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Diary

Paul Laity: Henry Woodd Nevinson, 3 February 2000

... Court Road. It was a remarkable time at the Slade – his other classmates included Paul Nash, Ben Nicholson, David Bomberg and William Roberts – and a revolutionary moment in British art. Even to express support for Roger Fry’s Post-Impressionist exhibitions was daring and radical. Nevinson, having seen a contemporary ...

At the Movies

Michael Wood: ‘Let the Right One In’, 14 May 2009

Let the Right One In 
directed by Tomas Alfredson.
November 2008
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... has some trouble remembering. The men all grin and gesture with a fake jocularity which makes Jack Nicholson look like a model of sense and sincerity, and this effect was compounded for me, through no fault of the director, by the badly dubbed version I saw. This had the advantage of added eeriness because no one’s mouth moved when they were talking; and the ...

Knobs, Dots and Grooves

Peter Campbell: Henry Moore, 8 August 2002

Henry Moore: Writings and Conversations 
edited by Alan Wilkinson.
Lund Humphries, 320 pp., £35, February 2002, 0 85331 847 6
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The Penguin Modern Painters: A History 
by Carol Peaker.
Penguin Collectors’ Society, 124 pp., £15, August 2001, 0 9527401 4 1
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... by the architect Leslie Martin, the Constructivist sculptor Naum Gabo and the abstractionist Ben Nicholson, was published in 1937. Although they roped in a few contributors, such as Herbert Read, who were willing to give the Surrealists (for example) the time of day, only non-representational painting, abstract sculpture and asymmetrical and undecorated ...

At Piano Nobile

Eleanor Birne: Jean Cooke, 18 April 2019

... week – Bratby finished his studies at the Royal College of Art and, thanks to a famous essay by David Sylvester in Encounter, found himself at the head of a movement. ‘Everything but the kitchen sink? The kitchen sink too,’ Sylvester wrote to describe the work of Bratby and others – Derrick Greaves, Edward Middleditch, Jack Smith – who were busy ...

Into the Southern Playground

Julian Bell: The Suspect Adrian Stokes, 21 August 2003

'The Quattro Cento’ and ‘Stones of Rimini’ 
by Adrian Stokes.
Ashgate, 668 pp., £16.99, August 2002, 0 7546 3320 9
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Art and Its Discontents 
by Richard Read.
Ashgate, 260 pp., £35, December 2002, 0 7546 0796 8
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... milieux of the Sitwells and of Pound, in favour of Hampstead progressivism – the company of Ben Nicholson and Barbara Hepworth and the psychoanalysis of Melanie Klein (who souped up his neuroses into a fabulously lurid case study: ‘Woman . . . appeared to him only as a kind of container for terrifying penises and dangerous excrements’). Read is a fine ...

Stuck in Chicago

Linda Colley, 12 November 1987

Women 
by Naim Attallah.
Quartet, 1165 pp., £15, October 1987, 0 7043 2625 6
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... As I write this, the Liberal MP David Alton is about to introduce a Bill changing the upper time limit on legal abortions from 28 weeks to 18. If he succeeds, more women will be forced to give birth against their will, and more will be obliged to give birth to children already known to be severely handicapped. Whether he succeeds will be determined by a House of Commons where 13 out of every 16 MPs belong to the sex that does not get pregnant and does not, traditionally, take on the main responsibility of childcare ...

Spaces between the Stars

David Bromwich: Kubrick Does It Himself, 26 September 2024

Kubrick: An Odyssey 
by Robert P. Kolker and Nathan Abrams.
Faber, 649 pp., £25, January, 978 0 571 37036 8
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... member, I have now read, in addition to the biography, the full-length critical studies by David Mikics and James Naremore, watched Jan Harlan’s excellent documentary, Stanley Kubrick: A Life in Pictures, and explored every entry in The Stanley Kubrick Archives edited by Alison Castle: a 13-pound art-historical tome containing solid articles on every ...

At Kettle’s Yard

Rosemary Hill: Lucie Rie, 15 June 2023

... Bronze Age, using a steel needle instead. There was also something of the abstract reliefs of Ben Nicholson in the subtle play of white glazes in her work from this time. Not every experiment came off. An inlaid stoneware vessel decorated with a form like a seed head comes too close to the figurative, and the rising and falling wave pattern on a vase of the ...

