Hanging Offence
David Sylvester, 21 October 1993
“... portraits of the Thirties (and, if there were more space, a related de Kooning and ideally a John Graham too, but at all events one such Gorky). Rosenthal’s view was that ‘in no way’ could such a painting be ‘described as one of the most central works of 20th-century American art. Gorky’s significance was to come later, in the last few years of ... ”