Hue and Cry
Arthur C. Danto, 12 May 1994
“... that they could look like each other – Botticelli’s work being unmistakably quattrocento. John Gage suggests, on the evidence of Pliny’s account, that ‘Apelles was clearly one of those rare Greek artists whose works could be vividly imagined.’ I am doubtful about this. Pliny seems to have inferred from the austerity of means the austerity ... ”