Capital Brandy: Eliot on the Run

Stefan Collini, 19 March 2026

Humankind,​ he told us himself, ‘cannot bear very much reality’. One way to escape having to confront that disagreeable element was to go into hiding. For much of the second half of his life, T.S....

Read more about Capital Brandy: Eliot on the Run

Solvej Balle’s serial novel takes the idea of repetition and uses it to make these ancient, impossible problems of time new again. What is astonishing about her novel is the way she makes us see that...

Read more about Bleeding in the Dishes: Solvej Balle’s Time Loop

In all of Flannery O’Connor’s work, there isn’t a single character you could describe as admirable, or even vaguely sympathetic. O’Connor said that her interest in such unedifying types was an...

Read more about Atheist with a Wooden Leg: Flannery O’Connor’s Judgments

Poem: ‘Phoenix’

Don Paterson, 5 March 2026

Once, they caught me in a snareand plucked me to the pinkand left my feather-shafts to curein salt and flowers of zincthey rolled them up in mutton fatand set them by their cotsthen dealt my flesh...

Read more about Poem: ‘Phoenix’

Adèle Yon says that she enjoys it when the archives lose their footing (‘perdent les pédales’), revealing their ‘polyphonie’ and ‘artifice’. Sometimes, though, when the evidence reveals its...

Read more about Do lobotomies have a smell? Adèle Yon’s ‘Mon vrai nom est Elisabeth’

Poem: ‘From ‘Daybook’’

Maureen N. McLane, 5 March 2026

a dead queen a red kingan orange polis crashwhere is the high styleo poet the republic requires& where the Polish heroes& can the heroic be generalcommunal asks the engorgedpopulace we we...

Read more about Poem: ‘From ‘Daybook’’

The first few pages of Into the Weeds give the impression of someone starting to regret that she ever agreed to conduct a behind-the-scenes tour of what amounts in the four volumes of the uniform edition...

Read more about Little and Large: Lydia Davis’s Method

Poem: ‘You Shall Not Speak’

Jorie Graham, 19 February 2026

your mind. Turnaround. Lookthe other way.Is there anotherway. Go ahead. Try to positthe future. It’sjust down there she sd, hesd, the bodies torn topieces sd, the skins like rags,the bloody...

Read more about Poem: ‘You Shall Not Speak’

Pluralism and the Modern Poet

Seamus Perry, 19 February 2026

‘Art arises,’ Auden writes, ‘out of our desire for both beauty and truth and our knowledge that they are not identical.’ We want things two ways, which analysis says we cannot have; but for a...

Read more about Pluralism and the Modern Poet

That’s a body: On Cristina Rivera Garza

Chris Power, 19 February 2026

Despite her novel’s conventional set-up, Rivera Garza isn’t interested in fulfilling the murder mystery contract. When a detective tells someone ‘you’re the prime suspect in this case,’ it’s...

Read more about That’s a body: On Cristina Rivera Garza

Betwixt and between is a strange place for any major writer to be more than a decade and a half after their death, and Updike’s standing in the literary hereafter remains profoundly iffy. It’s one...

Read more about What you can get away with: Updike Reconsidered

Story: ‘For Those Who Have Been Charmed’

Diane Williams, 5 February 2026

Good luck itself has a releasing effect on the spine, she was surprised to discover. She counted on some extra good luck and would try to feel kindred with the hunched figures advising her. He was...

Read more about Story: ‘For Those Who Have Been Charmed’

Poem: ‘Nursery Song’

Rae Armantrout, 5 February 2026

Counting came first,then worry.Was someone missing?‘First’ came afterwards.                *Worry came...

Read more about Poem: ‘Nursery Song’

Holding the Skin Girdle: On Olga Ravn

Ange Mlinko, 5 February 2026

The Danish writer​ Olga Ravn has recently published two short novels, one set in the future and one in the past. Both concern insular societies whose members turn on one another with fatal consequences....

Read more about Holding the Skin Girdle: On Olga Ravn

Two Poems

Lavinia Greenlaw, 22 January 2026

OublietteIn the years of dark listeningto what lay between the seen and the saidI might catch a true thoughtjust as her mind forced it so far downthat it passed through the floor of herselfand...

Read more about Two Poems

More than one variety of omniscience is on show in Saraswati. What is referred to as an omniscient narrator is usually one able to slip in and out of the minds of a modest number of characters, something...

Read more about ‘I’m not a radical, Dad’: Gurnaik Johal’s ‘Saraswati’

Yeats, Auden, Eliot: 1939, 1940, 1941

Colm Tóibín, 22 January 2026

Who​ was English; who was American? If Auden was English, was T.S. Eliot American? Or was it the other way around? Eliot’s own reply in 1953 was: ‘I do not know whether Auden is to be considered...

Read more about Yeats, Auden, Eliot: 1939, 1940, 1941

‘Who’s afraid of Ludmilla Petrushevskaya?’ was the title of an essay that appeared in a Russian émigré literary journal in 1984. Petrushevskaya’s stories – short tales of doomed romance and...

Read more about Men are like road signs: On Ludmilla Petrushevskaya