At Tate Modern
Eleanor Birne: Fahrelnissa Zeid, 21 September 2017
“... and fierce about foreign influence, but in London and Paris she was a painter to be reckoned with. Charles Estienne, a significant French critic, became her champion, and Tristan Tzara and Francis Picabia thought highly of her giant abstracts at the Musée d’Art Moderne. She painted My Hell in her studio on the third floor of the Iraqi ambassador’s ... ”