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“... highest circles. She was courted, as was Frances, by Pitt’s minister, the manager of Scotland, Henry Dundas. A further verbal coincidence gives the note of Townshend’s wit, and a sense of the importance of tears for the society he lived in. On a visit to Edinburgh he is slighted, while much is made of his witch wife, who whines of a group of family ...”

“... War. An early poster featured a blown-up detail from a John Filo photograph of the body of Jeffrey Miller, shot dead by the National Guard at Kent State University in May 1970, with a pool of blood in the foreground. Kennard’s dyeline print bled red ink in the rain. He soon became a regular contributor to radical papers and magazines; the exhibition includes ...”

“... treating every single gay male novelist (those two do almost every female), I planned to work on Henry James alone. James, for me, came after Proust. And he wrote in English. There was just one problem. My grades were fine. My GREs were fine, though I hadn’t been able to identify the line ‘When lilacs last in the dooryard bloomed.’ (It’s by ...”

“... The earlier plays of David Mamet seemed to spring from a meeting between Arthur Miller and Harold Pinter, as if the characters from The Caretaker or The Homecoming had caught the American anxieties of Death of a Salesman. Pinter is also never far from the later plays, and he directed Oleanna in London; but other, more oblique influences now hover in the air ...”

“... for moving a plot briskly on. Howell examines the presence of malaria in the work of Dickens and Henry James, concentrating on Martin Chuzzlewit (1844) and Daisy Miller (1878). Both books were written before Ronald Ross proved, in 1897, that the malaria parasite was transmitted by the female mosquito’s bite rather than ...”

“... the Greek nation. The Olympic Park was sited on a significant patch of ground: the memory field of Henry Miller’s fine but undervalued travel journal, The Colossus of Maroussi. It was written in the shadow of war and published in 1941. It was the first Miller title that Penguin felt brave enough to place on their ...”

“... and we may suppose that his hero is not, let us say, like the significant madman in Pirandello’s Henry IV. Auerbach’s truth is far from incomprehensible: all the same, entertainers have their own way of making judgments and suggestions, and Cervantes makes some that are acknowledged by Auerbach himself. Symbolic, quixotic conceptions based on this text ...”

“... is as much as anything the famous painting of his death in a Holborn attic done in the 1850s by Henry Wallis – with the poet lying, across the bed in a kind of frozen entrechat. It looks like an enlargement of the postcard which, in an age of mechanical reproduction, it was to become, commemorating the tourist attraction which it was also to become. The ...”

“... truth was that Griffith was the embodiment of that magnificent new art: he was to cinema what Henry Ford was to industrial production. Griffith introduced narrative suspense and emotional identification to the movies. He began making two-reel films in 1907, and after turning out hundreds of them he had learned how to use editing to create dramatic ...”

“... from limewood by Grinling Gibbons, which he sometimes wore to answer the door, and a clock that Henry VIII had given to Anne Boleyn. His house was open to visitors if they applied for tickets and Walpole would show them round himself. What it all meant, however, was less easy to see. ‘Horrie’ was described by one of his many detractors as a man who wore ...”

“... Gérard Genette on Flaubert, Hélène Cixous on Joyce, Harold Bloom on Wallace Stevens, J. Hillis Miller on Henry James. Some theorists are slapdash readers, but so are some non-theoretical critics. Derrida is so perversely myopic a reader, doggedly pursuing the finest flickers of meaning across a page, that he exasperates ...”

“... Speculation, Leon Edel remarks in his one-volume life of Henry James, is ‘the stock-in-trade of all biographers’. But if all biographers speculate, some do so more scrupulously and convincingly than others. Edel, for instance, is both meticulous and plausible. The same can hardly be said of Martin Seymour-Smith in his new critical biography of Kipling ...”

“... Cruikshank, like Giorgione, could be read on many different planes, just as a cartoon featuring Henry Fox and labelled ‘Volpone’ could be appreciated by those who had never heard of Ben Jonson. Yet if cartoons assuredly were not ‘high art’, they certainly must not be seen as part of the ‘little tradition’. Cartoons were an expression of that ...”

“... critic, having assured Elena that anyone who finds her novel risqué is an idiot who hasn’t read Henry Miller, gets drunk and assaults her in a lift. Meanwhile, Elena’s university friends are too caught up in workers’ rights to take her novel seriously. As one classmate puts it, ‘You did everything possible, right? But this, objectively, is not ...”

“... They are ground into the pure flour of hope, faith and love, scooped up and bagged by Erasmus the miller under the supervision of the dove of the Holy Ghost and handed on to Luther the baker, bent over his kneading tub. The Church hierarchy refuse the product. Behind looms a peasant with his flail, while a dragon shrieks excommunication. This graphic ...”