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“... David Jones was staying in the Chelsea flat of the BBC’s Assistant Director of Programme Planning, Harman Grisewood, as the bombs fell on London in the autumn of 1940. During one raid, a near miss blew a bus off course; it went through the window of Sainsbury’s on the King’s Road. ‘I was going out to see if I could do anything,’ Grisewood reported ...”

“... in Lincolnshire. He was 17 years old and ‘long-haired, very handsome, very well read, a huge Bob Dylan fan’.Taupin moved in with the singer previously known as Reg; they slept in bunk beds in the second bedroom of the flat owned by Reg’s mother and her new husband in Frome Court in Pinner. ‘We would spend the days writing,’ Elton remembers, ‘Bernie ...”

“... Signoret. ‘There were other beautiful girls who could paint at the time,’ the architect Edward Jones recalled, ‘but none who were quite as wonderful as her.’ She had an acting career on the side, including a bit part in Alfie. She was almost cast as the lead in Darling, before Julie Christie came along. She danced on Ready Steady Go!, modelled for ...”

“... but when he came home, it was to a 270-acre ranch, which Redding called ‘the Big O Ranch’, in Jones County, twenty miles outside Macon. Although he had bristled at anything ‘country’, the life of a country squire was the one that he’d settled on. In 1966, he began to cross over in earnest with white audiences. That spring, Redding played a series of ...”

“... of 1927 best catches that plasticity in an image that recalls the similarly sandy and baby-faced Dylan Thomas. Churchill’s longest-lasting, albeit stormy, artistic relationship was with his cousin, the sculptor Clare Sheridan, who first made a head of him in 1919. Even for her he wouldn’t sit still for more than a few minutes. On that occasion he ...”

“... have become themselves, whereas Corvo or Lowry, Hamilton or Conrad Aitken, and maybe poets like Dylan Thomas and John Berryman of more recent date, are celebrated inside their own time-warp, relished as creatures of their epoch. A disillusioned devotee is the worst that can happen to them; and although I enjoyed rereading Twenty Thousand Streets and ...”

“... page 51 of the posthumously compiled Arrivals & Departures – looks incredibly like the young Bob Dylan. He even has a pen in his shirt pocket! During this deranged phase of research I was also struck by the way that Winogrand himself looked, for a while, rather like Dave Eggers.) The fact that this picture is not in the current catalogue – it can be seen ...”

“... were on the margin, is far from being a stranger to mainstream anthologies, while Basil Bunting, Dylan Thomas, Edwin Morgan, R.S. Thomas, Iain Crichton Smith, Thom Gunn, Hugh MacDiarmid and Norman MacCaig are unassailably part of our consciousness of the poetic landscape. Auden and MacNeice, too, though the omission in both books of Stephen Spender suggests ...”

“... owned by the other 80 per cent. Dr Morgan quotes without apparent dissent the comment of Glyn Jones, a Welsh-speaker who has chosen to write in English, that ‘the only thing English about an Anglo-Welsh writer ought to be his language,’ and repeats the attack by Bobi Jones, a learner of Welsh, on ...”

“... the listener at home, alone in his room. Further books are scheduled in the series: on Bob Dylan, Joni Mitchell, Björk. Each of these musicians is a virtuoso of one or another aspect of pop. Yet the first book to appear, by Richard Witts, tackles the Velvet Underground. The Velvet Underground were decidedly not these kinds of virtuoso. There are ...”

“... In turn Herbert is freed from the burden of acting out his good intentions, the burden which made Dylan reject his original audience, becoming steadily more cryptic and spiky, and which makes Billy Bragg seem exhausted by figurehead duty. Formalist art contains the sincerity of its maker without needing to transmit it directly. That’s the theory anyway. Of ...”

“... 1949. His career began auspiciously in the early 1940s with the enthusiastic support of his hero Dylan Thomas, but the surrealism of his early collections, such as Cage without Grievance and 2ND Poems, seemed to mark him out as an oddity who could easily be ignored. The White Threshold in 1949 and The Nightfishing in 1955 made a conscious break with his ...”

“... to find out who Hanabeke is. This is good prose which should be read aloud slowly on the radio (as Dylan Thomas used to read Davies’s Autobiography of a Super-Tramp). Two new English comedies seem wan and sad after these four exuberant, exotic plants. The author of Train to Hell is an Alternative Comedian: that means, the sort that doesn’t make you ...”

“... paid and the girls Bill got off with afterwards. Especially the girls. Wyman had 278 (he and Brian Jones counted up) during the first two years of the Stones. Odd, in a way, that he got rid of his original surname: Perks. Stone Alone is perversely fascinating in its grinding, routine repetitiveness: gig after gig after gig on tour after tour, more girls in ...”

“... gifted writers and poets. From Welsh-language Wales this was often seen, as earlier in the case of Dylan Thomas’s Under Milk Wood, as a vulgar, Anglicised betrayal of ‘Welshness’. Yet Anglicised, at least, it was not. The work of the English-language writers of industrial South Wales is unmistakably indigenous; its English in tone and rhythm is not an ...”