At the Hayward
Marina Warner: Tracey Emin, 25 August 2011
“... spontaneity. A more recent quilt, from 2005, hangs upstairs, and is blanched, a study in cream and white. It always Hurts is the title. The gypsy festiveness has been quelled, and the anger has turned to sorrow. The final rooms are filled with smeary white paintings, closer to De Kooning and Twombly than anything Emin has ... ”