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“... long spell in a mental hospital, given shelter and support by a white-goateed older writer called Frank Sargeson, played by Martyn Sanderson. She lives and types in his garden shed, finishes a novel, and sends it off to a publisher he has recommended. The novel is accepted and Sargeson waves at the garden gate as Frame leaves for Europe on a literary ...”

“... one by Franz Kline, the other by Willem de Kooning (they accompany poems written on the plates by Frank O’Hara and Harold Rosenberg respectively), a medium that makes delicate scratching and hatching possible is turned over to coarse brush strokes and crabbed handwriting. Yet both these plates and Lewis’s derive part of their force from a ...”

“... Church, collaborating with Alice Notley, Ted Berrigan, Robert Creeley and others. John Ashbery and Frank O’Hara were their guiding lights. A new American poetics was taking shape: daily and referential, tough and casual. Between 1967 and 1969 Mayer edited, with Vito Acconci, the experimental mimeographed magazine 0 to 9, which combined work by poets and ...”

“... but she was reluctant to let clichés about the natural world attach themselves to her work. Frank O’Hara sent a letter within days of reading the interview, to congratulate ‘ma Baudelairienne actuelle’ on the central picture, George Went Swimming at Barnes Hole, But It Got Too Cold, which he said he longed to see again. He was too ...”

“... generally short, are prose poems by another name. (‘It is even in/prose, I am a real poet,’ as Frank O’Hara put it.) The exception is her collected lectures, Madness, Rack and Honey (2012), which, she has observed, has been far more successful than any of her poetry collections.Ruefle has been the poet laureate of Vermont since 2019. She brings to ...”

“... comes from Miles Davis. ‘If you’re not nervous, you’re not paying attention.’ It was Frank O’Hara, in his pseudo-manifesto ‘Personism’ (1959), who first advised poets just to run on their nerve, and in recent years, alas, the sub-O’Hara poem has become commonplace – a dash of surrealism, a dash ...”

“... and bulging around her as old flesh does. Jeremy Lewison in the catalogue calls it a ‘brutally frank self assessment’, ‘the obverse of a pin-up girl’. But brutal is the wrong word. It is certainly truthful about how things look, selectively truthful in the things it chooses to emphasise or simplify, aggressive perhaps, in the way of people who ...”

“... was a shock. He had thought that no one wrote out of happiness – except for Emerson, Whitman and Frank O’Hara, a friend corrected him – just as no one writes when tired: ‘This is why there are no good books about babies. Or shiftwork.’ Sansom’s book collects anecdotes ‘like droppings’. There is the story of the first woman to receive ...”

“... The Persian Jacket, off the wall of the gallery and back with him to MoMA. (Her close friend Frank O’Hara, working at the museum’s front desk, was there to see Grace’s official entry into the museum; the painting fitted into the cab, but not through the revolving doors, and had to be taken in through a side entrance.) She was the first of her ...”

“... first two books responds to other gay writers in a similar way. He assigns his students Frank O’Hara ‘primarily for his joy, his freedom from guardedness and guilt’. But Greenwell’s own qualities aren’t necessarily those of his idols. Although he describes gay sex with total candour, the narrator’s pleasure is usually ambiguous and ...”

“... death kissed me. I kissed it back’ (both in ‘Hymn to Life’, which is like a stray elegy). Frank O’Hara, Schuyler’s friend and sometime flatmate, is very obviously there (I’ll keep myself therefore to one example): ‘Look, Mitterrand baby’ (‘Simone Signoret’). O’Hara aside, this is not a matter of ...”

“... He was interested in the proximity of a laugh to a rictus.) ‘Witty and funereal’ was how Frank O’Hara described Twombly’s sculptures early on. Poussin’s ‘The Arcadian Shepherds’ (c.1628-29) Across from the main exhibition is a room given over for the next two months to the Duke of Rutland’s five paintings, done by Poussin for ...”

“... with his knowing look, the girl glancing warily beyond the frame.Neel’s grisly 1960 portrait of Frank O’Hara (‘it’s too hatchet-faced,’ she later told Ted Castle) ushered in an era of large, vivid and often sparely-painted canvases, whose energetic lines and idiosyncratic perspectives nod to abstraction without ever fully embracing it. This new ...”

“... wheat only rustled through its rosary once more. The most obvious influence on Ford is Frank O’Hara, with whom he shares a tendency to exclaim (‘What a life!’, ‘Hurrah!’, ‘What a thought!’, ‘Hush!’, ‘Hark!’), a desire to register the vertiginous rush of the present moment – for which driving with no hands is a vivid ...”

“... abstraction and idealism.’ To this end, Nelson contrasts the different ways in which Guest and Frank O’Hara compare words to rocks. O’Hara’s poem ‘Today’ giddily lists: Oh! kangaroos, sequins, chocolate sodas! You really are beautiful! Pearls, harmonicas, jujubes, aspirins! all the stuff they’ve always ...”