Search Results

“... of a Palestinian homeland since, despite the commitments, muffled as they are, of the Camp David accords, no such idea has as yet managed to find an enabling vocabulary within what is considered “reasonable” political discourse in this country.’ What needs to be added to Poirier’s astute comments is that the ‘idea’ of a Palestinian homeland ...”

“... John Hannon in a journal extract published in the Bristol magazine, Entropy. (Hannon describes how David Jay Brown and John Lilly in Mavericks of the Mind ‘discuss the notion that ketamine renders the brain directly susceptible to TV transmissions.’ And goes on that ‘Lilly even claims that he once found himself inside a TV soap opera while on ...”

“... don’t lose their passport in the process. Rodgers goes on to address the Marxist arguments of David Harvey and Fredric Jameson, which hold that postmodern cultural fragmentation is connected to the shift from the Fordist national economies of the first part of the 20th century to the post-Fordist global economy of the last part. In the Marxist view, the ...”

“... of infamous goodies. Meanwhile, FDA criticism will probably earn a few more adherents thanks to David Leverenz’s Manhood and the American Renaissance. It is better than most such books because, for one thing, he is at times a competent if constricted close reader, while being at heart resentful that he is required to be one at all by certain of the works ...”

“... by or about the group. Clive Bell went to the Paris exhibitions, there were stories by David Garnett, features on Duncan Grant, and Woolf wrote five pieces, including one about Sir Walter Raleigh. Vogue still owed something to the society magazine that was the earliest incarnation of the American edition, and the first frontispiece went to Eileen ...”

“... This ‘lucky chance’ occurred in a period of theatrical history vividly re-created by Irving Wardle in his biography of George Devine. Devine brought Gielgud to Oxford to direct the OUDS production of Romeo and Juliet in 1932. He had never directed before, though he had played Romeo at the Old Vic. Gielgud has always been interested in stage ...”

“... fault the prose and didn’t think it malicious. Others disagreed. The matter was taken up by Irving Howe in the New Republic. ‘Nothing more cruel has happened to an American writer,’ he wrote, ‘than the Lillian Ross interview, a scream of vanity and petulance that only a journalistic Delilah would have put into print.’ Friend or ex-friend, she ...”

“... political upheavals of Jeremy Corbyn’s election as Labour leader in 2015 and the resignation of David Cameron the following summer. (Theresa May initially hoped to refocus on ‘JAMs’ – Just About Managing families – but lost all ideological confidence along with her parliamentary majority in June last year.) The phrase was used as a way of signalling ...”

“... life as a coarse stimulant and a way of gaining private ends. At the request of Kaufman and Irving Berlin, the producer of The Cocoanuts, Sam Harris, agreed one day to beard them in their dressing-room and secure their obedience to the written text. Presently, noises were heard from the corridor with a thump and velocity not much like the sound of ...”

“... version of Uncle Tom’s Cabin, D.W. Griffith’s 1915 The Birth of a Nation, The Jazz Singer, and David O. Selznick’s 1939 super-production Gone with the Wind ‘provide the scaffolding for American film history’ – although it takes us no further than the eve of the Second World War. This reading of Hollywood is anticipated by Leslie Fiedler’s ...”

“... the Cold War’s end, Arendt’s account of totalitarianism had been so trashed by historians that Irving Howe was forced to defend her as essentially a writer of fiction, whose gifts for ‘metaphysical insight’ enabled her to see the truth that lay beneath or beyond the verifiable facts. ‘To grasp the inner meaning of totalitarianism,’ Howe wrote in ...”

“... Molineux) long since lost in the mists. The issue also contains a consideration of the sociologist David Riesman, since no intellectual journal back then was complete without a Riesman snorkel dive; a piece by Paul de Man (remember him?) which begins on the stirring note, ‘Ever since the war, American criticism has remained relatively stagnant’; and an ...”

“... the horror, hence no guilt about it, and so his revulsion from it is manageable. He is nearer to David Jones; one ‘soldiers on’. His revulsion and protest come later, when post-war England makes light of its soldiers’ sacrifices: ‘How England should take as common their vast endurance/ And let them be but boys having served time overseas.’ As ...”

“... But Noel kept me in the loop, dropped by a couple of times a month with news about the agent David Obst or the director Peter Bogdanovich, both dying to do Mallory. He drank bourbon, and when his glass was empty he held it high and rattled the ice cubes for a refill. He stayed until the bottle was empty and it was time to find another roost. He made ...”

“... Atlantic. In the 19th century Offenbach was French, Strauss was Austrian. Even in the 20th century Irving Berlin was American, and in Jewish-controlled Hollywood of the great period you will search in vain for anything other than what Zukor and Loew and Mayer considered 100 per cent white American values, or even for stars whose names hinted at immigrant ...”