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“... My grandmother was the painter Vanessa Bell. She died aged 81 when I was eight. I loved my grandmother, but 39 years later I have few memories of her. If, that is, a ‘memory’ is some kind of private mental property. The picture I have of her may be faintly tinted by first-hand experience, but its contours come from public documentation ...”

“... painters such as we might expect. There is an occasional echo in Delacroix and Manet, but no painter paid homage to him in quite the way that Gainsborough had in the previous century. The great esteem for Murillo was, incidentally, no less strong in Britain than in France, and the most beautiful Murillos in North America – Abraham and the Three Angels ...”

“... The painter​ Gwen John suffered from jealousy in her relationship with the sculptor Auguste Rodin. She was 27 when she started to model for him. He was 63. Rodin slept with a lot of women during his lifetime and the women he slept with also posed for him. John was jealous of Rodin’s other women. She was deeply in love with him ...”

“... followed blonde best friends trying to make it in LA; How Should a Person Be? shows a writer and a painter making it as artists in Toronto. In LA, it’s pretty clear how the blondes feel about being looked at; in Toronto, all the drama is in what it feels like to be observed living. The book begins with a dilemma, not with description or biography or ...”

“... The Dadaists would be a good guess, but the truly political ones, such as John Heartfield and George Grosz, were communists, and since the early days of Proudhon and Marx anarchists and communists have been more rivals than comrades. The ultra-composed Neo-Impressionists aren’t obvious angels of chaos, yet Georges Seurat, Camille Pissarro, Paul Signac ...”

“... And Degas would have approved Renard’s verbal humility in the face of a picture. As he put it to George Moore: Do you think you can explain the merits of a picture to those who do not see them? … I can find the best and clearest words to explain my meaning, and I have spoken to the most intelligent people about art, and they have not understood … but ...”

“... By the mid-1870s, not only was Tissot the more successful, but so were two of Degas’s other painter-friends, Alfred Stevens and Giuseppe de Nittis. There was also the case of Giovanni Boldini, who had first made his name as a portrait painter in London before moving to Paris in 1871. Stevens’s fame was based equally ...”

“... his clientèle by developing, designing and managing a warehouse in Dunlop Street with his brother George. Although this particular venture never made any money, Thomson kept his hand in at the speculator’s game. He had a financial interest in several of his best known designs, usually sharing the risk with partners in the building trades. The contributors ...”

“... speaking, abnormal, music’s fate cannot fail to fascinate. For musically, there is no doubt that George’s childhood was underprivileged Even as unconventional and not so royal an ex-king as the Duke of Windsor, after inquiring whether Lord Harewood was competent at his Covent Garden job, ‘could not resist saying: “It’s very odd about ...”

“... nouvelle. When the manuscript was accepted in 1941 she had wanted to call it Images of Mica, but George Barker, whom it was all about, flipped the typed pages at random and found a sentence beginning: ‘By Grand Central Station I sat down and wept ... ’ Images of Mica would have remained on the shelf for ever, but the trouvaille title was just it: nor ...”

“... In My Marilyn (1965) Hamilton adapted, in painting, part of a contact sheet from a photo shoot by George Barris that included her own editorial indications as to which images to cut and what pose to permit – in short, how to look, to appear, to be. In the rough grid of the painting a cluster of four images appears twice, with slightly different markings and ...”

“... drawing, both characterless and competent, reads as a task not a pleasure. Steven Spielberg and George Lucas admire and collect the paintings – not surprising, since they work in the same genres. Their films, like Rockwell covers, deal in constructed worlds and multiple sources. ‘Charwomen in Theater – Study’ (1946) The souvenir volume that ...”

“... The identity of ‘Jo: Taylor’ has been subjected to a needle-in-haystack search for a painter called John Taylor. Duncan-Jones, threading her way carefully back through the marginalia of the historian George Vertue into the theatrical networks of Shakespeare’s day has solved the mystery beyond reasonable ...”

“... medium-specific values might be. The inclusion of a few canvases sets up interesting tensions. George Frederic Watts may have been Cameron’s mentor in developing a modern heroic portraiture, yet when their respective visions of Tennyson’s daughter-in-law May Prinsep are set side by side, I find that his tremulous, scrawny brushwork sets me on ...”

“... instruments, whole pharmacies); parts of people (a bit of Jeremy Bentham’s skin, strands of George III’s hair, mummies, brains and the odd hand and foot); and an abundance of things drawn, printed, photographed, carved and painted. ‘Curios’ was the right word: we are made curious by them and curiosity is what they are about. Pages of Vesalius and ...”