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At the Royal Academy

Bridget Alsdorf: Félix Vallotton, 26 September 2019

... In​ 1897 or 1898, Edouard Vuillard gave Félix Vallotton one of his most important paintings. Vuillard’s Large Interior with Six Figures appears in two of Vallotton’s paintings, hanging on the wall and reflected in a mirror. It is quintessential early Vuillard: an intimate world ruled by women, jigsawed into place by wallpaper, curtains and rugs, any anxiety or conflict muffled by patterns and layers of plush ...

No flourish was too much

Bridget Alsdorf: Out-Tissoted, 13 August 2020

James Tissot 
by Melissa Buron et al.
Prestel, 354 pp., £55, October 2019, 978 3 7913 5919 9
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... In Martin Scorsese​ ’s film adaptation of The Age of Innocence, facsimiles of James Tissot’s paintings hang on the walls of the Beauforts’ Gilded Age mansion, the setting for the annual Opera Ball, where New York plutocrats dance with women in Tissot-inspired dresses. An oversized replica of Too Early (1873) shows the sniggering that meets a group of early arrivals at a ball ...

High Anxiety

Julian Barnes: Fantin-Latour, 11 April 2013

Fellow Men: Fantin-Latour and the Problem of the Group in 19th-Century French Painting 
by Bridget Alsdorf.
Princeton, 333 pp., £30.95, November 2012, 978 0 691 15367 4
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... while the eye skates from nonentity to notable in a Fantin at the Musée d’Orsay. So Bridget Alsdorf’s first achievement in Fellow Men is a simple but serious one: she has turned Fantin’s paintings back into paintings – into works which begin with an idea and a hope, and proceed through drawings and stubbornly wrong ideas to ...

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