Mark Ford teaches English at UCL and presents the LRB podcast series Close Readings with Seamus Perry. Woman Much Missed: Thomas Hardy, Emma Hardy, and Poetry is out now.
In July 1917, shortly after his arrival at Craiglockhart War Hospital for neurasthenic officers on the outskirts of Edinburgh, Wilfred Owen drafted the first of the five poems published during his lifetime. ‘Sing me at dawn,’ it exclaims,
but only with your laugh:Like sprightly...
‘First/Bunny died, then John Latouche,/then Jackson Pollock,’ Frank O’Hara reflects during a post-prandial stroll around midtown Manhattan in ‘A Step away from Them’, written in August 1956. Everyone knew Jackson Pollock and the lyricist John Latouche, but only insiders to the avant-garde coteries in which O’Hara moved would have known who Bunny was...
I smoke, spread outBeneath the evening sky on the top deckOf a careering stagecoach, every boneIn my body rattling, jangling – but my soulIs a dancing Ariel, my soulWhirls beyond bitterness and cloyingHoney, beyond the passingRoads and hills and valleys and evenMy own tobacco fumes … and dancing it recalls
That we fell...
‘Too many dreams have been deferred for too long,’ Joe Biden announced in his acceptance speech of 7 November 2020. It isn’t unusual for American politicians to talk about dreams in their speeches, but they don’t often quote from Langston Hughes, famous for his communist sympathies and irreverent poems (‘Listen Christ,/You did alright in your day, I reckon...
Ted Hughes was among the earliest contributors to the London Review of Books; his poem ‘Night Arrival of Sea-Trout’ appeared in the very first issue of 25 October 1979.
Seamus Perry and Mark Ford discuss the lives and works of two poets, Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic poetry,...
Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through...
Seamus Perry and Mark Ford turn to the life and work of W. B. Yeats in the latest episode in their second Close Readings series, Modern-ish Poets.
Seamus Perry, Mark Ford and Joanne O‘Leary discuss the life and work of Emily Dickinson, her dashes, death instinct and obliquity.
Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness.
Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian poet, playwright and Nobel laureate Derek Walcott.
In this episode, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, the great poetic interrogator of the American family home as a site of trauma for daughters and wives.
Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods, in the latest episode of their second series of Modern-ish Poets.
In the first episode in a new series of Close Readings, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.
Mark Ford reads a selection of poems he’s published in the LRB.
Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry.
Mark Ford talks about his latest book Thomas Hardy: Half a Londoner with Seamus Perry.
Not unlike the God he complains about, Thomas Hardy’s smilingness is often in league with his sadism, and writing poetry was a way for him to plead innocent and guilty at the same time.
If Hardy was half a modern Londoner, the other half had a weakness for the pastoral-oracular. The two halves changed shape, feeding and modifying each other.
‘I have travelled a great deal,’ Raymond Roussel wrote towards the end of his life, ‘but from all these travels I never took anything for my books.’ It’s an odd...
Suppose, having been betrayed – ‘hooked/then thrown back’ – you decide to let your instant reflex, a desire for revenge, cool off overnight; then suppose you wake up the...
In 1924 the Surrealist Benjamin Péret was eager, like many artists then and since, to relate his own interests to the works of the rich, bizarre and innovative French poet, novelist and...
The excitable, exuberant surface of Mark Ford’s poems makes them instantly attractive. They speak with a bewildered urgency: See, no hands! she cried Sailing down the turnpike, And flapped...
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