Olivier Rex
Ronald Bryden, 1 September 1988
“... nose and goatee modelled on George Arliss’s Disraeli and had to be persuaded by his director, Jonathan Miller, to evolve in the succeeding weeks a characterisation based on his own face. No one seems to have told Holden that dress rehearsals normally complete, not commence, the rehearsal process. He will surprise many who worked with Tyrone Guthrie by ... ”