Seamus Perry is a professor of English at Oxford. He presents the LRB podcast series Close Readings, with Mark Ford.
Apologists for art have often set about their task by associating the workings of the imagination with other sorts of mental activity of which people tend to think well. The Romantics were especially drawn to this form of vindication, their defensiveness due no doubt to the nagging suspicion that, while the imagination seemed all-important to them, most of their contemporaries regarded it...
‘Anovelist is condemned to produce a succession of novelties, new names for characters, new incidents for his plots, new scenery,’ reflects the beleaguered hero of The Ordeal of Gilbert Pinfold, Evelyn Waugh’s portrait of the artist as a middle-aged car crash. But really, as Pinfold goes on to say, ‘most men harbour the germs of one or two books only; all else is...
Thomas Mann’s most noteworthy appearance in Irish letters until now came in one of the last poems of W.B. Yeats. In the spring of 1938 the poet read a piece in the Yale Review by Archibald MacLeish, the only article on his work ‘which has not bored me for years’ – a disarming piece of Yeatsian egotism since most of the article was not about him. True, he made a...
D.H. Lawrence is a ‘teller’ in the sense of telling you what to do – and, more particularly, what not to do: as Aldous Huxley observed, he could be ‘bloodthirstily censorious’. Lawrence had a philosophy, or as he self-deprecatingly put it, a ‘pseudo-philosophy’, coupled with a strong urge to dish out spiritual advice. ‘I want folk – English folk – to alter, and have more sense,’ as he said in a letter
For the third episode in her short series on Stonehenge, Rosemary Hill is joined by Seamus Perry to experience the stone circle through the mind and eyes of a Romantic, with the likes of Wordsworth, Blake,...
Seamus Perry and Mark Ford discuss the lives and works of two poets, Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic poetry,...
Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through...
Seamus Perry and Mark Ford turn to the life and work of W. B. Yeats in the latest episode in their second Close Readings series, Modern-ish Poets.
Seamus Perry, Mark Ford and Joanne O‘Leary discuss the life and work of Emily Dickinson, her dashes, death instinct and obliquity.
Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian poet, playwright and Nobel laureate Derek Walcott.
In this episode, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, the great poetic interrogator of the American family home as a site of trauma for daughters and wives.
Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods, in the latest episode of their second series of Modern-ish Poets.
Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness.
In the first episode in a new series of Close Readings, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.
Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry.
Mark Ford talks about his latest book Thomas Hardy: Half a Londoner with Seamus Perry.
Reading an Empson essay is like being taken for a drive by an eccentric uncle in a terrifyingly powerful old banger. There are disturbing stains on the upholstery and an alarming whiff of whisky in the...
An informal Times feature on literary classics, published recently, included a list drawn up by a director of Penguin Classics: ‘The 50 Greatest Classics (pre-1900).’ Such lists can...
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