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“... Jonathan Rée takes some tomfoolery from Shakespeare for his title and uses it to create his own striking metaphor. The middle part of his book is about sign languages for the deaf: voices that one sees. The same trope served Oliver Sacks in Seeing Voices: A Journey into the World of the Deaf (1989), but there is more to it than that for Rée ...”

“... and, in the playwright’s name, deploy a considered programme of anti-Jacobin propaganda. As Jonathan Bate has pointed out in an incisive study of the cultural politics of the period,* Hazlitt stands as the Radical to Coleridge’s Conservative in terms of a struggle for possession of Shakespeare that was a feature of British ideology between Waterloo ...”

“... These biographies of John Gielgud by Jonathan Croall and Sheridan Morley are quite hard to tell apart. They are of much the same size, bear handsome pictures of the actor in old age on the front of their dust-jackets, and are, inevitably, affectionate and indulgent towards their subject. As Dirk Bogarde remarked when Croall consulted him about the work in hand, ‘everybody adored him, so the book might make rather flat reading ...”

“... side or another of the quarrel – such as Bradshaw variously detects in both E M W. Tillyard and Jonathan Dollimore. ‘The “Tragedy” is located in that radically sceptical perspectivism, and the play’s thinking about man and Nature is irreducibly experiential, a process we live through.’ It is an attractive approach: yet not all will like the idea ...”

“... nose and goatee modelled on George Arliss’s Disraeli and had to be persuaded by his director, Jonathan Miller, to evolve in the succeeding weeks a characterisation based on his own face. No one seems to have told Holden that dress rehearsals normally complete, not commence, the rehearsal process. He will surprise many who worked with Tyrone Guthrie by ...”

“... the play and then to finish on a spectacular death: roles like Richard III, Hamlet, Othello, King Lear and, above all, Macbeth. Given his long-nourished Anglophobia and the seemingly inevitable collision with Macready which remains the most celebrated event of his career, it may seem odd that Forrest was prepared to stake so much of his reputation on the ...”

“... Menahem Golan and Yoram Globus, then the heads of Cannon Films, to make a film version of King Lear, with a script (!) by Norman Mailer, in which Mailer and his daughter would star as Lear and Cordelia. After half a day’s shooting, Mailer and his daughter walked off the set and Godard tore up the script, beginning ...”

“... culminating in the appearance of his letters, weighing in at a substantial 768 pages, edited by Jonathan Allison of the University of Kentucky, who notes, a little ominously, that ‘this volume represents only a fraction of the extant letters … and there is certainly enough material for a further volume.’ MacNeice was born in Belfast, ‘between the ...”

“... are much more suspicious of ‘high culture’. In his introduction to Political Shakespeare, Jonathan Dollimore analyses a tripartite pattern in ideological conflicts of consolidation, subversion and containment. In certain circumstances, drama may subvert the ruling ideology, but the probability is that these challenges will eventually serve to ...”

“... Thomas Carlyle, published the first biography of the ‘peasant poet’. It laid the foundations, Jonathan Bate says in his new Life, ‘for both the enduring myths and some of the key truths about Clare’. Though there have been other biographies since Martin’s, Bate’s should finally disprove Dickens’s dismissal of it as a ‘preposterous exaggeration ...”

“... that all interpretation is necessarily misinterpretation (reduced by calmer exponents such as Jonathan Culler to the uncontentious assertion that no interpretation can ever be final), and the dashing new formulation of the old problem of intention – Ellis argues with force and clarity. Moreover he happens to believe that some writings are more complex ...”

“... excitement). In a career whose contours provide another of Brewer’s telling case-studies, Jonathan Tyers, proprietor of Vauxhall Gardens, made it a place of music and art, as well as parade and flirtation. Those who paid their shilling might be serenaded not only by love songs and patriotic airs, but also by the music of Corelli, J.C. Bach and ...”

“... were probably closed two-thirds of the time. Biographers, notably Katherine Duncan-Jones and Jonathan Bate, have struggled to determine the impact plague had on Shakespeare’s life and work. Did Shakespeare flee London during extended outbreaks, and so spend much of the first decade of the 17th century with his family in Stratford? Did he continue ...”

“... is entertaining. The man described in Helen Langdon’s catalogue essay – and, more fully, in Jonathan Scott’s 1995 biography – is loud, deplorable, disarming. Before settling in Rome in 1649 at the age of 34, Rosa had trained in his native Naples and had passed a charmed nine years in and around Florence. That one-time hub of artistic innovation ...”

“... is why it should always be conjoined to cock-up rather than counterposed to it). Jonathan Marshall of the San Francisco Chronicle, who is in my view the most sober and smart of those who study conspiracy theory, has an elegant and minimal guess about CIA reaction to this disaster. ‘Richard Helms asked himself: “Is my Agency responsible ...”