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“... There was much light and much wind. In summer gorse fires threw up dense billowing columns of brown smoke, broken by bursts of orange flame. The fire engines came, another patch of blackened hillside was born, but the houses seemed to withstand it – the thin, dry furze must have flared up and then quickly died down. When my parents gardened on the steep ...”

“... better than anyone the new rules of political fabrication. He comprehensively outmanoeuvred Gordon Brown in Manchester by being truer both to himself and to the spirit of contemporary politics in the way he stretched the truth. Blair was sincere in the lies he told. Brown, by contrast, came across as a straightforward ...”

“... this route. Closed to the north by the east transept of the cathedral and to the south by the brown brick wall of the museum, it is the closest thing we are ever likely to have to the streets radiating from the Cathedral and the Exchange that would have shaped London had proposals made for London after the Great Fire been realised. But the site brought ...”

“... of island lives that are as troubled as any. Gauguin maids, the solemn, solid, bare-breasted, brown girls surrounded by flowers, fruit, trees and the sea, may have entered the popular imagination as images of blissful indolence but a closer look tells you that the pictures are sad. (In a letter to his wife, Mette, he once described the ‘harmony’ of ...”

“... and in the objects (shoe, bottle, bread, apple, fork); red, blue, pink, green, yellow and brown merge iridescently like puddles of oil on black tarmac. The combination of rainbow colours and encroaching blackness, makes it, like much of Miró’s work, both pretty and sinister. ‘Despite the fact that while working on the painting I was thinking only ...”

“... is a serious exhibition.1 The pictures themselves signal it with heavy colour: first, black, grey, brown, mud and rust, and, in later pictures strong reds and yellows (when he could afford it – earth colours are cheap). Thick paint – in early pictures so thick that it seems to parody all its Expressionist precursors – and wide strokes add weight to the ...”

“... at the turn of the 16th century, drove the stream of invention into furious eddies. Beverly Louise Brown, who edited the catalogue – seven of the 11 contributors are women: it seems proper that the critical eye cast on what is on the whole male peacocking should be female – cites a description of the atmosphere in Rome around 1604 from Karel van Mander’s ...”

“... here (it was made for an exhibition not a client), is on the face of it no more than a doodle in brown ink and coloured crayon. But its sprightliness sums up the spirit which, in finished buildings, so undermined their seriousness that Gehry, along with a few others, was able to do what no one had done since 18th-century gardeners threw in the odd grotto and ...”

“... from ‘The Steppe’ to illustrate the point: ‘The hills had vanished and wherever you looked a brown, cheerless plain stretched away endlessly . . . Between the cottages and beyond the church a blue river was visible and beyond it the hazy distance . . . The sheer scale of it bewildered Yegorushka and conjured up thoughts of the world of legend . . . Who ...”

“... Sunlight as you drive up the A41. The first (a blue one) sends you to the factory, the second (a brown one, indicating a cultural monument) sends you to the village and the art gallery. If all British manufacturing disappeared the map would still bear the name of a bar of soap.It was not making the stuff but the idea of packaging it under the name ...”

“... was six but I thought I knew what she meant. I had these friends, the Routledge twins: Andrew and Peter. My own two Christian names, as it happened, but divided up like that I didn’t recognise them as mine. Andrew was quiet and cautious, Peter quick and reckless. They lived on a mucky farm nearby; you turned out of the ...”

“... The guiding star of his youth has entirely vanished from his firmament. In 1975 the young Gordon Brown compiled, edited and published a socialist manifesto entitled Red Paper for Scotland. At 24, he had just completed a three-year term as rector of Edinburgh University and chaired the University Court in the face of continuous opposition from some of the ...”

“... is in someone’s long lens and for whom blood is everything: the Windsors, aka the Firm. Tina Brown, a smart ethnographer bearing a scalpel, engages with this dispiriting bunch as though they, like the Rooneys of that photograph, have yet to evolve.The slice of world that is vouchsafed to the queen and her many dependants, to whom she doles out annual ...”

“... natural transcriptive technique did not need to. It is the darkness, the ascendancy of grey, brown and black that strikes you first. Light in general offers up the world for inspection in a range of luminosities – from eye-searing sunlight to faintest moonlight. The Impressionists showed that you could drop the dark end of the range and increase the ...”

“... moulded bricks of the kind Palladio’s columns were built with. But it is in the many drawings in brown ink that you can see how hard Palladio worked at playing the game of architecture and determining its rules. Most of them are now in the RIBA library: they were brought to England by Inigo Jones in the early 1600s and then passed through various hands, in ...”