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Working under Covers

Paul Laity: Mata Hari, 8 January 2004

Female Intelligence: Women and Espionage in the First World War 
by Tammy Proctor.
New York, 205 pp., $27, June 2003, 0 8147 6693 5
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“... 20th-century spying, The Second Oldest Profession:* He wore a gold-rimmed monocle, wrote only in green ink, and, after he lost his leg in an accident, used to get around the corridors by putting his wooden one on a child’s scooter and propelling himself vigorously with the other. Visitors were intimidated by his habit of stabbing the wooden leg with his ...”

Bush’s Useful Idiots

Tony Judt: Whatever happened to American liberalism?, 21 September 2006

“... Howe and Eudora Welty. These and other signatories – the economist Kenneth Arrow, the poet Robert Penn Warren – were the critical intellectual core, the steady moral centre of American public life. But who, now, would sign such a protest? Liberalism in the United States today is the politics that dares not speak its name. And those who style ...”

One Enduring Trace of Our Presence

Maya Jasanoff: Governing Iraq, 5 April 2007

Occupational Hazards: My Time Governing in Iraq 
by Rory Stewart.
Picador, 422 pp., £17.99, June 2006, 0 330 44049 7
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“... is no coincidence that travel writers on Central Asia – a list that would include the Etonians Robert Byron and Colin Thubron, the Marlburian Bruce Chatwin and the gentry Scot William Dalrymple – so often boast superior educations if not pedigrees. Aspects of Stewart’s response to Iraq show the influence of his earlier travels. His interest in the ...”

McTeague’s Tooth

David Trotter: Good Fetishism, 20 November 2003

A Sense of Things: The Object Matter of American Literature 
by Bill Brown.
Chicago, 245 pp., £22.50, April 2003, 0 226 07628 8
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“... or desire. There are few scenes more melancholy in 19th-century fiction, or in paintings such as Robert Braithwaite Martineau’s The Last Day in the Old Home, than the enforced sale of household goods. Thackeray made a specialism of clearance, in Vanity Fair and then again in The Newcomes; George Eliot followed suit, at length, in The Mill on the ...”

Oh for the oo tray

William Feaver: Edward Burra, 13 December 2007

Edward Burra: Twentieth-Century Eye 
by Jane Stevenson.
Cape, 496 pp., £30, November 2007, 978 0 224 07875 7
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“... of Times Square, the jazz and dance routines of brownstone Harlem (‘Harlem is like Walham green gone crazy’) and the joys of breakfast at the Arabian Nights Luncheonette (‘the food is delish 40000000 tons of hot dogs and hamburgers must be consumed in NY daily’). Four years later he and the Aikens went to Mexico and stayed for a while with ...”

Pop, Crackle and Bang

Malcolm Gaskill: Fireworks!, 7 November 2024

A History of Fireworks: From Their Origins to the Present Day 
by John Withington.
Reaktion, 331 pp., £25, August 2024, 978 1 78914 935 7
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“... was variation in colour. Chemical compounds containing strontium burn red; copper carbonate adds green; iron filings make showers of golden sparkles.China’s appetite for novelty also led to chains of multiple ignitions and wooden dragons spitting fire. The 16th-century scholar Feng Ying Ching wrote about a kind of bomb from which sprang ground rats and ...”

My Darlings

Colm Tóibín: Drinking with Samuel Beckett, 5 April 2007

“... tourists love, just as there’s a head of Joyce, which no one much looks at, in St Stephen’s Green. When Nora stood Joyce up on 14 June, he wrote to her ardently, demanding another date. They met on 16 June, which is when their story began, and when Ulysses both began and ended. Lucky it wasn’t on Good Friday, when the pubs are closed. I wonder if the ...”

I eat it up

Joanne O’Leary: Delmore Schwartz’s Decline, 21 November 2024

The Collected Poems 
by Delmore Schwartz, edited by Ben Mazer.
Farrar, Straus, 699 pp., £40, April 2024, 978 0 374 60430 1
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“... of Genesis, eventually settling on ‘two methods which can paint the living world’: Hershey Green, his adolescent avatar, who suffers the humiliation of being named after a chocolate bar, would narrate his family history in what Schwartz called ‘biblical prose’, while a chorus of unnamed ghosts would respond to each episode in blank verse.Laughlin ...”
“... the year Clarke returned to Ireland, a book called Sidelights on the Home Rule Movement, by Sir Robert Anderson, a police commissioner, was published – it helped inspire Conrad’s novel The Secret Agent. The relevant passage was an account of a conversation between Gladstone’s home secretary, Sir William Harcourt, and a police chief. While Clarke was ...”

