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“... rigidly subjected to a contemporising process, in the manner demonstrated for Shakespeare by Jan Kott.’ But although Brecht was in favour of adapting and reworking classical texts to make them clearer and more instructive for a modern audience, he had little use for ‘contemporisation’ in the sense of arbitrary updating. If we simply ‘annihilate ...”

“... tortured by devils tumble, gallop and fly past the onlooker. The flamboyantly dressed soldiers, needle-sharp lances, Hills of Golgotha and Towers of Babel that fill his works are carefully reproduced from dozens of well-known Renaissance paintings. Within the swirling clouds of detail, juxtapositions suggest interpretations. Mining machinery and printing ...”

“... conveyed. The thorns on the stem of the rose that Kitty is holding up to her alarmed face are needle-sharp – you can sense their sharpness, and how risky it was to hold the stem. There is a large brown birthmark on the hand holding the rose. The texture of the birthmark is rougher than the porcelain-smooth white of her upheld hand. The flower is a pale ...”

“... for a rich man to enter the kingdom of heaven than for a camel to pass through the eye of a needle’. St John the Baptist appears again on the mint’s statute book, produced in 1341. True to the biblical account, he wears a hair shirt, a token of his life of poverty, except that the Florentine artist has also wrapped around his shoulders the red cloak ...”

“... immense middle road laid out by the Dutch in the 17th century. When he first saw the canvases of Jan van Goyen, he tells us,I felt I had waited an age for just this painter, that he filled a gap in the museum of my imagination I had sensed for a long time. It was accompanied by an irrational conviction that I knew him well and for ever … A road through a ...”

“... to the biography, the full-length critical studies by David Mikics and James Naremore, watched Jan Harlan’s excellent documentary, Stanley Kubrick: A Life in Pictures, and explored every entry in The Stanley Kubrick Archives edited by Alison Castle: a 13-pound art-historical tome containing solid articles on every Kubrick film, together with ...”