A lot of contradictions are laid out in Michelle de Kretser’s Theory and Practice, and one’s tolerance for graduate students – clearly infantilised by their milieu, despite being in their mid-twenties...

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For many years, if asked about Hamlet’s poetic quality, I would have quoted not ‘To be, or not to be’ (which strikes me as grossly overrated in its importance), but Polonius’s casual words to the...

Read more about An East Wind behind it: Farewell to ‘Hamlet’

Philip Roth and David Foster Wallace come to mind as antecedents, though Tulathimutte has their wit without their warmth. He writes like a child holding a microscope over the ground, peering down at an...

Read more about Whatevership: Tony Tulathimutte’s Anti-autofiction

To think of a satirist as a person who angrily turns against a gale-force wind and sprays liquefied shit at a group of constantly multiplying targets would not be entirely wrong. The truly misanthropic,...

Read more about Let custards quake: Satire without the Jokes

On Cora Kaplan

Jacqueline Rose, 10 July 2025

There is a world which is at times – and today even more – regressive and frightening; cultural analysis must never make the mistake of thinking either that it alone will redeem or can substitute for...

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Achille Mbembe is the pessimist’s optimist: he delivers a devastating analysis of the contemporary moment while never losing sight of the possibility for a better future. This explains his disdain for...

Read more about The Pessimist’s Optimist: Beyond the Postcolony

All the revulsion in Jane DeLynn’s novel can seem antagonistic, but it’s driven by more complicated feelings. Unlike the teenage Lynn, we and the narrator know that disgust is not the only lens through...

Read more about Undifferentiated Slime: Jane DeLynn’s ‘In Thrall’

The crux of Daniel Kehlmann’s Director is whether it’s weakness or necessity that makes G.W. Pabst compromise. On the one hand, he’s disgusted by swastikas and Hitler salutes; on the other, his need...

Read more about We have no critics! Daniel Kehlmann’s Pabst

I was under no illusion that The Collected Prose would solve the mystery, or lay to rest the lie, of how Plath was absolutely ordinary up to the point that she wasn’t. If anything it deepened that mystery. There...

Read more about Arrayed in Shining Scales: Solving Sylvia Plath

The house style of the early Partisan Review was hard-headed, truculent, dismissive of religiosity (‘mystification’), academicism and ‘folk culture’, sceptical of the American weakness for self-serving...

Read more about Colony, Aviary and Zoo: New York Intellectuals

Selective Luddism: On Alan Garner

Adam Mars-Jones, 10 July 2025

Children’s books revisited in later life may disappoint, but they are immune to the embarrassment associated with outgrown toys. Even if their colours have faded, they expanded the world in a way toys...

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Poem: ‘A Rewilding’

Paul Farley, 26 June 2025

Masonic creature. Maker. Water encircledsurvivor of hat crazes. Crib fabricator.Chiseller. Tooth enamel’s hardest expressionon any branch of the mammal clade. Stash housebuilder. Stickler....

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Mushrooms,​ trees, turf, twigs, bushes, moss-covered stones: nature is a force in Olga Tokarczuk’s Empusium, incoherent and disorganised, yet also personified, sort of, in the collective voice that...

Read more about Something Is Surviving: Olga Tokarczuk’s Mycophilia

I groaned​ my way through The Emperor of Gladness. I writhed. I felt real despair every time I forced myself to open the covers. It was one of the worst ordeals of my reading life. This is because, while...

Read more about My Hands in My Face: Ocean Vuong’s Failure

Georgi Gospodinov​ was 22 when Bulgarian communism collapsed in early 1990. ‘The end of our training,’ he has written, ‘coincided with the end of that for which we had been trained.’ In his first...

Read more about Postcards from the Past: Georgi Gospodinov’s Impossible Books

Detective novels offer a means of rehearsing the fearful reality of death, and in this sense the conventions of the genre, with its distracting intellectual puzzles, is a kind of play. A capacity to balance...

Read more about Cosy as a Scalpel: Murder Most Delicious

Twenty years of writing, reading, thinking and travelling went into Memoirs of Hadrian. Several drafts were burned. But the most striking thing about it is the permission Marguerite Yourcenar gave herself...

Read more about Beneath the White Scarf: On Marguerite Yourcenar

A champion self-advertiser, maven of the brag and the humblebrag, Whitman announces in the first pages of Specimen Days: ‘Maybe, if I don’t do anything else, I shall send out the most wayward, spontaneous,...

Read more about Brag and Humblebrag: Walt Whitman’s Encounters