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“... grand head-on, Neoclassical façades for simple reproduction (see, for example, the magnificent Richard Pare collection, Photography and Architecture 1839-1939)? Photography would then be co-operating in the actual construction of the newer buildings, angling into dimensions of built space that our ordinary human bodies have little daily commerce ...”

“... to show what it was like to be a Jew in Germany during the first 45 years of this century. Dr Richard Lasson, the narrator, traces his own career from front-line service in the First World War, through the mounting uncertainties and perils of the Twenties and Thirties to desperately precarious survival in Berlin during the Second World War. Walter Laqueur ...”

“... float exactly three floors above Equal (2015), four great stacks of two steel blocks each by Richard Serra (for obvious reasons neither will be moved anytime soon).Michael Kimmelman, architecture critic at the New York Times, calls the new design ‘smart, surgical, sprawling and slightly soulless’. I would take ‘slightly soulless’ over ...”

“... different kinds of perspective. He has written on the parallactic viewing that the sculptures of Richard Serra often require of us, and has worked for years on an account of axonometric projection in art and architecture (it appears often in Lissitzky and De Stijl), which dictates no vanishing point within a picture and no viewing point in front of it. This ...”

“... painting looked even more absurd than it did before. As critics such as Douglas Crimp and Richard Meyer have stressed, this queering of art was also a matter of content. If the persona behind Abstract Expressionism was the ‘action painter’ in existential torment, Warhol put pretty-boy idols of mass culture up front, such as the young Troy Donahue ...”

“... was cycled back into art – think of the lush bits of cited advertisements in paintings by Richard Hamilton or James Rosenquist – and the two-way traffic has continued ever since. Then, too, there is the notion of the artist as showman. Art-world impresarios existed before Surrealism – Marinetti qualifies, as does Tzara, not to ...”

“... Lloyd, to the Walter Reed Hospital in Washington to visit the American Secretary of State John Foster Dulles, who had been discovered to have cancer during the week of the Suez war. Towards the end of the conversation, Dulles suddenly asked ‘Selwyn, why did you stop? Why didn’t you go through with it and get Nasser down?’ The British visitors fell ...”

“... seldom gets classroom time.’ The first task of the curriculum, as Gove and Schama see it, is to foster a sense of British national identity. ‘At a moment fraught with the possibility of social and cultural division,’ Schama writes, we need citizens ‘who grow up with a sense of our shared memory as a living, urgently present body of ...”

“... poems he is never led to those wild shores of psycho-analytically-based allegorical meanings where Richard Wilbur, Harry Levin, Daniel Hoffman and others have happily roamed, finding that the Red Death in the story with that title is the disease of rationalism, that the tarn and the abstract painting in ‘The Fall of the House of Usher’ are expressions of ...”

“... the pigment of Cézanne (or, more proximately, Willem de Kooning) mixed in the wax of Duchamp. Foster GalleryFor some critics, turning serial things into singular paintings was a conservative operation, a win for high culture over low. And in 1960, when Johns first made exquisite replicas in painted bronze of trashy things like two Ballantine ale cans or a ...”

“... net cast by most postmodernist critics (myself included): Dennis Oppenheim rather than Richard Serra, say, Gretchen Bender rather than Cindy Sherman. Although written by a critic in formation, these early texts anticipate many of his later concerns, especially when it comes to artists focused on perception and technology, from Blake and Turner to ...”

“... the wicked caricatures of recognisable players from James Carville (the novel’s ragin’ Cajun, Richard Jemmons, defined by a ‘vehement opacity’) to Jesse Jackson (the Rev. Luther Charles, defined by rage, who had ‘peaked in full Afro and dashiki’ and now looked ‘plucked ... Luther in a suit was like Dukakis in a tank’). In the second ...”

“... believed manifestation of Archigram ideas in several buildings that have been made by [Norman] Foster and his friend Richard Rogers … it raises all those classic issues about origin, innovation and the ownership of ideas.’ Indeed. But then so too do the off-the-peg Victorian-medieval churches that constellate ...”

“... psychotic but furiously loyal sidekick, keeps threatening to steal the show – and here Ben Foster is even more impressive in the part than Richard Jaeckel. But the key performance, which makes the earlier movie the small masterpiece the new one can’t compete with, is that of Glenn Ford. David Thomson says Ford was ...”

“... He was subjected to even more abuse from the British press and public than Nasser or John Foster Dulles. In a widely photographed incident, Altrincham was physically assaulted. His assailant shouted to the pressmen he had summoned to watch: ‘This is for insulting the Queen!’ The papers – except the Times, which on advice from the palace kept a ...”