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“... just fairy tales or whether the intensity with which the tales were told was evidence that the teller had indeed seen a barely imagined kingdom.’ Herbert is still commonly thought of as an Anglican saint, selfless country priest and poet of divine love. The saintly image was established by Herbert’s early biographers, most fully by Izaak Walton, whose ...”

“... Thus Ascherson joins the oddly-assorted, lively company of Primo Levi, Oliver Sacks, John Berger, Edward Said and Germaine Greer – but from a slippery starting-point: the journalist is a specialist in nothing. Sometimes he seems to know that only too well, and to underrate his own contribution. Calling for work on the growing power of an undemocratic state ...”

“... for details of the English dead at Agincourt. The herald hands over a paper, and the King reads: Edward, the Duke of York, the Earl of Suffolk, Sir Richard Ketly, Davy Gam, esquire; None else of name; and of all other men But five and twenty. The French have lost ten thousand, of whom all but sixteen hundred were persons of ‘blood and quality’. There is ...”

“... case-histories, and most accounts of his life have a spurious smoothness about them, as if the teller were at the helm. A biographer can but do as Housman exhorts in one of his blasphemous squibs: ‘Mary-Jane the train is through yer:/Hallelujah, Hallelujah!/We will gather up the fragments that remain.’ In Housman Country, Peter Parker does it by ...”

“... in the 1960s was merely the prototype for the full-scale invasion of privacy that, as revealed by Edward Snowden, has since become standard government procedure; Abu Ghraib was merely the tip of the iceberg of ‘enhanced interrogation procedures’ still secretly in use in the endless war on terror. At our current moment, amid pervasive public ignorance ...”

“... life of That Most Excellent Citizen and Uncorrupted Member of Parliament, as his first biographer Edward Thompson described him in 1776, the year of James Barry’s engraving. Andrew Marvell, whose father was an Anglican clergyman, was born in the East Riding of Yorkshire in 1621, and entered Trinity College, Cambridge in 1633 at the age of 12. He left ...”

“... had been sponsored by the Observer, at that time peopled with fabled beings like Kenneth Tynan, Edward Crankshaw and C.A. Lejeune, a socially and intellectually glamorous world, particularly to Michael Frayn, one of a group of us who went to the exhibition. But, of course, London itself was beginning to seem glamorous then – the Coffee House in ...”

“... to learn that Reagan never made important decisions before his wife had telephoned her fortune-teller, and that the top leaders of today’s Chinese Communist Party eagerly consult astrologers and feng shui masters – out of the limelight, of course. The two main points I want to make about this article are, first, that I began making comparisons from a ...”

“... part of a verse of the Old Hundredth (the name Waugh gave to one of his fictional night-clubs). Edward FitzGerald chose that verse for his tombstone, well-remembering the 12th-century verse he had translated from the Persian: ‘We are helpless: thou hast made us what we are.’ Henry VI wrote a prayer: Domine Jesu, qui me creasti, redimsti et preordinaste ...”

“... family); Charles Haas (elegant model for Proust’s Swann); ‘Bertie’, the cuddly future Edward VII; the artist-engraver Gustave Doré; and at least one woman, the trouser-wearing sculptor Louise Abbéma. Gottlieb refers to Abbéma, somewhat ungallantly, as ‘mannish’ and ‘monkeylike’, and it’s true, the pint-sized Louise wasn’t exactly an ...”

“... but also constrained: the analyst must ‘suppress his curiosity’ so as to allow tale and teller to create their telltale muddle, to take control of the narrative reins. The phrasing of the obligation (‘You must pay back Lieutenant A’) is as important for Freud as for his patient. In his ‘Analysis of a Phobia in a Five-Year-Old Boy’ (Little ...”

“... mutual admiration. Stevenson encouraged James in his commitment to the totalities of art, but the teller of ‘boys’ tales’ entertained two separate minds on the value of reality, and he let his stories take up the slack. ‘The analogy between the life of the healthy man and that of the invalid suggested an analogy between art and life,’ Frank ...”