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Conrad Russell, 23 October 1986

Humanism in the Age of Henry VIII 
by Maria Dowling.
Croom Helm, 283 pp., £25, February 1986, 0 7099 0864 4
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Henry, Prince of Wales and England’s Lost Renaissance 
by Roy Strong.
Thames and Hudson, 264 pp., £12.95, May 1986, 0 500 01375 6
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Authority and Conflict: England 1603-1658 
by Derek Hirst.
Arnold, 390 pp., £27.50, March 1986, 0 7131 6155 8
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Rebellion or Revolution? England 1640-1660 
by G.E. Aylmer.
Oxford, 274 pp., £12.50, February 1986, 0 19 219179 9
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Politics and Ideology in England 1603-1640 
by J.P. Sommerville.
Longman, 254 pp., £6.95, April 1986, 9780582494329
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... renaissance, is also concerned with what might have been, and with a legend which has run from Sir John Holles to S.R. Gardiner. He shows Henry as heir to the aspirations of the Sidney circle, a patron of the arts, and a champion of the Protestant cause. Whether the English financial system would have permitted Henry as king to have championed the Protestant ...

Trouble down there

Ferdinand Mount: Tea with Sassoon, 7 August 2003

Siegfried Sassoon: The Making of a War Poet 1886-1918 
by Jean Moorcroft Wilson.
Duckworth, 600 pp., £9.99, September 2002, 0 7156 2894 1
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Siegfried Sassoon: The Journey from the Trenches 1918-67 
by Jean Moorcroft Wilson.
Duckworth, 526 pp., £30, April 2003, 0 7156 2971 9
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Sassoon: The Worlds of Philip and Sybil 
by Peter Stansky.
Yale, 295 pp., £25, April 2003, 0 300 09547 3
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... includes a dozen of them, mostly in their entirety.Interest in his life is sharpening. After John Stuart Roberts’s compact and readable single volume of 1999, we now have Jean Moorcroft Wilson’s double-header, with Max Egremont’s somewhat shorter Life expected soon. Sassoon’s story has also reached a wider audience through television re-creations ...

Lost Jokes

Alan Bennett, 2 August 1984

... the phrase ‘snobbery with violence’ to describe the school of Sapper and Buchan (and Ian Fleming, for that matter), but then I was told it had been used before, but where and in what circumstances I have forgotten. The form of Forty Years On is more complicated than I would dream of attempting now. It is a play within a play in which the time-scale ...

Possessed

A.N. Wilson, 14 May 1992

Evelyn Waugh: No Abiding City 1939-1966 
by Martin Stannard.
Dent, 523 pp., £25, April 1992, 0 460 86062 3
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... in full seriousness. He was tolerant of the agnosticism of his female friends, such as Ann Fleming, Diana Cooper and Nancy Mitford. But he became obsessed by trying to convert John Betjeman to his own faith, and bombarded the poet with furious injunctions to submit. ‘If you try to base your life and hopes on ...

Open in a Scream

Colm Tóibín, 4 March 2021

Francis Bacon: Revelations 
by Mark Stevens and Annalyn Swan.
William Collins, 869 pp., £30, January, 978 0 00 729841 9
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... Arms. (The reproduction ‘made such an impression on me and so many others of my generation’, John Richardson later wrote.) The painting was shown in a Mayfair gallery, where it was bought by Michael Sadler, whose collection included work by Kandinsky, Rouault and Modigliani. Bacon’s next ambitious work was called Wound for a Crucifixion. ...

Anglo-Egyptian Attitudes

Marina Warner, 5 January 2017

... There is something off-key about all these jewels and feathers, braid and enamel and gold. When John Singer Sargent’s tremendous portrait of the colonial administrator Sir Frank Swettenham inspired Rebecca West to comment that ‘he looked as if he wasn’t quite a gentleman,’ was she showing her sensitivity to the excess of his display? To the ...
... aristocracy, his contempt for all other classes, and his pleasure in reaction. But then, so John Bayley observed, they move an amendment. In order to explain these aberrations, they explain that Waugh was a disillusioned romantic. Graham Greene wrote that ‘he is a romantic in the sense of having a dream which failed him’: his first marriage, the ...
... people decide – and then, if it doesn’t get the result it wants, overrule us from Holyrood. John Burnside New states​ are usually the product of catastrophe. Violence is the air they breathe. I can’t decide if it is Scotland’s good or bad fortune that its vote for statehood should take place against the background of an entirely normal birth of a ...

