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“... of outsider art, somewhat comically, to artistically unschooled violon d’Ingres types like D.H. Lawrence, Arnold Schoenberg, Winston Churchill and Prince Charles – talented amateur painters, possibly, but not exactly what you would call marginal or psychically alienated figures. Euphemistic, in turn, because once again the sheer intransigence of outsider ...”

“... her ability to make the most improbable people go cuckoo over her. An otherwise mopey young D.H. Lawrence, for example. In 1908, having seen her perform one of her signature roles – Marguerite, the doomed courtesan in La Dame aux camélias – Lawrence sounds like a decadent schoolgirl on heat: ‘Oh, to see her, and to ...”

“... of the career and the frank titillations of style. Like other taboo-breaking writers – D.H. Lawrence and Sylvia Plath come to mind – Hutchins seems to have written for some fairly unpleasant emotional reasons, and the wish to mortify her nearest and dearest was no doubt among them. Such difficult wishing may be far more deeply implicated in artistic ...”

“... mal and Madame Bovary, not to mention the more recent legal judgments concerning James Joyce, D.H. Lawrence, Vladimir Nabokov. Why is it that these ‘shocking’ writers, these transgressive authors, are also now labelled the most important? Foucault suggests an answer: Texts, books and discourses really began to have authors (other than mythical, sacralised ...”

“... she hated what she regarded as the sexual anarchy of the Twenties, and the novels of D.H. Lawrence and Aldous Huxley struck her as being almost subhuman. For she feared the power of the sex instinct. Her affair with Joseph Chamberlain had been unforgettably painful, suggesting perhaps that, far from being an integrated character with no divisions of ...”

“... of her time who strike this Bowenesque theme were anti-Bloomsbury: I have in mind, of course, D.H. Lawrence and that great writer (and I mean great – if you doubt it try to think off-hand of six other great comic novelists in the entire history of fiction), Evelyn Waugh, even though he did from time to time get entangled in the golden folds of his ...”

“... and cynical race’. From Taormina in Sicily, where he was renting the house in which D.H. Lawrence had lived, he wrote to a friend: ‘Italians are just niggers at heart.’ Portofino, where he spent the summer of 1953 with his boyfriend, Jack Dunphy, was no better: Everything became too social – and I do mean social – the Windsors (morons), the ...”

“... of a fan letter), she wore a specially borrowed ‘tailor-made’ with an embroidered shirt: ‘Lawrence was from the people himself,’ she remarked, ‘and however neatly and nicely his sisters dressed, the one thing they would never have had at that time was peasant embroidery. That was the monopoly of the intelligentsia.’ The fan letter to ...”

“... allow Meyers to dwell on his previous subjects: he has already tackled Orwell, Conrad, D.H. Lawrence, Katherine Mansfield and Edmund Wilson, among many others. But his obsessive cross-referencing also seems aimed at elevating Maugham by association. Meyers dismisses his weaker efforts, and even quotes some of the lines that drew fire. (From Great ...”

“... little unhinged at times’). Yet aberration was something he appeared to need from her. D.H. Lawrence observed that characters in Hardy’s novels don’t tend to ‘develop’; instead they ‘explode … bursting suddenly out of bud … out of a … tight, hide-bound cabbage state into something quite madly personal’. The madly personal in Emma ...”

“... with the rest. Several, towing their druggs, will make easy pickings for other whaling ships. D.H. Lawrence thought this ‘the most stupendous chapter’ in the book, and quoted at length from the aquarium scenes, stressing the ‘submarine bridal chambers’ within the nursery. Always eager to spell things out (‘amazing monsters . . . in rut’), ...”

“... read this book. Aldington was born in 1892; that makes him younger than Eliot by four years, than Lawrence and Pound by seven, and than Wyndham Lewis by ten years. Herbert Read was a year his junior. These are all figures with whom he had more or less close connections at one time or another, so the relativities are worth bearing in mind. Aldington’s father ...”

“... one he could have shared with several contemporaries, Proust, Katherine Mansfield and D.H. Lawrence among them). When he was dying of TB of the larynx he was fetching up a good deal of phlegm. ‘I think,’ he said (and the joke is more poignant for being so physically painful to make), ‘I think I deserve the Nobel Prize for sputum.’ Nothing if ...”

“... the labour of creation. Most readers probably glide over this sort of old-school Nietzsche/D.H. Lawrence boilerplate without it really registering, but there’s no question Smith herself takes it seriously, always did. There have been clinches with Catholicism, Buddhism, paganism, you name it, but Art is the one thing Smith has never stopped ...”

“... compulsion to dominate and colonise nature. It’s a conclusion remarkably similar to the one D.H. Lawrence reaches in Etruscan Places. Lawrence’s metaphors for coloniser and colonised are the Romans and the Etruscans respectively: the former’s civilisation is marked by territorial conquest and the domination of ...”