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“... In less than a hundred years, the Chinese have lost two systems of belief. During the first quarter of the present century they rejected Confucianism or, more precisely, scriptural Confucianism as opposed to habits of mind often given the ‘Confucian’ label. And at the beginning of the last quarter of this century, Maoist Communism ceased to be credible ...”

“... Capitalist societies​ today exhibit ‘an arbitrary and inequitable distribution of wealth and incomes’ as bad as or worse than in the 1930s, when Keynes declared this one of ‘the outstanding faults of the economic society in which we live’. (The other – not unrelated – was the failure to achieve full employment.) Thomas Piketty’s Capital in the 21st Century is an intelligent, ambitious and above all informative treatment of the problem ...”

“... In 1992-94 Italy was widely held to have been reborn. The parties that had long ruled – latterly misruled – the country were all but wiped out, after their corruption had been exposed by a fearless group of magistrates, in an election under a new and, so it was felt, more functional system, even if the government that emerged from the polls was a surprise to many who celebrated the end of the old regime ...”

“... The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties. Houghton’s book took as its starting-point the fact of a collective Victorian mentality – a kind of public overmind. Although this Victorian mind might contain oppositions within itself (the so-called ‘Victorian debate’), it was nevertheless governed by structures of thought which, if not consensual, were in the largest sense rational and intellectual – a set of ideas articulated by a clerisy ...”

“... Art dealers are promising subjects for biographies. They buy and sell portable objects that can easily cost more than a castle or two. They survive by outwitting some of the world’s most cunning and ruthless manipulators of wealth, and they also know how to charm the old rich, key sources of supply. When they deal in the work of living artists they shape the careers of some of the most charismatic and paranoid individuals of their time ...”

“... Yet the dream he describes is a traveller’s nightmare: Englishness lost, identity cancelled, fatal infection,’ David Seabrook writes of Thomas De Quincey. Of himself, the dole-queue De Quincey, making a high-velocity, long-term progress through the Isle of Thanet. More speed, less haste: Seabrook is a master of the throwaway put-down, a speculator in tachist topography ...”

“... The prospect of a second war on Iraq raises a large number of questions, analytic and political. What are the intentions behind the impending campaign? What are likely to be the consequences? What does the drive to war tell us about the long-term dynamics of American global power? These issues will remain on the table for some time to come, outliving any assault this spring ...”

“... Long ago, when I was stumbling through the Malayan jungle in search of ‘Communist terrorists’ (or ‘bandits’, as the British colonial authorities quaintly called them), I heard a story from some other marines. One day, a young marine had left his patrol to wash in a forest stream. He suddenly found himself facing a group of Chinese guerrillas led by a slim woman with a pistol ...”

“... Not long ago​ , a woman several years older than me and very much more successful leaned across a table to offer some assistance: ‘I can see you’re at the point where you’re feeling that you need to have a child,’ she said. ‘And I just want you to know that you can wait that feeling out. It passes.’ We’d only known each other an hour or so ...”

“... There has been​ more than one revival of interest in the mayfly career of Pauline Boty since her death in 1966 at the age of 28. In accordance with Cecil Beaton’s dictum that it takes slightly longer than 25 years for a cycle of taste to complete and for the merely dated to become historic, it was in 1993 that the Barbican put on The Sixties Art Scene in London, which featured several of her paintings ...”

“... Maurice Godelier’​ s Forbidden Fruit is a small book about a big subject. It can afford to be short because, despite all the ink spilled and pencils chewed, what is known about incest and its prohibition can be summarised quite succinctly. The origin of the incest taboo is still a mystery, and though many theories have been proposed, few universal conclusions can safely be drawn; like the appearance of human language, it is a problem that is unlikely to be definitively resolved ...”

“... For us​ ,’ Steffen Ahrends told his son Peter, who was born in Berlin in 1933, ‘the history of architecture started with the Soviet 1917 revolution.’ It wasn’t entirely a joke. For many designers in the Weimar Republic, and for subsequent generations of modernist hardliners, 1917 had made possible a reconstruction of life on collective, egalitarian and, above all, planned lines ...”

“... When​ I agreed to write about Les Rougon-Macquart, Émile Zola’s cycle of twenty novels, published between 1871 and 1893, I imagined it would take six months, after which I would write an amusing little essay about how we should all read more Zola.* This is not what happened. It took me two years. In that time, I had two books published, wrote another two books, moved from Iowa City to New York, taught myself film photography, became a professor of creative writing and an acquiring editor for a small press, adapted one of my novels for film, wrote a pilot for television, went on antidepressants, increased my dosage of antidepressants, stopped drinking coffee after 3 p ...”

“... Whatever you thought of it at the time, the fate of Tel Quel – the journal, the group and the theoretical orientation – concerns us all in one way or another, for the fate of the avant garde (was this really the last one?) has something to say about our society, our history, our politics and our relationship to the future. Given Tel Quel’s essentially literary orientation, its history can also tell us something about the place of Literature in the new televisual age ...”

“... One simple way​ of grasping the magnitude of what has happened to London over the last thirty years is to compare the introductions to the first and most recent editions of Edward Jones and Christopher Woodward’s Guide to the Architecture of London. In 1983, they wrote of a city in decline, its population down by about a sixth from its postwar height ...”