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“... monster, lionised by London hostesses as a man who did savage things in exotic lands, like Sir Richard Burton, later in the century. But that would be too absurd. ‘The proposed victim looked so thoroughly capable of enjoying life (if he could only get to the other side of the river) that I thought it would be hard for him to die, merely in order to ...”

“... to Crete or Vienna, then jetting off to America on publicity tours or visiting Dublin to work with Richard Burton on the film of The Spy Who Came in from the Cold. In time, it ruined his marriage. Cornwell became passionately involved with the writer James Kennaway and his wife, Susan, a glamorous couple described by one friend as ‘Scott and Zelda, with ...”

“... could be the difference between being a statistic in a Channel 4 filler and being reincarnated by Richard Burton. Only losers leave their stories to the East London Advertiser and the more literate class of probation officer. Take that McVicar. He was totally out of order. An armed robber, ‘one of the top men of his profession’ (Lambrianou), he blew ...”

“... more to those discussed here – as are the movies and documentaries, with Albert Finney following Richard Burton and Robert Hardy as a screen Churchill. As for approval ratings, in an admittedly contrived phone-poll BBC2 viewers last November voted him the greatest Briton of all time. Most Churchill biographies have been massive: Roy Jenkins’s weighed ...”

“... and Harrington, but I found his chapters on lesser writers even more instructive. Robert Burton and Samuel Gott are revealed as more significant ‘utopians’ than has been recognised. Dr Davis is also interesting on William Sprigge’s A Modest Plea for an Equal Commonwealth of 1659, the anonymous Chaos (1659) and The Free State of Noland ...”

“... I thought I was too grand to do interviews, but then I was asked to interview Elizabeth Taylor and Richard Burton on the set of some film. So I said, what the hell, I’ll do it. That initited the interviewing period of my life: I remember coming back and thinking. ‘It’s an absolute doddle, interviewing’ – I mean. Elizabeth Taylor was more famous ...”

“... Eyre’s particular version of hi-tech, just as the needs of the 1852 Palm House (Decimus Burton, ironwork by Richard Turner) were well served by advanced cast-iron technology. In both cases, aesthetic predilections are appropriate to practical needs. The larger, more stolid Temperate House (mainly 1859-62), also by ...”

“... on the wall of things-from-1963: a poster for Psycho, a programme for a new musical starring Richard Burton and Julie Andrews called Camelot, an advertisement for Who’s Afraid of Virginia Woolf? There is a row of books from the time: Barbara Tuchman’s The Guns of August; Betty Friedan’s The Feminine Mystique; The Rise and Fall of the Third ...”

“... It’s easy​ to see why Richard Tuttle’s work has a tendency to rile people – in particular people who insist on believing that sculpture, even if it no longer needs to be solid and substantial, should at least cling to material existence. From early on Tuttle seemed set on refusing such notions; his work came across as impromptu and elusive, a mirage of fragments, shadows and traces, portable, and hardly built to last ...”

“... their crowning glory: a marina fit for Abramovich and his cohorts. Or, more modestly, for Richard Burton and Elizabeth Taylor on their pleasure craft, the Kalizma. Sadly, that vision was premature. The proposed harbour for the Have-Yachts would have to wait. And move upstream.My somewhat distressed 1993 map had a magnificent but provisional set ...”

“... areas. He died before he could finish the book, but the revision was more or less complete. Peter Burton and Richard Smith have added chapters on film, the gay scene and rock music, for which Baker had left notes. The result is not just about drag, nor yet about female impersonation, and doesn’t even confine itself to the ...”

“... agitated emotion and toning down many of its adventures, his translation is readable in a way that Richard Burton’s lurid and archaisising version, made fifty years later, is not. Lane expurgated, Burton fantasticated. There have been many wilful translations in the book’s history, a history that in its ...”

“... a whirling dervish, she lost the thread of one existence and found another.’ It’s as if Sir Richard Burton had set out to write a Mills and Boon romance. Brick Lane truly comes alive only when its male characters, particularly the older ones, enter the fray. This isn’t just because they are more gabby and engaged, less likely to be sitting at ...”

“... here that Hollywood stars used to come, Marilyn Monroe and Arthur Miller or Liz Taylor and Richard Burton, for a quickie divorce followed by a huge party, or a discreet abortion. ‘Juárez’s bad reputation goes back thirty years,’ says Arnulfo Gómez, the owner of the Gato Félix, on the Avenida Juárez near the bridge. There used to be ten ...”

“... the wicked caricatures of recognisable players from James Carville (the novel’s ragin’ Cajun, Richard Jemmons, defined by a ‘vehement opacity’) to Jesse Jackson (the Rev. Luther Charles, defined by rage, who had ‘peaked in full Afro and dashiki’ and now looked ‘plucked ... Luther in a suit was like Dukakis in a tank’). In the second ...”