad … Didn’t stay that long, though’ – snip, snip – ‘Went up the front and had a proper look, up close and personal’ – snip, snip – ‘And then I left early ...”

“... There was a lot of racial tension around bebop. Black men were going with fine, rich white bitches. They were all over these niggers out in public and the niggers were clean as a motherfucker and talking all kind of hip shit. Trane liked to ask all these motherfucking questions back then about what he should or shouldn’t play. Man, fuck that shit – Bird had this white bitch in the back of the taxi with us ...”

“... Reveille with Beverly is a now largely forgotten 1943 film starring Ann Miller and the great Franklin Pangborn. Worked up from an equally forgotten US radio series it’s a corny but percipient tale about a spunky young DJ who’s hep to the vital Swing rhythm the kids all dig, and the stuffy station owner who wants no part of her indecorous jive. Miller, as the wide awake DJ, specialises in the wake-up call requests of local servicemen, and the film was a big hit with US military personnel stationed overseas during the Second World War: ‘Gooood morning, Potsdam!’ Forgotten it may be, but Reveille has one of the all-time great soundtracks: Count Basie, Duke Ellington, proto rock’n’roller Ella Mae Morse doing ‘Cow Cow Boogie’, and, in his Hollywood debut, a slender young reed called Frank Sinatra ...”

“... Assiduously and without much constraint, he conditioned his personality, making it as impenetrable and resourceful, as submissive and difficult, as it had to be for the sake of his mission.Walter Benjamin, ‘On the Image of Proust’To create in myself a nation with its own politics, parties and revolutions, and to be all of it, everything, to be God in the real pantheism of this people-I ...”

“... In​ 1975 David Bowie was in Los Angeles pretending to star in a film that wasn’t being made, adapted from a memoir he would never complete, to be called ‘The Return of the Thin White Duke’. This dubious pseudonymous character was first aired in an interview with Rolling Stone’s bumptious but canny young reporter Cameron Crowe; it soon became notorious ...”

“... One of the myths that fuzzes the shadowy outline of Ian Penman, a laureate of marginal places, folds in the map, is that Paul Schrader, the director of a sassy remake of Jacques Tourneur’s Cat People, admired Penman’s review so much that he invited him over to Los Angeles to talk product ...”

“... German film – beautiful and extravagant and fantastic, and nevertheless go against the grain.’ Ian Penman’s Fassbinder Thousands of Mirrors is in large part a book about dreams, and about interrupting them. Fassbinder belonged to a generation of left-wing artists, musicians and filmmakers whose aim was to shake their audience out of a slumber. You ...”