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At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... in motion, for example: a barn owl with a mouse in its beak, caught by Eric Hosking in 1948, a brown rat photographed by Stephen Dalton as it jumped from a bin in 1983. Curiosity about the look of exotic tribes was not limited to pictures from abroad. The four performers of the Abbot’s Bromley Horn Dance, taken by Benjamin Stone in 1899, stare at the ...
Dance till the stars come down 
by Frances Spalding.
Hodder, 271 pp., £25, May 1991, 0 340 48555 8
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Keith Vaughan 
by Malcolm Yorke.
Constable, 288 pp., £25, October 1990, 0 09 469780 9
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... what housewives make of his sailors, like the one who leans on a table spread with good things in Elizabeth David’s Book of Mediterranean Food. The housewives doubtless thought they were nice lads; in life and art the physical types which attracted Minton were butch. The boys in Hockney’s Cavafy illustrations would not have stepped so easily or so ...

Just William

Doris Grumbach, 25 June 1987

Willa Cather: The Emerging Voice 
by Sharon O’Brien.
Oxford, 544 pp., £22.50, March 1987, 0 19 504132 1
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... every literate citizen of Red Cloud or scholar at the university – most notably Bernice Slote, Elizabeth Shepley Sergeant, Mildred Bennett and Elizabeth Moorhead. Her earlier biographers had all been men who shielded her gallantly from any disrepute and in some cases – E.K. ...

And That Rug!

Michael Dobson: Images of Shakespeare, 6 November 2003

Shakespeare’s Face: The Story behind the Newly Discovered Portrait 
by Stephanie Nolen.
Piatkus, 365 pp., £18.99, March 2003, 0 7499 2391 1
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Imagining Shakespeare: A History of Texts and Visions 
by Stephen Orgel.
Palgrave, 172 pp., £25, August 2003, 1 4039 1177 0
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Shakespeare in Art 
by Jane Martineau et al.
Merrell, 256 pp., £29.95, September 2003, 1 85894 229 2
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In Search of Shakespeare 
by Michael Wood.
BBC, 352 pp., £20, May 2003, 9780563534778
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... late Elizabethan doublet with an unusual semi-transparent lace collar. He has fashionably shortish brown hair, a fairly high forehead, bags under his eyes as if he hasn’t been sleeping well lately, and a lightweight, almost fluffy beard and moustache. The top right-hand corner of the painting gives a date – 1603, perfectly consonant with the clothes, the ...

Diary

John Bayley: Serious Novels, 10 November 1994

... about himself he is. A really good novelist performing this act is always a joy to watch. Elizabeth Bowen did it brilliantly, though much more ruthlessly than Amis ever did, in the character of Anna in The Death of the Heart. But that special sort of act is absent from You Can’t Do Both – an apposite title because up to now Amis always has. I ...

At Tate Britain

Tom Crewe: Burne-Jones, 24 January 2019

... have ‘been chopped up’. The oddness and severe limits of this artistic education, which Elizabeth Prettejohn emphasises in the catalogue accompanying the exhibition of Burne-Jones’s work at Tate Britain (until 24 February), is even more striking when you consider that Rossetti, despite having spent several years first at Sass’s Drawing School ...

Bandini to Hackmuth

Christopher Tayler: John Fante, 21 September 2000

Ask the Dust 
by John Fante.
Rebel Inc, 198 pp., £6.99, September 1999, 0 86241 987 5
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Full of Life: A Biography of John Fante 
by Stephen Cooper.
Rebel Inc, 406 pp., £16.99, May 2000, 9781841950228
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... plot is taken from Knut Hamsun’s novel Pan, to which Fante was introduced by his sometime agent Elizabeth Nowell in 1936. The title comes from a passage in which Hamsun’s narrator compresses the story of his doomed love affairs into a fable about a ‘lord’ who loves two women – a compliant ‘maid’ and ‘another’: This other he loved as a ...

