Looking back
John Sutherland, 22 May 1980
“... is the strongest part of the novel. The plot of Metroland, what there is of it, is reminiscent of Martin Amis’s The Rachel Papers: virginity lost amid cool, egotistic wisecracking. But Barnes’s hero is nicer and his tone more humane than Amis’s. And the verdict on the Sixties is, if somewhat half-hearted, a tolerant one: ‘It’s really not a bad ... ”