The Wickedest Woman in Paris

Colm Tóibín, 6 September 2007

Red Carpets and Other Banana Skins 
by Rupert Everett.
Abacus, 406 pp., £7.99, July 2007, 978 0 349 12058 4
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... hostess, was that evening minding her own business in her own nice home in the company of Jack Nicholson and three hundred others. She had, understandably, drawn the line at Rupert and Min, who seem to have been upset by this. Rupert’s idea of a Water Board worker was a man with an Irish accent. He tried out his ‘vague leprechaun lilt’ on Nona ...

Mistrial

Michael Davie, 6 June 1985

The Airman and the Carpenter: The Lindbergh Case and the Framing of Richard Hauptmann 
by Ludovic Kennedy.
Collins, 438 pp., £12.95, April 1985, 0 00 217060 4
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... Meehan for a murder he did not commit; Wicked beyond Belief (1980) was followed by the release of David Cooper and Michael McMahon, also detained for a murder they did not commit. Few readers of Mr Kennedy’s latest book will finish it thinking he has spoiled his immaculate record. The reader may be left with lingering doubts about whether Hauptmann had no ...

Cartwheels over Broken Glass

Andrew O’Hagan: Worshipping Morrissey, 4 March 2004

Saint Morrissey 
by Mark Simpson.
SAF, 224 pp., £16.99, December 2003, 0 946719 65 9
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The Smiths: Songs that Saved Your Life 
by Simon Goddard.
Reynolds/Hearn, 272 pp., £14.99, December 2002, 1 903111 47 1
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... and, more violently, how much they loved the heavily lipglossed singer in a band called Japan. David Sylvian was his name. The girls called him David. So far as I remember, the diary was a pretty spectacular fantasia of adolescent lusts and local hatreds: Dear Katherine, David came ...

Journos de nos jours

Anthony Howard, 8 March 1990

Alan Moorehead 
by Tom Pocock.
Bodley Head, 311 pp., £16.95, February 1990, 0 370 31261 9
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Loyalties: A Son’s Memoir 
by Carl Bernstein.
Macmillan, 254 pp., £15.95, January 1990, 0 333 52135 8
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Downstart 
by Brian Inglis.
Chatto, 298 pp., £15.95, January 1990, 0 7011 3390 2
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... his fame may have faded a little since Dustin Hoffman represented him in that film, and Jack Nicholson represented him in a later one. He is quite open about the difficulties he has subsequently experienced, making it clear that he started out trying to write this book almost a decade and a half ago and laid it on one side partly in deference to the ...

Monster Doss House

Iain Sinclair, 24 November 1988

The Grass Arena 
by John Healy.
Faber, 194 pp., £9.95, October 1988, 0 571 15170 1
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... into the nether regions is frequently heroic and, in achieving it, he is ennobled but emasculated. David Goodis is the laureate of this mood. William Kennedy, a more recent mythologist of hobo as artist, has seen his novel Ironweed make it all the way to the screen, where Jack Nicholson was obliged to continue his ...

Heroes

Pat Rogers, 6 November 1986

Hume and the Heroic Portrait: Studies in 18th-Century Imagery 
by Edgar Wind, edited by Jaynie Anderson.
Oxford, 139 pp., £29.50, May 1986, 0 19 817371 7
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Augustan Studies: Essays in honour of Irvin Ehrenpreis 
edited by Douglas Lane Patey and Timothy Keegan.
University of Delaware Press, 270 pp., £24.50, May 1986, 9780874132724
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The 18th Century: The Intellectual and Cultural Context of English Literature 1700-1789 
by James Sambrook.
Longman, 290 pp., £15.95, April 1986, 0 582 49306 4
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... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...

Sight, Sound and Sex

Adam Mars-Jones: Dana Spiotta, 17 March 2016

Innocents and Others 
by Dana Spiotta.
Scribner, 278 pp., £17.95, March 2016, 978 1 5011 2272 9
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... can’t give the impression of looking inside a mind directly, and must find its own equivalents. David Lean declared that in The Passionate Friends (1949) he had succeeded in photographing thought, though he was referring not to the film as a whole but to one sequence, in which Claude Rains’s character jumps to the conclusion that his wife is having an ...

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