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“... read on the same night. So did Lew Welch, who disappeared years later in the Sierra Nevada. Barry Miles, who has written the introductory essay in the catalogue for the Centre Pompidou’s exhibition Beat Generation (until 3 October), identifies the reading as the movement’s ‘birth certificate’: the following day Ferlinghetti cabled Ginsberg ...”

“... There was a time in the Fifties when, no doubt about it, the literary and even extra-literary activities of the Beats were an exhilarating contrast to the careful sobriety of Movement poets and the wistful glances in the direction of social orthodoxy made by the younger English novelists. The heroes of Allen Ginsberg’s ‘Howl’, ‘destroyed by madness, starving hysterical naked/dragging themselves through the negro streets at dawn looking for an angry fix’ positively bounced with energy when put beside Donald Davie sitting wrapped in his overcoat beside the fire saying Heigh-ho on a winter afternoon ...”

“... greyer than the version flourished in early snapshots – the cover of A Serial Biography, the Barry Flanagan etching from Act – but this is still the same mouth, the same disguise. The same bite. The lights are on and there is somebody at home. The speed of eye/ear/mind remains, absolutely, that of a particle accelerator. Heart is everything: the ...”

“... By now, anyone at all curious about Burroughs has absorbed a few interchangeable synopses of Barry Miles’s Call Me Burroughs – an exhaustive biography in every sense of ‘exhaust’ – along with boilerplate exegeses of the ‘cut-up’ and ‘fold-in’ methods; gleaned the current value of his stock in the literary market; and glazed over at ...”

“... Pottering around his white woodframe house in Kansas and dressing, according to his biographer Barry Miles, from the L.L. Bean catalogue, Burroughs is nowadays a sedate American figure: an oddball reactionary, a gun handler, a bit of an anti-semite, a sentimentalist – he says of his cats that ‘they just opened up a whole area of compassion in ...”

“... in the presence of Buñuel, by André Breton in the presence of Eluard. But the words were said by Barry Humphries in the persona of the ruminating convalescent Sandy Stone, and in the Australian context they are not surreal. They are real. Every Australian, even if he lives in Sydney’s Point Piper or Melbourne’s Toorak, has at some time or other found ...”

“... It’s over thirty years since the angry drumbeat of Howl first assembled the dissatisfied tribes of an expanding American subculture, and gave them a name and a voice. The first reading took place at the Six Gallery in San Francisco on 7 October 1955. Michael McClure who also read that night along with Gary Snyder, Philip Whalen and Philip Lamantia, describes the poem’s impact in Scratching the Beat Surface (1982): I hadn’t seen Allen in a few weeks and I had not heard Howl – it was new to me ...”

“... delay to the construction of the new Houses of Parliament. ‘I am in a towering rage,’ Charles Barry, the architect of the new building, wrote to Augustus Pugin, who was responsible for the interior design, and in the right humour for throwing up my appointment, which I expect I shall be driven to do before long. All the arrangements, including the ...”

“... the scalpel – I couldn’t picture anyone picturing himself there. Then in Season Two Duane Barry appears in his eloquent T-shirt and his face is the face of absolute belief. A scar over his right eye, where he was shot in 1982 (the bullet pierced his bilateral frontal lobes). He has been Taken multiple times and will not be Taken ...”

“... Kent. The surge in infections moved inexorably inland towards where I live in Canterbury, fifteen miles from Margate and ten miles from Faversham. It wasn’t surprising that Swale and Thanet should be badly affected: these are areas notorious for their poverty and likely to provide an ideal breeding ground for the ...”

“... by the conversion.) Barack went to a mission school run by Seventh-Day Adventists, walking three miles but, unlike his classmates, wearing shoes. His father told him: ‘I want you to go beyond where I am.’ On returning home each day, the boy was required to recite sums to his father while standing by the dinner table. If he was slightly less than ...”

“... reservation. In 1973, in the only thorough essay we have on O’Nolan’s art, published in Miles: Portraits of Brian O’Nolan, J.C.C. Mays delineated the complex development through which O’Nolan ‘recognised in Joyce the most dazzling star in the contemporary literary firmament, but in the end unsound’. That unsoundness can only appear to ...”

“... hot countries, to say nothing of endless fun with make-up and always knowing you were a million miles from Crapland, otherwise known as your mother’s front room and boring nights at the local disco. The matter is put rather well by Kathleen Barry, the author of a book called Femininity in Flight: A History of Flight ...”

“... Many of the 17 ‘essays’ in Barry Lopez’s About This Life are fragments of memoir: snapshots of the day of a mother’s death from cancer; early road trips up and down America; Jesuit prep school in Manhattan; childhood years in California; a tributary career in photography. The book begins with a series of travelogues ...”

“... like antelope or songbirds. In winter they leave the California coast and head out thousands of miles to Hawaii. In August, they return to congregate at ‘hub spots’ off the California coast, including one just off a popular beach near Monterey. In between they go to the ‘White Shark Café’, a remote, empty area halfway between Baja California and ...”