Search Results

“... Paul Auster​ ’s new novel, 4321, is a lightly edited two-inch-thick Bildungsroman divided into four timelines, each a possible iteration of a single character’s life. That character is born at the end of a prologue consisting mostly of family prehistory: Russian Jews emigrate to New York and bear a child, Stanley; Stanley marries comely Rose, and they beget our protagonist, Archie Ferguson ...”

“... the supposed drug deals took place. Most puzzling, however, was the arrest of Freddie Brookins Jr. The son of a hard-working pillar of the black community, Freddie was quiet, plain-spoken and studious, and had excelled in athletics, basketball and football. He was ambitious, and rejected, Nate Blakeslee writes, the ‘gangster culture so many of his peers ...”

“... The marketing blurbs for Bret Easton Ellis’s new novel, Imperial Bedrooms, would have it be a sequel to Less than Zero, the 1985 novel that made him famous. It is, after a fashion: all of Ellis’s books are sequels, prequels, spinoffs and derivatives of each other. They share a universe, or perhaps a multiverse, of interconnected fictional lives and storylines, all of which bear, or are supposed to bear, or are trying to convince you they’re supposed to bear, some resemblance to Ellis’s actual life experiences, family members, enemies and friends ...”

“... Something remarkable happens in the opening pages of J. Robert Lennon’s seventh novel. Elisa Brown is driving home to Reevesport, in upstate New York, from Madison, Wisconsin, where her son is buried. She makes the journey once a year, by herself, in her beaten up old Honda with its smell of dog (her husband’s, from before they were married, now dead) and cracked windscreen ...”

“... that is excessive and much that is reasonable in the early novels of the young American writer J. Robert Lennon. At 34, Lennon, already the author of four novels, plots his books with a rigour and restraint uncharacteristic of writers of his generation. Whereas his immediate contemporaries Dave Eggers, Colson Whitehead ...”

“... a cartoon version of what Philip Roth called ‘the indigenous American berserk’. The hero of J. Robert Lennon’s fourth novel is a postal carrier, a loner in late middle age, moderately disgruntled, deranged to an uncertain extent – raising concerns that he will storm his place of work with a shotgun before the novel is through. But Albert ...”

“... Paris figures in the titles of both James Campbell’s and Peter Lennon’s books, but this is a restricted, specialised Paris. Campbell takes us into something called the ‘Interzone’ (the term is odd, and troublesome), inhabited by assorted exiles, misfits and drop-outs during the Fifties and late Forties. Lennon’s jaunty impressionistic book takes us into the Sixties, with an account of his experiences as a young journalist writing, sporadically, for the Guardian, while, in the intervals, getting caught up in all kinds of adventures (best of all an improbable encounter, in the company of Samuel Beckett, with Peter O’Toole ...”

“... personal history and the pretty stuff on the public record. Let’s take the spirit of J. Michael Lennon’s ‘double life’ of Norman Mailer and offer that doubleness back as subjective criticism. Mailer, after all, gave us the non-fiction novel, Lennon gives us the pseudo-objective biography, so why can’t I offer the ...”

“... verse, and, according to a website about Afghan hounds, once owned the cave in which Robert the Bruce hid out. I’d just confirmed that A.J.A. Symons’s The Quest for Corvo was packed with neo-Jacobites when my acquaintance popped up online with further information about the annual Mass. ‘I should ...”

“... xxii, 1-2). We are well clear of Adam Smith by now, and still going strong, but the next hop, to Robert Lowe, marks the turn for home. For Lowe is introduced as a radical Utilitarian administrator (see Utilitarianism). Utilitarianism naturally leads us to Jeremy Bentham, and Bentham equally naturally back to Utilitarianism. This makes no difference ...”

“... and replacing the nationalist agenda with the world view of the European New Left (think of John Lennon)’. Their targets included Amos Oz and A.B. Yehoshua, who were criticised for peopling their work with neurotic characters; leading artists, for following cosmopolitan fashion; educationalists, for the decline in the teaching of the Bible, the Talmud and ...”

“... Picasso had, after 1950, become Adolf Wölfli, or John Ford had ended up as John Cassavetes. Or if Robert Crumb had turned into his obsessive mad-genius brother, Charles Crumb. If thisweredrawn byKirby inthe 1970sit wouldbe a massivegleaminghystericallyhyperarticulatedpsychedelicedifice ...”

“... and into bed. Crushed, Isabel transfers her affections to the more diffident American lecturer, Robert, and dithers prissily around him until he succumbs – unfortunately to Pol, again. There is nothing rivalrous in any of this, merely a contrast of tactics. Pol is the brazen adventurer to Isabel’s cloistered romantic, and treats men with a disdain that ...”

“... pools of unexpected calm. But he wasn’t simply a New York photographer-novelist. Convinced that Robert Frank had missed out on the real story of America in the 1950s – the story of the suburbs – he made his way across the country, and his travels put him in an entirely different relation to photographic and physical space. He left New York for ...”

“... Marooned in the ‘painful but glorious days’ of his past, he rather resembles the characters of Robert Olen Butler’s Pulitzer Prize-winning collection of short stories, A Good Scent from a Strange Mountain: all of these concern South Vietnamese immigrants who have settled, for the most part happily, in Louisiana, yet who hark constantly back to their ...”