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“... through earpieces. At the end of her talk it was a pleasure to take mine out. Others around the hall were doing the same, stretching and chatting and moving from their seats. I did not sense the general atmosphere of mutinous disapprobation that would have been fitting. There was to be a short break followed by smaller sessions in other rooms on specific ...”

“... Jeremy Prynne what he thought of Captain Beefheart, he said he thought he sounded like Little Richard.’ Poodle Play is the Cambridge Poetry Festival on steroids. The exoskeleton recalls the papers delivered from the platform on that Saturday afternoon in King’s: selections from the Frankfurt School, carried aloft like placards in a Brecht play, moral ...”

“... cantata has a similar power. No one could sit, as I did earlier this year, in the Royal Festival Hall during a performance by the Philharmonia and London Symphony Chorus under Richard Hickox and not be shattered into submission. Belshazzar’s Feast takes Elgarian oratorio by its neck and flings it into the 20th ...”

“... with acuity on Madison and Jefferson and on Jack Ruby (the assassin of Kennedy’s assassin) and Richard Nixon. He is the closest thing the New World has to a Chesterton or a Burke. Who better to reflect on the relationship of sin and power, of eros and daring, of charisma and catastrophe, than an American pilgrim whose journey has taken him from William ...”

“... extinction. Back in 1975, Spens replaced Peter Townsend as editor of Studio International with Richard Cork. Townsend went on to found Art Monthly in 1976 with Jack and Nell Wendler. Under Townsend, James Faure-Walker had been a contributor to Studio International. Cork made his copy less welcome and Faure-Walker and others set up Artscribe. Eventually ...”

“... do.’ Apprehensive about ‘top-hatty philanthropy’, Ashbee went to the East End, to Toynbee Hall. ‘There are some splendid men here,’ he wrote in 1886, ‘and a great deal of unostentatious heroism.’ It was here that plans for putting Ruskin into practice took shape: a school and workshop where the teachers would work in the shop and recruit the ...”

“... first. On 4 February 1658, seven months before his death, he arrived unannounced at Westminster Hall in a hackney carriage – the Thames was icebound – and told his startled son-in-law, Charles Fleetwood, that he intended to dissolve Parliament. Think hard about it first, Fleetwood pleaded, for it is a decision of great consequence. ‘You are a ...”

“... is to weave through place and time with a guide as robust and detailed in his knowledge as, say, Richard Cobb is about France, albeit with diametrically opposite political analysis and enthusiasms. As a pamphleteer and radical, Davis is still very much on active service, though, as he remarked not so long ago, the programme of a radical in Los Angeles today ...”

“... Russia, coming two years after The Berlin Wall Café contains 48 poems; Peter Redgrove’s In the Hall of the Saurians, one year after its predecessor, has 34; Norman MacCaig’s Voice-over, three years on from his Collected Poems, has 58; Cat’s Whisker by Philip Gross (three years on) 41; Jouissance by William Scammell (two years) 38; Disbelief by John Ash ...”

“... the novel that demonstrate what Hitchcock was really up to. The most notable of these is a music-hall performer called Mr Memory. In the film’s opening scene, he answers the questions fired at him by the music-hall audience with absolute infallibility, as long as they concern matters of fact. His performance has two ...”

“... A couple of nights before I first saw the Richter show at Tate Modern I had been at the Festival Hall listening to Boulez conduct his Pli selon pli. I felt then, as the octogenarian directed us through his atrocious and wonderful labyrinth, that it was sheer luck – the luck of a lifetime – to have caught this last intransigence of modernism on the wing ...”

“... might nominate Trakl, Laforgue, Keats and Shelley (I don’t think I breathed while I was reading Richard Holmes’s Shelley: The Pursuit all those years ago); for a rare, artful blending of long and short, one can’t do better than Rimbaud and Hölderlin; and for the latter, Hamsun, Yeats, Shaw – and Bunting. Incidentally, or maybe not, Bunting also shows ...”

“... seed the lessons of modern art in Britain.These early influences are apparent in Sickert’s music-hall interiors of the late 1880s and early 1890s. Whistler is there in the control of low tones: the effects of artificial light in near darkness are conveyed by deep reds (on plush curtains and performers’ dresses) that are alternately ashy and warmly ...”

“... both national and televisual – that made them possible. To accept (and extend to Celtic Britain) Richard Hoggart’s assertion, in The Way We Live Now, that the English are ‘most characteristic of their collective selves when being irreverent, vulgar, nutty rather than when brought together in deference or respect for occasions invented by their ...”

“... In​ 1944, as Richard Kay records, an optimistic litigant challenged the validity of a Victorian statute under which he was being sued, on the ground that Queen Victoria, like all her predecessors since 1689, had had no title to the throne. The argument, which would have wiped the statute book almost clean, was dismissed without much ceremony; but in 1688 and 1689 it occupied the centre of the political and constitutional stage ...”