LRB Readings

Julian Barnes reads his memoir about a lifetime of reading Flaubert.

Jorie Graham reads her poem 'Are we'.

The first true crime craze – the distant antecedent of our own docu-drama craze – proved to be an essentially Elizabethan phenomenon. I would place its high-water mark in the year 1599, when A Warning for Fair Women was staged at the Globe. Over at the Rose, a hundred yards away down Maiden Lane, three new murder plays were commissioned by the Lord Admiral’s Men.

How can a libertarian be comfortable cosying up to sovereign wealth funds, the military-industrial establishment and the security state? One possible answer is that Peter Thiel is not a libertarian at all. The pretence is just a means of covering up his true business model, which is to rely on craven bureaucrats squandering taxpayers’ money on untested technologies. But the other possibility is that this is the essence of libertarianism.

One might think it impossible to erase an event of this magnitude from historical memory. But Tulsa tried its best. Scott Ellsworth discovered that police reports and National Guard records had been systematically destroyed; other documents were removed from the state archives. News articles were cut out of surviving copies of local newspapers in the University of Tulsa library.

Here is what it is: no force on earth will keep a writer’s preoccupations out of their fiction. You are not necessarily looking for them, but you find them every time. There you are in your octagon, holding a glass of whisky in one hand and working one foot into the fur of a bear, when the fire lights up the primal line.

Dominic West reads Patrick Leigh Fermor's piece about the olive harvest on the Mani peninsula.

It shouldn’t be more important that the North Sea wind farms get built than that some of their towers are made by low-paid labourers working twelve-hour shifts, seven days a week; and yet the immense utopian project to decarbonise human activity forges ahead, while the equally utopian project to end the setting of ‘low income country’ worker against ‘high income country’ worker barely exists.

I am struck by her loneliness. She wanted to merge with the masses, to be anonymous and unobtrusive – a worker, a farmhand, a trade unionist, a soldier – one among many, working and fighting alongside others. Yet she found true solidarity hard to come by. Everywhere she went, she stood out. She was often the only woman; she was always different.

Muhammad never claimed to be anything other than a human being: he was a Messenger of God, not the son of Allah, and not in direct communication with him. The visions were mainly aural: the Prophet heard the voice of Gabriel, who dictated the Quran on behalf of Allah. In a largely illiterate world, in which storytelling was rife and memories strong, history was transmitted orally.

The violence that broke out inside Israel was ugly, a chaotic mixture of pogroms and score-settling; it is a threat to the delicate fabric of Arab-Jewish relations that no politician in Israel can afford to ignore. But the violence grew out of conditions that Israel itself has created: the power and arrogance of the settler movement, and the alienation and rage of young Palestinian citizens who, like all Palestinians, simply want to be free.

Boris Johnson’s japes are comparable in neutralising effect to the softening charm of Tony Blair. How can such a matey, blokey person, ‘someone you could have a pint with’, possess darker, colder qualities, be flawed not merely by an indifference to the truth, but an indifference to the wellbeing of other people, including his wives, lovers and closest colleagues?

No one wants to be ‘puritanical’: better to be thought fun-loving, broadminded, easygoing, even (perhaps especially) if we’re not. Puritans hold a mirror to the anxious self-image of individuals and societies, reflecting both intolerance and a hatred of intolerance, a fear of corruption in perfection, of dystopia seeded in utopia. They have never been more useful.

Rosemary Hill reads her piece exploring the history of London's West End.

Stone’s dozen days in Saigon were all passed in the shadow of the war. Everybody was in it, somehow, and talked about it non-stop, but the talk never went anywhere. It ran into the war and came to a full stop. The war refused to be won, or lost, or understood.