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“... 1949. His career began auspiciously in the early 1940s with the enthusiastic support of his hero Dylan Thomas, but the surrealism of his early collections, such as Cage without Grievance and 2ND Poems, seemed to mark him out as an oddity who could easily be ignored. The White Threshold in 1949 and The Nightfishing in 1955 made a conscious break with his ...”

“... or just after the last war it was Connolly and Koestler and Spender, William Plomer, Alun Lewis, Dylan Thomas, Peter Quennell. Some still have life or fame or both, some not: but then, not now, was their moment. Was Connolly himself any good as a writer? The question means little because the point of Connolly turned out to be Connolly not producing the ...”

“... gradually revealed that there were other ways of writing verse than those prescribed either by the Dylan Thomas school of apocalyptic word-chimers, or by the Movement, in whose manifestos he detected – rightly, I think – a fatal ‘whiff of little Englandism’. So, after beginning unsteadily, with early poems that had not quite assimilated the ...”

“... of 1927 best catches that plasticity in an image that recalls the similarly sandy and baby-faced Dylan Thomas. Churchill’s longest-lasting, albeit stormy, artistic relationship was with his cousin, the sculptor Clare Sheridan, who first made a head of him in 1919. Even for her he wouldn’t sit still for more than a few minutes. On that occasion he ...”

“... and rancour. There is evidence that he enjoys walking, curlews, turtledoves, bullfinches, owls, Thomas Moore’s ‘Thee, Thee, Only Thee’ and much that France still offers. There are writers he likes, most of them dead: Ronsard, John Clare, William Barnes (‘love of whose poems seems to me a litmus paper of the genuine’), Auden (‘the greatest of my ...”

“... of a rag-bag. Part One contains stories round and about schooldays, readable enough but not up to Dylan Thomas as a young dog. In Part Two ‘The Scream’ gives us Dannie (all right, the narrator), now a medical student, thumbing a lift to Cardiff from a lorry-driver. They stop at a sinister little café where he hears a woman’s piercing scream ...”

“... associate editor of Poetry magazine; as a girl, Mitchell met T.S. Eliot, Edna St Vincent Millay, Dylan Thomas, Ezra Pound and others. The exhibition opens with works from the 1950s, including Hemlock (named after a line from a Wallace Stevens poem) and Evenings on 73rd Street, both a mass of densely worked strokes against a nimbus of white paint, like ...”

“... something of an oversimplification, but not all that much. The tradition is rich and unbroken: in Thomas Elyot’s Latin dictionary of 1538 we find aedificium ‘building’, in Bullokar’s English dictionary of 1616 the minimally anglicised edifice ‘a building’, in the 1979 Collins edifice ‘a building’. For all their bright newness, dictionaries of ...”

“... What​ is identity politics? Is it, to paraphrase Dylan Thomas, a part of society you don’t like that’s fighting for its interests as fiercely as yours does? Or is it, as Mark Lilla puts it in The Once and Future Liberal, ‘a pseudo-politics of self-regard and increasingly narrow and exclusionary self-definition’? The book belongs to the genre of responses to Donald Trump’s election in which liberal American academics turn their rage on their own intellectual-political class ...”

“... Washington Avenue Bridge, where John Berryman jumped to his death; the White Horse Tavern, where Dylan Thomas supposedly drank the 18 whiskeys that killed him; 23 Fitzroy Road, where Plath laid her head on a folded towel in the gas oven; Missolonghi, per Byron; Rome, to the Keats-Shelley House; Vienna, where Auden bore out his own prophecy: ‘I shall ...”

“... has been, to say nothing of many a lesser figure. In what might be called the peripheral stakes Dylan Thomas and even David Jones have had more attention in some quarters – in the case of Dylan Thomas, with a wild publicity which has had little enough to do with his work. MacDiarmid, it is true, has had a ...”

“... and exact music’. Brown learned much from musical masters such as Tennyson, Hopkins, Eliot and Dylan Thomas, although at his best he could cut free from them and write with a plain clarity: A silent conquering army, The island dead, Column on column, each with a stone banner Raised over his head. A green wave full of fish Drifted far In wavering ...”

“... After the first death,’ Dylan Thomas wrote, ‘there is no other.’ I know what he is getting at, I suppose, but it isn’t true, at least not for me. I have had other deaths, but the death last month of my friend Michael Rogin was a shock. It’s not that we had, in recent years, spent much time together ...”

“... They especially despised Surrealism, reserving particular contempt for the New Apocalypse school (Dylan Thomas and Co), whose influence was just beginning to register on the Australian literary scene, mainly thanks to the only avant-garde journal of the time, Angry Penguins. Angry Penguins was edited by Max Harris, a student at Adelaide University, and ...”

“... I must declare an interest in this particular Thomas. Dylan, R.S., above all the heart-inscribed Edward – these I admire, respect, claim. D.M. I have had little luck with. Our relationship began with the publication some years ago of The Flute Player, a novel which, I had heard, concerned the life of Osip Mandelstam ...”