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“... Tasmania’s prodigal son, Peter Conrad, suggested recently that his island-state had ‘unwritten its own history’ in accordance with ‘a self-protective incuriosity about origins’. Tasmania’s origins lay in an act of genocidal conquest and a penal experiment, both of which were so recent and so omnipresent in their effect as to make recollection intolerable ...”

“... darker and less furiously though still adequately inventive. Its economy may shock some folk, for Peter Carey is known to be an exuberant novelist, copious, various and fantastic. It is possible to admire his books for their lack of respect for boundaries, for the qualities they share with the work of modern Latin American novelists. However, they are always ...”

“... 1962, after she’d torn the phoneline out of the wall during an argument with her husband, Ted Hughes, and he had left her and their two infant children in Devon, there were only letters. ‘I am fine,’ she wrote to her mother in America. ‘Just need a settled nanny & to rest & write & letters. I love & live for letters.’ Letters never seem to arrive ...”

“... Till recently, I’ve dodged most of Peter Reading’s work. He seemed so much the darling of the TLS and of a metropolitan circle whose powerfully disseminated views it is often essential to evade in the interests of finding a position which affords a degree of independence. Seeing stray poems by him in magazines, I thought of him as having a gift of designer outrage, whose appeal to the sophisticated might be suspect ...”

“... Noting, to quote from Dame Helen’s report on its proceedings, that ‘with the exception of Ted Hughes ... post-war English poetry has not been exciting,’ it discovered also that ‘the American poets of the post-war period were much more experimental and adventurous than the English; but neither the Beat Poets of San Francisco, nor the Black Mountain ...”

“... and sponsored domestic opera and ballet companies, as well as theatre groups in Europe. Ted Hughes and Peter Brook wrote an experimental play, Orghast at Persepolis, merging the myth of Prometheus with Aeschylus’ The Persians, which was staged at Persepolis as part of the Shiraz Arts Festival. Subsidised in part by ...”

“... After a dismal, crazy, wrist-cutting time in the bedsitting room I’d taken over from Olwyn Hughes, Ted’s sister, I began to decline, in spite of my cunning plan to spray everything silver, as the linings were. (My first day there, as we swapped ownership, Henry Williamson told me, just as he was leaving after tea with Olwyn, the ‘big secret’ that ...”

“... Hill’s acerbic satire on contemporary Britain was most unlike the arch public lyrics that Ted Hughes has published since his elevation to that role. The Sunday Correspondent finally folded just over two weeks later. There was, as far as I know, no causal connection between the two events, but the circumstance has a certain ironic appropriateness in the ...”

“... yet, far from stoking rebellion, he writes tenderly of his parents and looks up to Ted Hughes and W.H. Auden. Asked to nominate his Book of the Century last year, he plumped for Waiting for Godot. The idea of Armitage in Beckettian exile, refusing to grant media interviews, is about as plausible as ‘Chaucer at his laptop,/auto-checking his ...”

“... are successful abroad is that they shall give a leg up to their fellow-countrymen. A few do so; Peter Porter has been most generous, and Clive James has come to the task more recently, but also with generosity. In this vivacious and often sumptuous new collection of his essays, he has a great deal to say in praise of fellow expatriates, and some magnanimous ...”

“... Peter Porter’s imagination tends towards the epigram, but not quite in the popular sense which suggests brief, pithy encapsulations of wit or wisdom: Believe me, Flaccus, the epigram is more than just a cracker-motto or an inch of frivolous joking to fill up a column. When, in 1972, he published the selection of translations called After Martial, he tended to avoid ‘the two-line squibs ...”

“... 4 January. A Christmas letter from Cami Elbow, wife of Peter Elbow, an American college friend who teaches English at Amherst: Life in Amherst is very placid. Even grammatically correct. In December the town decided to encourage shoppers to patronise the downtown stores with free parking. They ordered plastic bags to cover up the parking meters but the bags arrived with the message wrongly punctuated: ‘Season’s Greeting’s ...”

“... all goes more smoothly. We are given the necessary information about the likes of Hockney, Ted Hughes, John Berger, Germaine Greer and Noam Chomsky. Structuralism and Post-Structuralism (‘a logical enough outcome’) are briskly explained, Barthes, Lacan and Derrida rush by, Foucault and Althüsser get a rather breathless mention as part of the ...”

“... will be full whatever the result. No one has made more money from this branch of the law than Peter Carter-Ruck, so I opened his book eagerly to find some answers to questions which have always puzzled me. What, to start with, is the philosophy, the raison d’être of the law of libel? Mr Carter-Ruck answers the question with a quotation from ...”

“... Carson and Dillane, and Dean and her sister, one other person appears on screen: the publisher Peter Mayer, who reads aloud from a text by Dean – his voice gravelly, slightly hoarse. It so happens that Mayer used to be my boss: for about four years, I spent the best part of a week a month with him when he came to London, going to meetings with ...”