Search Results

“... makes our current grayness and prudential sleekness the more shaming. Two meditations by Raymond Williams (in sadness, one imagines them to have been his epilogue) frame the contents. The prefatory statement is hesitant and somewhat opaque. Too briefly, it seeks to discriminate between Modernism and avant-garde, between authentic socialist impulses and those ...”

“... exile. But the most noted instance of the prophet rejecting his own country is the director Peter Brook who, having forged a glittering career in the British theatre, from a consummate King Lear to a definitive Midsummer Night’s Dream, decided to up sticks and set up an international company of actors abroad. ...”

“... brown hatter’. But in his third novel, Pompes Funèbres, written in 1947, the oppostions are, as Peter Coe points out in his excellent 1968 study of Genet, beginning to show worrying signs of being out of control. In Pompes Funèbres we are offered Hitler as Saviour, Nazi officer Erik Seiler as love object and an ecstasy of moaning over the ravishing of la ...”

“... painters have paid too much attention to the ism and not enough to the painting,’ William Carlos Williams wrote in 1928. Something similar could be said about Williams’s own critics: since his death in 1963, attention to his theories and to his life has been getting in the way of his poems. With ...”

“... it made Self momentarily speechless. ‘Belly of an architect,’ he said, using the title of the Peter Greenaway movie to express his amazement. ‘A pool is water, made available and useful, and is, as such, infinitely soothing to the Western eye,’ Joan Didion said. She was writing about California, where pools, in her view, were less a symbol of ...”

“... anthems Hymn to St Cecilia (classy words by Auden, usefully decent treble solo)♪ and Hymn to St Peter (eerie plainsong effect, also with coveted treble solo opportunity).♪ In the cathedral, thrillingly at night, that enormous building dark and mysterious beyond our spotlit oasis, we thrashed our way through an evening performance of Noye’s ...”

“... Oppen. The three, all Jewish New Yorkers, shared an admiration for Ezra Pound and William Carlos Williams and a belief, along with Williams, that American modernism should be relocated from Paris and London to the US. Asked to edit an issue of Poetry in 1931, Zukofsky put them together, along with ...”

“... cartoonist for their originals? That may only mean that the bite has gone out of it all. Yet Peter Cook, one of the early impersonators, is quoted here as saying : ‘My impersonation of Macmillan was in fact extremely affectionate – I was a great Macmillan fan.’ On the printed evidence, he could have fooled us. Did he fool us? It is useful to have ...”

“... The peaceable whale is the least cute and most awesome of our fellow animals, and Heathcote Williams rises to his subject with a volume which is not only a picture-book of the whale, and an anthology of human observations of the creature and its meaning for us, but is held together by his long poem which lists, in a Whitmanesque way, the utterly ...”

“... novel The Nightmarkets as ‘so solidly or anyway heavily involved in the tradition of Pound, Williams, Zukofsky and the yellow pages of the telephone directory’. Here, in neat reversal, only the joke is right. Wearne does have a telephone directory’s worth of circumstantial detail, but he is not remotely in the tradition of Pound, ...”

“... is not new. The patchwork made in his spare time in the decade between 1842 and 1852 by James Williams, a Welsh tailor, shows Cain and Abel, Noah and his ark and no end of animals. It also applauds modern engineering with representations of the Menai suspension bridge and the Cefn viaduct. There are patriotic and religious quilts which would elevate your ...”

“... Henry Farr is – or, as it turns out, is not – the ‘Wimbledon Poisoner’ of Nigel Williams’s title. He is a Pooterish solicitor, middling and muddling his way through life; the plot concerns his repeated farcical failure to murder his awful wife, bumping off (he thinks) other innocent people instead. Then, as the plot unravels and a real poisoner shows his hand, Henry discovers that his wife is not so awful after all ...”

“... One night in Miami,’ Raymond Williams wrote in 1973, ‘still dazed from a week on an Atlantic liner, I began watching a film and at first had some difficulty adjusting to a much greater frequency of commercial “breaks”.’ Things didn’t get any easier for him. Trailers for two other movies began to appear as inserts; the one he’d started with, about a crime in San Francisco, was interrupted not only by advertisements for cereal and deodorant, but by a romance set in Paris and then the roar of a prehistoric monster laying waste to New York ...”

“... and memorably responding to, wave after wave of neo-Marxist theory. As major influences, Sartre, Williams, Lukacs, Goldmann, Anderson, Althusser, Macherey, Benjamin, Derrida and the feminist movement have followed one another in quick succession. The Function of Criticism, hard on the heels of The Rape of Clarissa and Literary Theory: An Introduction, marks ...”

“... romantic socialism of Aneurin Bevan, and for the romantic sociology of Michael Young and Raymond Williams, as the views of these three have been characterised. One of the best sayings culled for the new volume is drawn from Bevan, and is as good as the ‘poetry’ heard by someone in his speeches. ‘Lazy? Lazy?’ Bevan responded to a sneer about the ...”