Adam Shatz

Adam Shatz is the LRB’s US editor. He is the author of Writers and Missionaries: Essays on the Radical Imagination, which includes many pieces from the paper, and The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon. He has written for the LRB on subjects including the war in Gaza, Fanon, France’s war in Algeria, mass incarceration in America and Deleuze and Guattari. His LRB podcast series, Human Conditions, considers revolutionary thought in the 20th century through conversations with Judith Butler, Pankaj Mishra and Brent Hayes Edwards. Sign up here.

On Lisette Model

Adam Shatz, 24 September 2026

Erroll Garner at the New York Jazz Festival in 1956.© Lisette Model Foundation, courtesy National Gallery of Canada/Eakins Press Foundation.

At​ first glance this photograph of the pianist Erroll Garner – eyes closed, mouth open, his face illuminated by a source beyond the frame – might appear to show a parishioner in a state of rapture. It’s only...

Another Country: Visions of America

Adam Shatz, 5 February 2026

‘The very word “America”​ remains a new, almost completely undefined and extremely controversial proper noun,’ James Baldwin wrote in 1959. ‘No one in the world seems to know exactly what it describes, not even we motley millions who call ourselves Americans.’ Is it a dream or a nightmare, a democratic paradise or a bastion of white supremacy and...

Berlin Diary

Adam Shatz, 14 August 2025

On my first day as a fellow at the American Academy in Berlin, in the middle of January, one of the other new arrivals, a German woman who’s lived in the States for three decades, remarked that the view of Lake Wannsee was stunning from the dining room of the villa where the fellows stay, and would only be more beautiful in the spring. ‘As a Jew,’ another fellow...

The World since 7 October

Adam Shatz, 24 July 2025

On​ 18 June, the sixth day of Israel’s attack on Iran, David Petraeus gave some unsolicited advice to Donald Trump in an interview with the New York Times. Trump, he said, should deliver an ultimatum to Ayatollah Ali Khamenei, ordering him to dismantle Iran’s uranium enrichment programme or face ‘the complete destruction of your country and your regime and your...

At the Pompidou: ‘Paris Noir’

Adam Shatz, 26 June 2025

In​ 1940, James Baldwin visited the painter Beauford Delaney at his studio on Greene Street. Baldwin was fifteen and a high school student; the meeting had been arranged by a friend. ‘Beauford was the first living, walking proof, for me, that a Black man could be an artist,’ Baldwin wrote later. In Delaney, a gay black artist from Knoxville, 23 years his senior and living...

Fanon’s world has a logic. His pages are full of identities, contradictions, Aufhebungen – master and slave, being and nothingness. Any biography, however, has to decide in the end which...

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