She is the situation: ‘Big Kiss, Bye-Bye’

Maureen N. McLane, 4 December 2025

Claire-Louise Bennett’s novel Big Kiss, Bye-Bye activates and resists our expectations about testimony, confessionalism, narrative access; our presumption that we know just how the accent is falling...

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Only foam comes out: Vallejo in English

Michael Hofmann, 4 December 2025

Cé​sar Vallejo is Yeats’s poet with the sword upstairs. Everything about him seems to burn with intensity. He burned through zarzuela Spanish, making it into a language of monosyllables, blurts, inventions,...

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Robert Frost’s poetry has a way of lifting its gaze – with a heightening of register, a grand image, a weighty allusion – and seeming to dare you to shake your head in disbelief. ‘You think this...

Read more about Discord and Fuss: Robert Frost’s Ugly Feelings

Poem: ‘Demonstration’

Jorie Graham, 20 November 2025

I took off my glasses& pocketed them.I took out my eyes& tossed them upfor the crows to catch& turn tonotes. I feltthe wind. The one crowlanding on the rankingbranch. Staringat me....

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In Ruth, Kate Riley layers two views of the church: on the one hand, a hidden but unquestionable authority, ‘like some pulsing larval queen’; on the other, a fretful collective of brothers and sisters...

Read more about Abridged Cow Skeleton: Kate Riley’s ‘Ruth’

No Illusions: Syntax of Slavery

John Kerrigan, 20 November 2025

Slavery was accepted across most of the early modern world. No one wanted to be a slave, except when the alternative was being executed after a battle, or made a human sacrifice, but the institution was...

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Poem: ‘Garnets’

Patricia Lockwood, 6 November 2025

I’m glad he’s gone my father said.But that was the beginningOf my obsession with garnets.He did cure my husband in the end,Just as I had jokingly wishedHoped requested. Begged,Prayed...

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It’s for dorks: Michael Clune’s ‘Pan’

Christian Lorentzen, 6 November 2025

When Michael Clune’s character in Pan alights on Proust in the course of his daily writing practice, he learns a mode of ‘redescription’ for the narrative of his life. Clune is also describing his...

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Story: ‘Mango’

Diane Williams, 23 October 2025

He was holding up his shoe, inspecting the sole of it, and barely balancing on one leg, when I first saw him. I had asked him about the shoes – and he said any sort would do – that it...

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For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...

Read more about Chi Chi Trillip Trillip: Jorie Graham looks ahead

Poem: ‘Enheduanna’s Song’

Robert Crawford, 23 October 2025

A version in Scots of a Sumerian hymn to the goddess of love and war, attributed to the priestess Enheduanna of Ur (fl. 2255 BCE), the world’s earliest identifiable author. As well as...

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Virginia Woolf admired Jane Austen above all for her ability to grasp the exceptional moment – ‘in which all the happiness of life is collected’ – as it arises out of and then subsides back into...

Read more about Unconditional Looking: Mrs Dalloway’s Demons

Kebabs are consequential: On Kiran Desai

Adam Mars-Jones, 23 October 2025

Comedy can mean either the active incitement of laughter or a set of literary conventions. If a fair proportion of Kiran Desai’s Loneliness of Sonia and Sunny is comedy in the first sense, all of it...

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Ouvriers de luxe: Author v. Publisher

Julian Barnes, 23 October 2025

Gustave Flaubert’s first three novels, Madame Bovary, Salammbô and L’Éducation sentimentale, were all published by Michel Lévy. The relationship, as established by Flaubert, was quite straightforward:...

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Poem: ‘Clearing’

Maureen N. McLane, 9 October 2025

morning mist and cloudfaint on the mountaina god is moving his faceover the waters a godin the cleft in the pass up theghyll the scramblers maketheir way also up –yesterday  ...

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It can’t have been hard for Susan Choi to hit on the title of her novel, which has been shortlisted for the Booker Prize. Flashlights show the way; they expose dark corners; in the right hands they’re...

Read more about Reflexive Hostility: Susan Choi’s ‘Flashlight’

Poem: ‘Autumn Cyclamen’

A.E. Stallings, 25 September 2025

Autumn cyclamen,booby-trapping underfootlike a mistimed spring,clutch of shame’s blushes,flock of flamingos balancedon slender stemwareor mad flight of hats,magenta origami,by...

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Ben Pester’s Expansion Project is not a cheerful book, but it is a funny one. The corporate attempt to suppress and compartmentalise human feeling is repeatedly shown to be laughable. But pain is non-compliant;...

Read more about I am entirely made of wood: Ben Pester’s Surreal Scrutiny