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Green Minna

Peter Campbell, 7 October 1982

The Autobiography of George Grosz: A Small Yes and a Big No 
translated by Arnold Pomerans.
Allison and Busby, 246 pp., £12.50, August 1982, 0 85031 455 0
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... and ‘the asparagus-like stench’ of a run-over skunk. On a holiday at Garnet Lake near New York the food goes mysteriously bad, bloated horseflies and red ants share the bedroom, and the nearest farm breeds vermin –‘a whole mess of crawling, flying, stinging filth’. The division between desire and talent colours so much of the book that it is ...

The Last Hundred Days

Peter Wollen: Kassel’s Mega-Exhibition, 3 October 2002

Documenta 11 
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... the globe seems to have earned him condescending and scurrilously ad hominem coverage from the New York press. At the same time, of course, Enwezor has included a number of European and US-based artists in Documenta 11. Twenty of them are based in New York, including Louise Bourgeois, Leon Golub, Alfredo Jaar, On ...

Secrets are best kept by those who have no sense of humour

Alan Bennett: Why I turned down ‘Big Brother’, 2 January 2003

... 4 January. A Christmas letter from Cami Elbow, wife of Peter Elbow, an American college friend who teaches English at Amherst: Life in Amherst is very placid. Even grammatically correct. In December the town decided to encourage shoppers to patronise the downtown stores with free parking. They ordered plastic bags to cover up the parking meters but the bags arrived with the message wrongly punctuated: ‘Season’s Greeting’s ...

At the Royal Academy

Peter de Bolla: Abstract Expressionism, 15 December 2016

... 847’ (1950) by Clyfford Still Perhaps the single most significant aspect of the New York art scene in the late 1930s was the presence of European artists fleeing Nazi Germany and its poisonous effluent elsewhere in mainland Europe. Many of them spoke little or no English and quite a few seem to have taken American artists to be hicks or ...

At the Wellcome

Peter Campbell: ‘Dirt’, 2 June 2011

... what was an area of salt marsh on the west shore of Staten Island. It began to be filled with New York garbage in 1948. When legislation was passed in 1995 announcing that it would be closed in 2001, it spanned nearly 2200 acres – about two and a half times the size of Central Park. Its life as a dump was extended following the destruction of the World ...

At Victoria Miro

Peter Campbell: William Eggleston, 25 February 2010

... is 1976, the year John Szarkowski, curator of photography at the Museum of Modern Art in New York, organised an exhibition of William Eggleston’s colour prints. Many people were shocked: first because the leading museum of modern art was willing to exhibit colour photographs, second because subject matter and composition seemed so ...

At the National Portrait Gallery

Peter Campbell: 273 Fabiolas, 11 June 2009

... have of it, or that our behaviour implies that we have. This exhibition comes to London from New York, where it was mounted in the Hispanic Society of America. Both there and here in London, Alÿs’s requirements – that the pictures be seen in the context of collections of old-master paintings, and that they be fully catalogued – have been met. An ...

Death (and Life) of the Author

Peter Wollen: Kathy Acker, 5 February 1998

... Art After Modernism , a collection of essays published in 1984 by the New Museum in downtown New York, Kathy Acker wrote: ‘The only reaction against an unbearable society is equally unbearable nonsense.’ She once said she didn’t expect anyone to read any of her books all the way through from beginning to end: ‘even in Empire of the Senseless , which ...

Hoylake

Peter Clarke, 30 March 1989

Selwyn Lloyd 
by D.K. Thorpe.
Cape, 516 pp., £18, February 1989, 0 224 02828 6
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... family’s trajectory of escape from the confines of Wesleyanism. But although he became known as Peter from undergraduate days onward – ‘Selwyn’ must have spelt social death at Magdalene – he never seriously purported to be other than he was. He exhumed his Christian name in post-war politics and made it into a distinctive trademark, whereas to ...

At the Centre Pompidou

Jeremy Harding: Beat Generation, 8 September 2016

... scoutmaster who stalked him across America until Carr pulled out a knife and killed him in New York, no longer emits much light. Nor does poor Herbert Huncke, ‘sad, sweet, dark, holy’, as Kerouac describes him in Desolation Angels. Parts of his notebooks were published in the 1960s, but he only really sputtered to life again in 1990 with an ...

Say hello to Rodney

Peter Wollen: How art becomes kitsch, 17 February 2000

The Artificial Kingdom: A Treasury of the Kitsch Experience 
by Celeste Olalquiaga.
Bloomsbury, 321 pp., £20, November 1999, 0 7475 4535 9
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... for novelty, difficulty and complexity: that is to say, by Modernists such as Greenberg, the New York critic who formulated and led the assault on kitsch in the 1940s and 1950s – an anti-kitsch campaign which, as he saw it, was necessary if the meaning and value of artistic Modernism was to be recognised in America and, subsequently, the value of the new ...

Thinking big

Peter Campbell, 26 September 1991

Great Mambo Chicken and the Transhuman Condition 
by Ed Regis.
Viking, 308 pp., £16.99, September 1991, 0 670 83855 1
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... on the Moon. And that, only yesterday, was said by Astronomers Royal and leader writers on the New York Times to be, demonstrably, not on. Why should one be talked down from one’s tree by the kind of people who made that booboo? Regis’s cast includes visionary scientists, Science Fiction writers, Nobel Prize-winners, boffins, rocket engineers and plain ...

Enid’s Scars

Peter McDonald, 23 June 1988

You must remember this 
by Joyce Carol Oates.
Macmillan, 436 pp., £10.95, January 1988, 0 333 46182 7
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A Case of Knives 
by Candia McWilliam.
Bloomsbury, 266 pp., £12.95, January 1988, 0 7475 0074 6
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Burning your own 
by Glenn Patterson.
Chatto, 249 pp., £11.95, March 1988, 0 7011 3291 4
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... and adolescence of Enid Stevick, one of four children of a second-hand furniture salesman from New York State. This history circles around crucial, scarring events in Enid’s life: the sexual abuse from her father’s brother that turns into a dangerous love-affair, a clear-headed and almost successful suicide bid and a hurriedly arranged back-street ...

Timo of Corinth

Julian Symons, 6 August 1992

A Choice of Murder 
by Peter Vansittart.
Peter Owen, 216 pp., £14.99, June 1992, 0 7206 0832 5
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Portrait of the Artist’s Wife 
by Barbara Anderson.
Secker, 309 pp., £13.99, June 1992, 9780436200977
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Turtle Moon 
by Alice Hoffman.
Macmillan, 255 pp., £14.99, June 1992, 0 333 57867 8
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Double Down 
by Tom Kakonis.
Macmillan, 308 pp., £14.99, April 1992, 0 333 57492 3
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... in the wilderness. Time alters the past. Gods, too, change ... The exclamatory staccato style is Peter Vansittart’s, and so are some of the words. Many sentences get no further than half a dozen words, some are mere singletons. The manner is intentional, but no more digestible for that. Its chief purpose would seem to be the conveyance of chunks of ...

Wharton the Wise

D.A.N. Jones, 4 April 1985

The Missing Will 
by Michael Wharton.
Hogarth, 216 pp., £10.95, November 1984, 0 7011 2666 3
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... For 27 years Michael Wharton has written the ‘Peter Simple’ column in the Daily Telegraph. He was only 43 when he secured this good, steady job and now he has published an autobiographical account of his 43 apprentice years – dissident, drifting, bohemian years, marked by a lack of will-power, what the Greeks called aboulia ...

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