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“... you know; learn what you need to know. (The corn-rows are a nice touch, since they can signify white hippies or African American pride; there were lawsuits about them – could employers ban them? – during the 1980s.) It is advice that, followed to the letter, would make anyone more aware of politics, economics and history. And it is advice that, taken ...”

“... Geronimo Rex – a disorganised redneck version of The Adventures of Augie March – won the William Faulkner Prize and a nomination for the National Book Award when it came out in 1976. His 1978 short-story collection, Airships, was even more successful, winning two prizes, but the increasingly fragmented and sometimes mediocre short novels and story ...”

“... trends. For Taeuber, this meant the paintings of Gauguin and the Nabis, the work and thought of William Morris, and the radically reductive patterning seen in tribal art. In 1910 she moved to Munich to attend the Teaching and Research Studio for Applied and Fine Arts, known as the Debschitz School after its founder, Wilhelm von Debschitz. He too took his ...”

“... but especially in ‘Kit Inspection’ the robotic nature of the figures is reminiscent of William Roberts, while the formal shaping of the mosquito nets in ‘Reveille’ might have been done by C.R.W. Nevinson. In relation to style, Spencer was apparently untouched by modern influences from Europe. Apart from these panels recording military life ...”

“... in order to get closer to this unattainable Altidorian Gray, who though he is at his best in white jeans can ‘ironise’ even a pair of khakis, leggy piece of work that he is. Like Hollinghurst’s great first book, The Swimming-Pool Library, The Folding Star has many characters but few women. The author takes pains to greet them and make them feel ...”

“... strong anti-Voorstand speech, evoking ‘the sharp-toothed blue-coated Mouse as a paranoid – its white-gloved finger hovering above a button which might destroy the planet’. The first half of the book, then, offers a series of different and constantly surprising takes on the theme of cultural imperialism, the notion of art as a political weapon whether in ...”

“... that matter – spotting conspiracies where others see epidemics: no less a man of the people than William Cobbett was adamant that Asiatic cholera itself was a fiction invented by the powers-that-be to hold the masses in terror. Indeed, as Steve Watkins underlines in his book, the Left in many of its moods has traditionally suspected that the medical ...”

“... figure sitting alarmingly high up on the temple’s architrave: a self-portrait by the artist, William Pars, the designated draughtsman on the Ionian Expedition of 1764-66. In reality Pars was paying as much attention to the charm of the courtyard scene as he was to the antiquities, though not in a way that pleased everyone: as his fellow traveller Richard ...”

“... those new potatoes? Some may think that this is bathos, but the presence within these poems of William Wordsworth (Dorothy and he at one point make a fleeting appearance, grave comic spectres not lightly to be called up for comparison) is a reminder that after the Augustans had derided it there really was discovered to be such a thing as the art of sinking ...”

“... a parcel for you.’ Bond clawed at the parcel with a hand on which he could still see the white outline of the skin-graft he’d had between Casino Royale and Live and Let Die. These physical details from his past made him feel real. ‘Let me,’ sighed the nurse. Basic parcel protocol flashed into his mind. He muttered ‘Bomb’. ‘That’s no ...”

“... Allen Ginsberg’s star now shines more brightly than the rest. True, Jack Kerouac and William Burroughs glowed on in the aftermath of On the Road (1957) and Naked Lunch (1959); Brion Gysin, inventor of the cut-up technique, is still visible on a clear night. But the beautiful Lucien Carr, an Alain Delon lookalike drawn into the Beat circle by a ...”

“... As in Sargent’s picture of James at the National Portrait Gallery, he wears a tie around a white winged collar, a similar black jacket and perhaps the same charcoal waistcoat, but he’s not as imposing as he is in that more famous portrait, maybe because the Reform picture is unfinished. There’s a blurred left hand at bottom right: had the artist ...”

“... argument against his taking up French.’ His handwriting ‘was, and remained, unschooled’, William Feaver writes in his new biography, and adds: ‘Having to learn to write with his right hand in a new language and a new script prompted him to feel that such discipline, being foreign to him, was not for him. This became his pattern of behaviour at ...”

“... response to his more portentous gestures, a version of the self-protective rhetorical device that William Empson diagnosed as ‘pseudo-parody to disarm criticism’. ‘I don’t think I am less happy than most. But the word Happy has ceased for years to mean anything I seek to be. How’s that for a pompous mouthful?’ Heartless about his own ...”