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“... the ridiculously overblown statue for the graveside scene in The Barefoot Contessa (it ended up in Frank Sinatra’s garden until one of his later wives made him throw it out). Even though her appetites were decidedly her own and even though she was happy to exploit the effect of her own fame and glamour, Gardner was unable to rise above Hollywood’s ...”

“... I haven’heard. He is Daron Aric Hagen, and Shining Brow is an opera about the early life of Frank Lloyd Wright, commissioned by Madison Opera, Wisconsin, Wright’s home state. The work was premièred there in April, but not having heard it, I cannot speak for the opera’s music. That, though, would not appear to be much of a drawback. Muldoon’s text ...”

“... in the form of an objective, linear chronicle, cannot turn these omissions to narrative advantage. Michael Davenport in Young Hearts Crying has been a successful amateur boxer and a waist-gunner in B-17s during the bombing of Germany. Later on he writes what is said to be one of the finest contemporary American poems, ‘Coming Clean’, and later still he ...”

“... at all? The question gets more and more intriguing as the new film unfolds. The old man is Frank Sheeran, a real-life gangster who died in 2003 at the age of 83. He worked for the mob in Philadelphia and was very close to Jimmy Hoffa, the more than charismatic leader of the Teamsters’ Union. Sheeran had been in prison for what he regarded as one of ...”

“... the founders of their prosperous republic but the peevish Marxists of the Frankfurt School such as Frank Lightner or the revolutionaries of remote and picturesque ex-colonies, the Soviets found a field ripe for subversion and recruitment.’ (Who needs story, with exposition like this?) Between the big players, people like Genscher and Kohl and Petra Kelly and ...”

“... many documents and interviewed dozens of helpful people, many of them now dead. But the assiduous Michael Shelden has found lots more paper, and interviewed not only the survivors on Crick’s list but others whom his predecessor did not come upon. His book is as long as Crick’s and inevitably repeats much that is in the earlier work, so it was all the more ...”

“... II – on the balcony of one, Hyman Roth slices up a birthday cake with a frosting map of Cuba as Michael Corleone and other Mob chieftains look on – or from the classic Soviet-era agitprop film I Am Cuba, in which rich Americans frolic around rooftop swimming-pools. Meantime, a few storeys below, a revolution looms. These relics are the hotels the Mob ...”

“... to be related to everything else that is going on, however sour. Appleyard also has good words for Michael Moorcock and J.G. Ballard, for Peter Greenaway’s The Draughtsman’s Contract and Denis Potter’s The Singing Detective, as well as for Richard Rogers and Will Allsop – indeed for all who demonstrate what is rather vaguely called ‘the ...”

“... he was completely free of illusions about the moral quality of what he was doing. In an apparently frank interview broadcast over the BBC Russian Service during his stay here, he gave a realistic account of the permanent editorial policy of the Literary Gazette’s Foreign Department. The reviews, reports and other articles are in two categories ...”

“... need to open a box, she herself is trouble personified. Pabst’s film is based on two plays by Frank Wedekind, The Earth Spirit (1895) and Pandora’s Box (1904). His Lulu is a feral relative of the beautiful, damaging kept women who haunt 19th-century theatre and opera. A prologue to the first play tells us that she was ‘created to do harm, to tempt and ...”

“... even if mainly at cross-purposes. The other kind of class has the pupils reading The Diary of Anne Frank and trying their hands at self-portraits. This is a complete mess. It’s not just that the pupils are no good at the exercise. They are embarrassed and oppressed by it, and Marin doesn’t understand why they are being difficult. He manages to describe ...”

“... of The Old Crowd was Stephen Frears, but in real terms it was LWT and its then head of programmes, Michael Grade. Used as I was to the BBC and to my regular producer, Innes Lloyd, I found LWT entirely well-meaning but awkward to work with only because it wasn’t an organisation geared to producing drama. ...”

“... to an English-language bookshop – there’s even one at the railway station – to buy a copy of Michael Crichton’s new novel, Next (HarperCollins, £17.99). But why go to the trouble of spending the whole of Wednesday morning buying a book, when I could just download it now, on Tuesday evening? Diesel eBooks were offering Next in three formats: I plumped ...”

“... been invoked at all? Would not the work in question be yet more authoritative and persuasive as frank documentary or autobiography? At the centre of Have the men had enough?, a relentlessly monocentric work, is Grandma, who suffers from senile dementia. In the moderate stage of the illness she still remembers the names and faces of those close to her, and ...”

“... as an actor by the age of 17.) Exactly the same view has even found a reductio ad absurdum, in Frank McGuinness’s bizarre new play, Mutabilitie, which was shown at the National Theatre recently: here, a delirious, burned-out Shakespeare, dropping in on Spenser near Cork in 1598, is overheard muttering Hail Marys by a prophetess in the local Irish ...”