Isn’t that . . . female? My Dame Antonia

Patricia Lockwood, 20 June 2024

I am not sure if A.S. Byatt has had a worthy encomium; nor am I sure that I am the one to give it to her. I do know that she is too little read, not quite respected. Some of this is due to the widely...

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On Getting the Life You Want

Adam Phillips, 20 June 2024

Pragmatism wants us to ask, what is the life we want – or think we want? Whereas psychoanalysis wants us to ask, why do we not want to know what we want?

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Every Watermark and Stain: Faked Editions

Gill Partington, 20 June 2024

With scores of copies of each book, many in the world’s most prestigious libraries, Thomas James Wise had put more than a thousand individual fakes into circulation. It was forgery on an industrial scale.

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Queneau recognised a gulf between literary French and the contemporary spoken language: ‘I came to realise that modern, written French must free itself from the conventions that still hem it in.’ What...

Read more about How to Speak Zazie: Translating Raymond Queneau

Is Rachel Cusk’s ​new book a novel, a series of essays or a philosophical inquiry? Parade sends the coin spinning on its edge every time you flip it. It’s the most musical work she has written,...

Read more about Knitted Cathedral: Rachel Cusk's 'Parade'

So much in Long Island goes unsaid. It’s a world in which people speak knowledgeably (and sometimes bitchily) about others but reveal little of themselves. As well as secrets, there are problems of...

Read more about Havering and Wavering: Colm Tóibín’s ‘Long Island’

On Donna Stonecipher

Maureen N. McLane, 23 May 2024

These days prose poetry often appears, in anglophone poetry at least, as one option among many: free verse, formal verse, prose poetry, erasure poetry, whatever – it’s all good! (It’s not all good.)...

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In Mark Twain’s novels, slaves are freed out of Christian charity – someone remembers them in a will. Percival Everett’s plots are more likely to hinge on the use of firearms.

Read more about Put on your clown suit: Percival Everett’s ‘James’

Like a Club Sandwich: Aztec Anachronisms

Adam Mars-Jones, 23 May 2024

After the moment in You Dreamed of Empires that brings together Moctezuma and Marc Bolan, Álvaro Enrigue has nowhere to go but into reverse. You can’t reinflate a popped balloon, but you can reinstate...

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J.G. Ballard was consistent in saying that his imagery came from deep within himself – until it crossed a certain threshold of weirdness, at which point he began to argue (at least some of the time)...

Read more about His Galactic Centrifuge: Ballard’s Enthusiasms

With what he called his ‘anthropological eye’, Wilson set out to dramatise the ‘dazed and dazzling … rapport with life’ which allowed African Americans to navigate a white world not of their...

Read more about Where’s the barbed wire? August Wilson's Transformation

Her childhood in rural Warwickshire gave Comyns the material for her first book, Sisters by a River. It was essential to much of what followed in both life and work, though she was lucky to get out of...

Read more about See stars, Mummy: Barbara Comyns’s Childhood

Brontë was interested in consequence. She couldn’t care less about why people do the things they do. The fact is that they do them.

Read more about Heathcliff Redounding: Emily Brontë’s Scenes

Like good theatre, Patrick deWitt's fiction is full of dialogue, quick, eventful, nimble. Then there is the life-altering incident, which is always a monologue delivered centre-stage and projected to the...

Read more about Impotent Revenge: Patrick deWitt’s Dioramas

So many of Hisham Matar’s themes – trauma and vulnerability, the question of how to oppose authoritarianism, the experience of exile – seem very contemporary. Yet there is something profoundly conservative...

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Where does culture come from?

Terry Eagleton, 25 April 2024

Marxism is about leisure, not labour. The only good reason for being a socialist, apart from annoying people you don’t like, is that you don’t like to work.

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Wobbly, I am: Famous Seamus

John Kerrigan, 25 April 2024

As Seamus Heaney’s fame grew, and ‘the N-word’ (Nobel) added lustre, he attracted intrusive commentary. There were ‘feminist uppercuts’ and ‘Marxist flesh wounds’ from the academics. The...

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Johnson insisted that ‘No man but a blockhead ever wrote, except for money,’ and that he would therefore write about anyone or anything if the price were right – a hard-nosed attitude to his craft...

Read more about Own your ignorance: Samuel Johnson’s Criticism