Dead Man’s Coat

Peter Pomerantsev: Teffi, 2 February 2017

Memories: From Moscow to the Black Sea 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Anne Marie Jackson and Irina Steinberg.
Pushkin, 352 pp., £16.99, May 2016, 978 1 78227 169 7
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Rasputin and Other Ironies 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Rose France and Anne Marie Jackson.
Pushkin, 224 pp., £8.99, May 2016, 978 1 78227 217 5
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Subtly Worded 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Anne Marie Jackson, Natalia Wase, Clare Kitson and Irina Steinberg.
Pushkin, 304 pp., £12, June 2014, 978 1 78227 037 9
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... mole, she begs for the boy to come and rescue her. He is killed on the way, but a huge, red-brown dog arrives and rips the scoundrel’s neck out. It’s hard not to look for political allegories, the killer dog as an expression of the Revolution which is itself part of some sort of savage unconscious. Teffi must have been aware of similarly dark ...

The Amazing Mrs Charke

David Nokes, 1 June 1989

The Well-Known Troublemaker: A Life of Charlotte Charke 
by Fidelis Morgan.
Faber, 231 pp., £19.95, November 1988, 0 571 14743 7
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The Ladies: Female Patronage of Restoration Drama 
by David Roberts.
Oxford, 188 pp., £22.50, February 1989, 0 19 811743 4
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The Complete Lover: Eros, Nature and Artifice in the 18th-Century French Novel 
by Angelica Goodden.
Oxford, 329 pp., £32.50, January 1989, 0 19 815820 3
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... larger-than-life theatricality of its anecdotes and style. The episode when Charke, alias ‘Mr Brown’, becomes the ‘unhappy object of love’ in a young heiress worth 40,000 pounds is told with all the finesse of a comedy of manners. Even tiny details, like the hungry cur which runs off with her last string of sausages, are recounted with a histrionic ...

What killed the Neanderthals?

Luke Mitchell, 8 May 2014

The Sixth Extinction: An Unnatural History 
by Elizabeth Kolbert.
Bloomsbury, 336 pp., £12.99, February 2014, 978 1 4088 5122 7
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... French and Indian troops down the Ohio River when he came across a sulphurous marsh where, as Elizabeth Kolbert puts it, ‘hundreds – perhaps thousands – of huge bones poked out of the muck, like spars of a ruined ship.’ The captain and his soldiers had no idea what sort of creatures the bones had supported, whether any of their living kin were ...

Diary

Neal Ascherson: Scotophobia, 5 April 2007

... of dependency’. ‘Until recently,’ the paper asserted, ‘an English voter hearing Gordon Brown’s Fifeshire accent would simply have said to himself, “Labour”; now, he says: “Scottish.” The lopsided devolution settlement has created a sense that the Scots are having their cake and yet guzzling away at it.’ The newspapers accuse a Scottish ...

Record-Breaker

Mary Hawthorne, 10 November 1994

The Informers 
by Bret Easton Ellis.
Picador, 226 pp., £9.99, October 1994, 0 330 32671 6
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... into her mouth. Jumper cables hooked up to a battery are clipped to both breasts, turning them brown. I had been dropping lit matches from Le Relais onto her belly and Elizabeth, delirious and probably overdosing on the Ecstasy, had been helping before I turned on her and chewed at one of her nipples until I couldn’t ...

Likeable People

John Sutherland, 15 May 1980

Book Society 
by Graham Watson.
Deutsch, 164 pp., £6.50, April 1980, 0 233 97160 2
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The Publishers Association Annual Report 1979-80 
73 pp.Show More
Private Presses and Publishing in England since 1945 
by H.E. Bellamy.
Clive Bingley, 168 pp., £15, March 1980, 0 85157 297 9
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... not to settle old scores. There will never be a comprehensive or detailed history of Curtis Brown Ltd because the firm, like most discreet literary agencies, doesn’t preserve its records – at least not for the historian. All the more reason that one might hope for some first-hand testimony from Watson. What he provides us is, largely, trivia: such ...

North and South

Linda Colley, 2 August 2012

... radicalism. The pattern of industrialisation served to publicise the divide, as suggested by Elizabeth Gaskell’s novel North and South, published in 1855; while in the early 21st century, Conservative MPs have become a scarcely less endangered species in north-eastern England than they are in Scotland, and are under pressure too in the ...

At the National Gallery

Clare Bucknell: Artemisia, 4 March 2021

... seeing the historical artist in the figure on the canvas.Self-identification, the art historian Elizabeth Cropper writes about Artemisia’s work, ‘has little to do with resemblance’. The appearance of what might be Artemisia’s features in a painting of Mary Magdalene doesn’t presuppose self-identification with the saint on the artist’s ...

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