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“... French – still searching for an English publisher), Richard Schickel’s D. W. Griffith and now David Robinson’s Chaplin. All have one vital quality in common, and are preceded in this respect by Alexander Walker’s book on Garbo: they depend far less upon books of film history than upon first-class and first-hand research. Instead of a furtive ...”

“... laws of vocal harmony, imaginative portrayal, and arrangement of the details of thought.’ For David Robinson, writing in the Twenties and reprinted in the Sixties, the ‘perfection’ of Sappho’s verse was clear enough proof of her unblemished character. He was perhaps unusual in his unshakable confidence that (at least in the case of female ...”

“... images on a wide range of writers and critics in the first three decades of the 20th century. As David Trotter notes in Cinema and Modernism,* his account of the impact of film on Woolf, Joyce and Eliot, critics have tended to associate modernist literature with montage, a term used by Russian film-makers of the 1920s to indicate a quick succession of ...”

“... this work of domestic piety, Backscheider presents it as the key to a proper understanding of Robinson Crusoe. The two works, she suggests, function in parallel, with the dialogue of Robinson Crusoe echoing sections of the two-part Family Instructor. ‘Small children and Tobey in The Family Instructors ask the same ...”

“... this time accompanied by a blue tractor. This pairing of views in Patrick Keiller’s 2010 film Robinson in Ruins – glimpsed again as part of his current installation at Tate Britain (on display until 14 October) – is almost too typical to be true and must, among other things, be a joke at his own expense. Since the early 1980s Keiller’s work has ...”

“... The title​ of Cedric Robinson’s Black Marxism is misleading. Shelving it under ‘Marxism’ never seems right for a book that questions the compatibility of Black radicalism and Marxist politics, as well as considering aspects of history, sociology and political theory. Robinson’s reluctance to be classified hasn’t always worked in his favour ...”

“... to be gaining a presence not just in politics but in pop culture too. That same month, May 1976, David Bowie was photographed at Victoria Station on his return to Britain after two years in North America. Standing in an open-topped Mercedes, he appeared to give his fans some kind of open-handed, straight-armed – possibly fascist – salute. Soon afterwards ...”

“... of Fair Trading, and a director of Mirror Group Newspapers, whose anti-trade union regime under David Montgomery was ushered in with the blessing of the Mirror’s new accountants, Arthur Andersen. Borrie’s introduction to the Social Justice Commission report was full of praise and gratitude for the free help given by Andersen Consulting. The ...”

“... John Charles Robinson​ , perhaps the greatest connoisseur Britain has ever known, was turned down on four occasions for the post of director of the National Gallery. He was thought to be too closely associated with the trade (‘little better than a dealer’), and was known to have operated with scant respect for officialdom when employed by the South Kensington museum ...”

“... the National Gallery. Piero della Francesca was a figure of special interest for both John Charles Robinson, an agent for South Kensington as well as for private collectors, and Charles Eastlake, the first director of the National Gallery, because of the extreme rarity of his portable pictures. There was only one work by him in any public – or indeed any ...”

“... do better to read the summary expertly given in The Rosetta Stone, or, best of all, in Andrew Robinson’s lucid and well illustrated chapter on hieroglyphics in Lost Languages (whose many line drawings are at once valuable and deceptive, since they make the signs displayed look a great deal easier to identify than they are in the worn and weathered ...”

“... that fable in his second volume inevitably attaches a disabling reminder of the Dunciad to Peter Robinson and his assembled chorus of scholars. There is something cosy and desperate in their yawping enterprise. It could be that Ricks, in his essay ‘Tenebrae and At-One-Ment’, is deliberately baiting ‘the current scientism and theoreticity’, but his ...”

“... When David Davis, the shadow home secretary, announced his resignation as an MP on 12 June – in order to fight a by-election for his own seat on an issue about which he was in total agreement with his party’s line, on which in fact he was his party’s line – the media nearly choked with delight. The BBC’s political editor, Nick Robinson, called the resignation ‘without precedent’, and rubbed his hands at the thought of the Tory divisions that must surely lie beneath; only to be told by eager citizen bloggers that there were clear precedents – George Lansbury in 1912, Enoch Powell in 1958 – and that Davis was an incarnation of that forgotten thing: the politician with principles, a man standing up for his beliefs ...”

“... perceptual and moral insight that it might appear. ‘Against Portraits’ and ‘A Self-Portrait: David’, both from later collections, make such insecurity their theme. The poet prefers here a face half-hesitant, face at a threshold. Still, his poems remain preserved, for reasons given in ‘Against Extremity’, from more threatening instabilities of the ...”

“... wrote. Stravinsky of course remained immune – but that’s another story. The first volume of David Nice’s Prokofiev biography stops when the 44-year-old composer settles in Moscow with his Spanish wife, Lina, and two young sons at the end of 1935. But it describes in detail the eight preceding years, during which Prokofiev lived and worked as a ...”