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“... In​ 1920, Samuel Rosenstock, better known as the Romanian poet Tristan Tzara, one of the founders of the Dada movement, which wanted to remake the world as an experientially liberating place where meanings could be freely rewritten, asked fifty artists from ten countries to contribute work that could be published in an anthology to be entitled Dadaglobe ...”

“... Alice​ Paalen Rahon was a shape-shifter par excellence, who casually changed her date and place of birth (1904 in Besançon, not 1916 in Brittany), her name and nationality, sexual orientation and artistic genre. After publishing three volumes of poems in French as Alice Paalen, she divorced and took her mother’s maiden name, Rahon; by now living in Mexico, she turned almost entirely to painting ...”

“... This engrossing book sets out to claim something for its subject that no other English-language publication has even thought of. I do not believe that any among those of us who have written on Surrealism in general and on Robert Desnos in particular, admiring though we are of this poet who was the first to perform automatic sleep speaking (and always outperformed anyone and everyone at it) has wanted to make Conley’s claim, or indeed anything like it ...”

“... Picabia’s book of writings and drawings, I Am a Beautiful Monster, is wrapped in a brown-bag cover of monsterdom, while George Baker’s book about Picabia, The Artwork Caught by the Tail, is presented in a costume of gleaming gold: so we have the modest-appearing original, with its provocative title, and the shiny interpretation of that writing and drawing ...”

“... The story of Paula Modersohn-Becker is, according to Diane Radycki, ‘the missing piece in the history of 20th-century modernism’. This is a large claim, and the basis for it is Modersohn-Becker’s series of nude self-portraits, the first such works by a woman. Paula Becker grew up in Dresden until she was 12, when her family moved to the smaller, wealthy city of Bremen, where her father worked as a building and works inspector on the newly nationalised railway ...”

“... One late January afternoon in 1979, before taking the night train from Paris to Barcelona, I had tea with Jacqueline Lamba in her studio apartment on the fifth floor of 8 boulevard Bonne Nouvelle. I climbed the many steps more slowly than Jacqueline, who bounded up in her long skirt (like those of her friend Frida Kahlo). She was a painter, and ‘scandalously beautiful’, according to André Breton, who had married her and written L’Amour fou for her in 1937 ...”

“... A lot of the stories, truthful or otherwise, about Picasso are as colourful as they are improbable. Picasso liked the mystery, was eager for no one to be sure what he would do next. Told that Joanna Drew, a curator at the Hayward Gallery, had found cocoons huddled in the slits of his Man with a Sheep, Picasso said that at Vauvenargues one day he had felt a wasps’ nest between the sheep’s legs; nothing more natural: animals lurking in the animal ...”

“... and the body served up in disjunctive, bulging, meat-like slabs, an image which is, in Mary AnnCaws’s words, ‘a supreme evocation of the sheer naked violence of war’. More ambiguous, in terms of Dora Maar’s persona, is Portrait of Dora in a Garden of 10 December 1938, a full-scale formal portrait in ...”

“... drawings from the correspondents. In contrast to this testimony of passion for English landscape, Mary AnnCaws and Sarah Bird Wright document their theme by trawling the letters of the Woolfs, the Stracheys, the Bells et al for French references. The result is easier to browse than to read right through (they’ve ...”

“... life and thoughts are his selected diaries, Joseph Cornell’s Theatre of the Mind, edited by Mary AnnCaws, and Charles Simic’s prose poems, an inspired labour of love called Dime Store Alchemy. Cornell’s life as an artist began the day he showed his Ernst-inspired collages to Julien Levy, whose gallery ...”