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“... he was older, he took snapshots of ordinary things and put them in albums (‘Pair of pants – Hamilton, Montana – 1916’). He also became an obsessive drawer of maps, suggesting both a love of order and a fascination with the idea of magically containing the vastness of the world within a formal outline; he liked to repeat things. What is certain is ...”

“... Britain and France as gangsters. What I remember were the things that made us laugh: the column by Paul Jennings that had a tongue-twister about ‘tuskless rustics eating crustless Ruskets’; the strip cartoon by Jules Feiffer; the witty reviews by Kenneth Tynan of plays that we had next to no chance of seeing; the house adverts by the subversive estate ...”

“... wrote William Redfield in Letters from an Actor. ‘He is even less gifted than Richard Burton, Paul Scofield, Ralph Richardson and John Gielgud. But he is still the definitive actor of the 20th century. Why? Because he wanted to be.’ Holden’s book never reconciles his notion of Olivier the actor-as-onion with its pages of evidence that the force that ...”

“... the colour of spring.’ Champcommunal was more fashion-conscious than Todd; she knew people like Paul Poiret – the first person to design a dress, it’s said, that a woman could put on by herself. It’s not clear how the early editors were chosen, or what qualifications were expected in a country where to be fashionable had long meant to be vulgar and ...”

“... his ‘privacy’. He fended off journalists and biographers, sometimes in the courts: Ian Hamilton was commissioned by Random House to write a biographical study subtitled ‘A Writing Life’, but permission to quote from Salinger’s unpublished letters was denied by the courts and Hamilton’s book ended up being ...”

“... since no intellectual journal back then was complete without a Riesman snorkel dive; a piece by Paul de Man (remember him?) which begins on the stirring note, ‘Ever since the war, American criticism has remained relatively stagnant’; and an omnibus review of four books by Northrop Frye. ‘Notes on “Camp”’ transmits on an entirely different ...”

“... I JUST TURN/AND/RUN.’ This is the Art Zone, so the calligraphic street poem, the post-Hamilton Finlay fence doodle, is signed with a corporate logo: ‘LACK’. The strategy is not quite as throwaway as it seems: Drummond has noticed layers of primer beneath the dripping runs of yellow. More rehearsed spontaneity. That’s good. And the words ...”

“... from an outer borough. New Yorkers hardly have a bias against aspiring newcomers. The musical Hamilton exalts a classic New York story of a brilliant young immigrant rising in a mercantile culture. (‘I hear it’s highly overrated,’ President-elect Trump tweeted last November after the cast addressed Vice President-elect Mike Pence, as he was leaving ...”

“... worst) of them combined the secrecy of Whitehall with the languor of Fitzrovia. It was Patrick Hamilton in conversation with George Smiley down a blind alley off Rathbone Place, with froth sliding down the insides of pint tumblers and lipsticked fags in every ashtray. Men such as Gamlin practically lived in Langham Place: their outer bounds were ...”

“... to fill in the spaces. The tone of it reminds me of the tone of Lowell’s conversation with Ian Hamilton from 1971, mechanically clever but distant and deaf, all denatured one-liners and musing rhetorical questions. It’s not conversation but the complacent burble of a radio on a windowsill. History is about as broad as Lowell gets, a custard-pie violence ...”

“... Well, not worst enemy. But publicly that’s how I was seen.He saw you as his worst enemy.Yes. Hamilton v. Salinger. Those were not words I’d ever imagined seeing. Not in my wildest dreams.That was how the proceedings were styled?Or the other way round. It became a law-journal case. In some respects the law was changed as a result. Every so often I get ...”