Very Tight Schedule
Theo Tait, 1 June 2000
“... Brown’s version of trauma and domestic dysfunction sometimes has a pre-packaged feel to it. (As Karl French pointed out in relation to American Beauty, the term ‘dysfunctional family’ feels almost tautologous nowadays.) Driving the Heart insistently fingers parents as mad, ill, absent or damaging: the focus of resentment and rage. The household is ... ”