From the blog

On Dolly Parton

Niela Orr

28 August 2026

It’s an understatement to say that Dolly Parton, who died on Tuesday, was many things to many people. She was multifaceted in a way that few are: she was a popular, well-respected, beloved iconoclast, a true original, and she also radiated the self-referential camp of a celebrity impersonator. She operated both as a person and as an idea.

 

An Uncomplicated Man

Emily Wilson

Christopher Nolan’s $250 million action movie version of Homer’s ancient Greek poem is an entertaining way to hide from the high temperatures for a few hours. Nolan’s trademark jumps and twists in the narrative structure are relatively easy to follow, and appropriate for The Odyssey, a narrative of tales nested in tales. My teenagers had a good time. Unlike some of...

 

What do Neets need?

William Davies

Theteenager was born, it’s sometimes said, in America in the mid-1950s, when Little Richard released ‘Tutti Frutti’ and Elvis appeared on the Ed Sullivan Show. Thirty years later, the Thatcher government made a less exuberant contribution to the way the transition to adulthood is imagined. A new type of policy problem had come to light in the form of the working-age youth...

 

Miniaturised Universe

T.J. Clark

End Chamber at Chauvet, © J. Clottes / MC, courtesy of the Centre national de Pré-histoire / Ministère de la Culture.

Whatever depiction​ was in the beginning, 37,000 years ago on the walls of the Chauvet cave, it wasn’t much like this essay’s first illustration. All-over lighting? Fixed point of view? Darkness all but dispersed? I don’t think so. But...

From the blog

A Small Part of Paradise

Jeremy Harding

26 August 2026

When Casablanca went into production in the spring of 1942, most of Morocco was a French protectorate, administered by the Vichy regime. The film was a hasty project, with excellent anti-Nazi credentials, shot on the cheap – largely at Warner Brothers’ studios in Hollywood.

Extra

At Tate Britain: On Hurvin Anderson

Christine Okoth

'Audition' by Hurvin Anderson (1998)

The Handsworth neighbourhood of Birmingham was once home to two 100-foot-long swimming pools, designed for use by the city’s working class. Their size – ‘somewhat unusual for an establishment constructed some fifty years ago’, as a 1951 report put it – earned ‘the gratitude of all swimmers’. The Grove Lane Baths...

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Short Cuts

J.D. Vance’s Conversion

James Butler

Almost no politician​ writes his own books, and few people actually read them. J.D. Vance is different. Trump’s vice president was a writer before he was a politician, and brought a writer’s vices with him: a titanic but fragile ego, limitless self-interest and thirst for adulation, an unsleeping vigilance for any slight. Hillbilly Elegy, Vance’s first book, published in...

From the archive

No Magic, No Metaphor

Fredric Jameson

Everything changes in Macondo, the state arrives, and then religion, and finally capitalism itself; the civil war pursues its course like a serpent biting its own tail; the town grows old and desolate, the rain of history begins and ends, the original protagonists begin to die off; and yet the narrative itself, in its rhizomatic strings, never grows extinct, its force remaining equal to itself until the fateful turn of its final pages.

From the archive

How to make a Greek god smile

Lorraine Daston

‘Wonder,’ Descartes wrote, ‘is a sudden surprise of the soul,’ reserved for what is rare and extraordinary. In his classification, it is the first of the passions, the only one unaccompanied by fluttering pulse or pounding heart. Disinterested but not indifferent, wonder is a cool passion that fixes on objects for what they are, instead of what they are for us. The wonder of wonder consists in the paradox of a cognitive passion: it has all the force of other passions like love or hate, but it helps rather than hinders reason. It is the passion aroused by anomalies, and the anomaly among the passions.‘

At Charleston

Hogarth Press

Dennis Duncan

On or about​ December 2015, along with my friends Adam and Gill, I bought a cast-iron table-top printing press from the early 20th century. It was only really large enough to print pamphlets, but it was still the heaviest thing I had ever lifted, in size and shape not unlike the anvils that used to fall on Wile E. Coyote. It was also almost identical to the table-top press that Leonard and...

 

Cyanotypes

Gaby Wood

Cyanotype of Sphaerococcus coronopifolius from ‘Photographs of British Algae’ (1843).

Like many people​ who keep meaning to get round to things, William Henry Fox Talbot was disheartened to discover, early in 1839, that a rival had claimed credit for something he’d been experimenting with for years. On 7 January, it was announced to the Académie des Sciences in...

 

Roman Scandinavia

Michael Kulikowski

In the late​ 160s ad, Roman recruiters fanned out across the islands east of Jutland, which had long sent its young men to serve on the empire’s Rhine frontier. The armies of Marcus Aurelius needed soldiers, lots of them. Among the several hundred new recruits was a tribesman called Harigast. Like the others, he spoke a form of what scholars now call Proto-Germanic, but the young men...

 

Ronald Firbank’s Century

Alan Hollinghurst

Ronald Firbank​ died on 21 May 1926, of pneumonia, in the Hotel Quirinale in Rome. He had lived alone for much of his adult life, and it seems likely that he died alone too – he had sent away the nurse who had been engaged to look after him. This detail comes from the only published account of the circumstances, by Lord Berners, who considered himself Firbank’s ‘only friend...

 

The General Strike

Florence Sutcliffe-Braithwaite

The general strike​ of 1926 poses three conundrums. Neither of the opposing parties – Britain’s mine-owners and Stanley Baldwin’s Tory government on one side, the miners and the Trades Union Congress (TUC) on the other – wanted a strike at the start of the year, and only the mine-owners had changed their minds three months later. So why did the strike happen at all?...

 

On Catherine Breillat

Anahid Nersessian

In the final minutes​ of Catherine Breillat’s film Fat Girl (2001), a man breaks the windshield of a car with an axe. Inside are a woman and her two young daughters, Elena and Anaïs; they have pulled over to sleep. Elena is killed by a single blow to the head and her mother is strangled. Anaïs, who watches the murders with unsettling detachment, her fear betrayed only by the...

Close Readings 2026

On the Close Readings podcast, longstanding LRB contributors explore a literary period or theme through a selection of key works.

Listen to our four new series running in 2026: Narrative Poems, Nature in Crisis, London Revisited and Who’s afraid of realism? plus a bonus series, The Man Behind the Curtain.

Read more about Close Readings 2026

The 2026 LRB Autumn Lecture in NYC: Lydia Davis on Marcus Aurelius

Wednesday 28 October at the New School

Lydia Davis will reflect on some of the concepts of the Stoic philosophers, especially the Roman emperor Marcus Aurelius. She will associate these concepts with the ideas conveyed by other texts, including some of the English sonnets, and will also describe her attempts to try out the ideas of the Stoics on the vagaries of her own daily life.

Read more about The 2026 LRB Autumn Lecture in NYC: Lydia Davis on Marcus Aurelius
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