Wash out your ears

Adam Shatz: Messiaen’s Ecstasies, 20 February 2025

Olivier Messiaen: A Critical Biography 
by Robert Sholl.
Reaktion, 255 pp., £25, May 2024, 978 1 78914 865 7
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Messiaen in Context 
edited by Robert Sholl.
Cambridge, 348 pp., £95, November 2023, 978 1 108 48791 7
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“... Messiaen’s goal, exactly: he wrote music to praise God, not to proselytise. Nonetheless, as Robert Sholl argues in his ‘critical biography’, it’s not easy to disentangle Messiaen’s art from his belief that in composing he was ‘making a transcendent God empirical and sensate’. The music, Sholl suggests, allows ‘believers and non-believers ...”

Gentlemen and ladies came to see the poet’s cottage

Tom Paulin: Clare’s anti-pastoral, 19 February 2004

John Clare: A Biography 
by Jonathan Bate.
Picador, 650 pp., £25, October 2003, 0 330 37106 1
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‘I Am’: The Selected Poetry of John Clare 
edited by Jonathan Bate.
Farrar, Straus, 318 pp., $17, November 2003, 0 374 52869 1
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John Clare, Politics and Poetry 
by Alan Vardy.
Palgrave, 221 pp., £45, October 2003, 0 333 96617 1
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John Clare Vol. V: Poems of the Middle Period 1822-37 
edited by Eric Robinson, David Powell and P.M.S. Dawson.
Oxford, 822 pp., £105, January 2003, 0 19 812386 8
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“... own son, John, who also became an adept fiddler, like his grandfather. Clare felt an affinity with Robert Burns, collected songs as Burns did, and during his asylum years wrote a number of songs in the Scottish vernacular. Clare says in his autobiography that both his parents were ‘illiterate to the last degree’. Concerned to dispel the myths, Bate points ...”

Summer with Empson

Jonathan Raban: Learning to Read, 5 November 2009

“... Animal Snap. In the cluttered, narrow-windowed living-room of our house in the village of Hempton Green in Norfolk, my mother and I progressed from letters to words to sentences, stopping the game at intervals to listen to the BBC news crackling from the wireless, its fretwork grill sawn to represent an inappropriately Japanese-style rising sun. By the time ...”

Bitten by an Adder

Tim Parks: ‘The Return of the Native’, 17 July 2014

The Return of the Native 
by Thomas Hardy, edited by Simon Avery.
Broadview, 512 pp., £9.50, April 2013, 978 1 55481 070 3
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“... have passed by without recognising him. He was a brown spot in the midst of an expanse of olive-green gorse, and nothing more. Though frequently depressed in spirit when not actually at work, owing to thoughts of Eustacia’s position and his mother’s estrangement, when in the full swing of labour he was cheerfully disposed and calm. His daily life was ...”

I’m a Cahunian

Adam Mars-Jones: Claude Cahun, 2 August 2018

Never Anyone But You 
by Rupert Thomson.
Corsair, 340 pp., £18.99, June 2018, 978 1 4721 5350 0
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“... Moore and Claude Cahun (1920). Thomson’s sharp sketches of the women’s intimates, such as Robert Desnos, Edouard de Max and Henri Michaux, are more successful than the cameo appearances or conversational allusions. Names like Hemingway or Lacan can’t be brought into play without making a thud or a clang. No doubt people at Paris parties in the 1920s ...”

Social Arrangements

John Bayley, 30 December 1982

The Penguin Book of Contemporary British Poetry 
edited by Blake Morrison and Andrew Motion.
Penguin, 208 pp., £1.95, October 1982, 0 14 042283 8
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The Rattle Bag 
edited by Seamus Heaney and Ted Hughes.
Faber, 498 pp., £10, October 1982, 0 571 11966 2
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“... accommodate themselves to my milkbottle, flattening their sides’ – the high green meadows and the blue-green bellies of the flies. Plath’s poem, like a superior terror movie, pointed all its verbal skills towards panic and emptiness, but what endures today is the art-work, the blackberries themselves ...”

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