Diary

Alan Bennett: What I did in 2000, 25 January 2001

... though I’d have thought the chances of him persuading his mamma to come are pretty slim. John Gielgud was once telling me about Mrs Simpson and how smart she was. ‘Mind you,’ he said, ‘she’d have made a disastrous queen. Didn’t go to the theatre at all.’ 19 January. Alan Bates opens tonight at the Barbican in the RSC production of Antony ...

I only want the OM

Christopher Tayler: Somerset Maugham, 1 September 2005

Somerset Maugham: A Life 
by Jeffrey Meyers.
Vintage, 411 pp., £12, April 2005, 1 4000 3052 8
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... he would have been disappointed. There was some half-hearted praise from Movement types, but when John Carey, for example, needed an honourable popular writer to batter the highbrows with in The Intellectuals and the Masses (1992), he turned to Arnold Bennett. Morgan’s biography had a memorable centrepiece: a description of the senile Maugham crapping on ...

Don’t Look Down

Nicholas Spice: Dull Britannia, 8 April 2010

Family Britain 1951-57 
by David Kynaston.
Bloomsbury, 776 pp., £25, November 2009, 978 0 7475 8385 1
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... do anything about it. The year of the Butler Education Act, 1944, also saw the publication of the Fleming Report, an investigation into independent education which considered but shied away from abolishing it, recommending instead that a quarter of all places at private schools should be made available to children from the state system, but only on a ...

Heart-Squasher

Julian Barnes: A Portrait of Lucian Freud, 5 December 2013

Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud 
by Martin Gayford.
Thames and Hudson, 248 pp., £12.95, March 2012, 978 0 500 28971 6
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Breakfast with Lucian: A Portrait of the Artist 
by Geordie Greig.
Cape, 260 pp., £25, October 2013, 978 0 224 09685 0
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... procedures. Also about painters he admires (Titian, Rembrandt, Velásquez, Ingres, Matisse, Gwen John) and those he doesn’t: da Vinci (‘Someone should write a book about what a bad painter Leonardo da Vinci was’), Raphael and Picasso. He prefers Chardin to Vermeer, and dismisses Rossetti so violently as to induce pity. He is not just ‘the worst of ...

A Ripple of the Polonaise

Perry Anderson: Work of the Nineties, 25 November 1999

History of the Present: Essays, Sketches and Despatches from Europe in the Nineties 
by Timothy Garton Ash.
Allen Lane, 441 pp., £20, June 1999, 0 7139 9323 5
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... Mediterranean and the Danube basin were for a long time privileged zones – the terrains of St John Philby and Robert Byron, of Norman Douglas and Patrick Leigh-Fermor, of R.W.Seton-Watson and Rebecca West. Sorties farther afield – like Peter Fleming’s expeditions to the Gobi or Matto Grosso – were ...

Love that Bird

Francis Spufford: Supersonic, 6 June 2002

... was first coined. Concorde was built to move Princess Margaret, Noël Coward, Grace Kelly and Ian Fleming around the world. It was built to carry them to Barbados for the winter, and to New York to go shopping; to Buenos Aires to watch the polo, and to South Africa to go on safari. Since this pattern of use for air travel was assumed to be a given, the ...

Mother One, Mother Two

Jeremy Harding: A memoir, 31 March 2005

... there were a couple of titles by Ngaio Marsh, a batch of paperbacks by Dennis Wheatley and Ian Fleming and an incomplete, untouched set of Dickens in pale blue cloth bindings. Nobody went near the Dickens – Colin, a reader of contemporary paperbacks only, declared a hatred of him for his infatuation with the poor and his longwindedness. Maureen venerated ...

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